It was not permitted to the orphan of the Garde Doloureuse, the daughter of a line of heroes, whose stem was to be found in the race of Thor, Balder, Odin, and other deified warriors of the North, whose beauty was the theme of a hundred minstrels, and her eyes the leading star of half the chivalry of the warlike marches of Wales, to mourn her sire with the ineffectual tears of a village maiden. Young as she was, and horrible as was the incident which she had but that instant witnessed, it was not altogether so appalling to her as to a maiden whose eye had not been accustomed to the rough, and often fatal sports of chivalry, and whose residence had not been among scenes and men where war and death had been the unceasing theme of every tongue, whose imagination had not been familiarized with wild and bloody events, or, finally, who had not been trained up to consider an honourable “death under shield,” as that of a field of battle was termed, as a more desirable termination to the life of a warrior, than that lingering and unhonoured fate which comes slowly on, to conclude the listless and helpless inactivity of prolonged old age. Eveline, while she wept for her father, felt her bosom glow when she recollected that he died in the blaze of his fame, and amidst heaps of his slaughtered enemies; and when she thought of the exigencies of her own situation, it was with the determination to defend her own liberty, and to avenge her father’s death, by every means which Heaven had left within her power.
The aids of religion were not forgotten; and according to the custom of the times, and the doctrines of the Roman church, she endeavoured to propitiate the favour of Heaven by vows as well as prayers. In a small crypt, or oratory, adjoining to the chapel, was hung over an altar-piece, on which a lamp constantly burned, a small picture of the Virgin Mary, revered as a household and peculiar deity by the family of Berenger, one of whose ancestors had brought it from the Holy Land, whither he had gone upon pilgrimage. It was of the period of the Lower Empire, a Grecian painting, not unlike those which in Catholic countries are often imputed to the Evangelist Luke. The crypt in which it was placed was accounted a shrine of uncommon sanctity—nay, supposed to have displayed miraculous powers; and Eveline, by the daily garland of flowers which she offered before the painting, and by the constant prayers with which they were accompanied, had constituted herself the peculiar votaress of Our Lady of the Garde Doloureuse, for so the picture was named.
Now, apart from others, alone, and in secrecy, sinking in the extremity of her sorrow before the shrine of her patroness, she besought the protection of kindred purity for the defence of her freedom and honour, and invoked vengeance on the wild and treacherous chieftain who had slain her father, and was now beleaguering her place of strength. Not only did she vow a large donative in lands to the shrine of the protectress whose aid she implored; but the oath passed her lips, (even though they faltered, and though something within her remonstrated against the vow,) that whatsoever favoured knight Our Lady of the Garde Doloureuse might employ for her rescue, should obtain from her in guerdon whatever boon she might honourably grant, were it that of her virgin hand at the holy altar. Taught as she was to believe, by the assurances of many a knight, that such a surrender was the highest boon which Heaven could bestow, she felt as discharging a debt of gratitude when she placed herself entirely at the disposal of the pure and blessed patroness in whose aid she confided. Perhaps there lurked in this devotion some earthly hope of which she was herself scarce conscious, and which reconciled her to the indefinite sacrifice thus freely offered. The Virgin, (this flattering hope might insinuate,) kindest and most benevolent of patronesses, will use compassionately the power resigned to her, and he will be the favoured champion of Maria, upon whom her votaress would most willingly confer favour.
But if there was such a hope, as something selfish will often mingle with our noblest and purest emotions, it arose unconscious of Eveline herself, who, in the full assurance of implicit faith, and fixing on the representative of her adoration, eyes in which the most earnest supplication, the most humble confidence, struggled with unbidden tears, was perhaps more beautiful than when, young as she was, she was selected to bestow the prize of chivalry in the lists of Chester. It was no wonder that, in such a moment of high excitation, when prostrated in devotion before a being of whose power to protect her, and to make her protection assured by a visible sign, she doubted nothing, the Lady Eveline conceived she saw with her own eyes the acceptance of her vow. As she gazed on the picture with an overstrained eye, and an imagination heated with enthusiasm, the expression seemed to alter from the hard outline, fashioned by the Greek painter; the eyes appeared to become animated, and to return with looks of compassion the suppliant entreaties of the votaress, and the mouth visibly arranged itself into a smile of inexpressible sweetness. It even seemed to her that the head made a gentle inclination.
Overpowered by supernatural awe at appearances, of which her faith permitted her not to question the reality, the Lady Eveline folded her arms on her bosom, and prostrated her forehead on the pavement, as the posture most fitting to listen to divine communication.
But her vision went not so far; there was neither sound nor voice, and when, after stealing her eyes all around the crypt in which she knelt, she again raised them to the figure of Our Lady, the features seemed to be in the form in which the limner had sketched them, saving that, to Eveline’s imagination, they still retained an august and yet gracious expression, which she had not before remarked upon the countenance. With awful reverence, almost amounting to fear, yet comforted, and even elated, with the visitation she had witnessed, the maiden repeated again and again the orisons which she thought most grateful to the ear of her benefactress; and rising at length, retired backwards, as from the presence of a sovereign, until she attained the outer chapel.
Here one or two females still knelt before the saints which the walls and niches presented for adoration; but the rest of the terrified suppliants, too anxious to prolong their devotions, had dispersed through the castle to learn tidings of their friends, and to obtain some refreshment, or at least some place of repose for themselves and their families.
Bowing her head, and muttering an ave to each saint as she passed his image, (for impending danger makes men observant of the rites of devotion,) the Lady Eveline had almost reached the door of the chapel, when a man-at-arms, as he seemed, entered hastily; and, with a louder voice than suited the holy place, unless when need was most urgent, demanded the Lady Eveline. Impressed with the feelings of veneration which the late scene had produced, she was about to rebuke his military rudeness, when he spoke again, and in anxious haste, “Daughter, we are betrayed!” and though the form, and the coat-of-mail which covered it, were those of a soldier, the voice was that of Father Aldrovand, who, eager and anxious at the same time, disengaged himself from the mail hood, and showed his countenance.
“Father,” she said, “what means this? Have you forgotten the confidence in Heaven which you are wont to recommend, that you bear other arms than your order assigns to you?”
“It may come to that ere long,” said Father Aldrovand; “for I was a soldier ere I was a monk. But now I have donn’d this harness to discover treachery, not to resist force. Ah! my beloved daughter— we are dreadfully beset—foemen without—traitors within!—The false Fleming, Wilkin Flammock, is treating for the surrender of the castle!”
“Who dares say so?” said a veiled female, who had been kneeling unnoticed in a sequestered corner of the chapel, but who now started up and came boldly betwixt Lady Eveline and the monk.
“Go hence, thou saucy minion,” said the monk, surprised at this bold interruption; “this concerns not thee.”
“But it doth concern me,” said the damsel, throwing back her veil, and discovering the juvenile countenance of Rose, the daughter of Wilkin Flammock, her eyes sparkling, and her cheeks blushing with anger, the vehemence of which made a singular contrast with the very fair complexion, and almost infantine features of the speaker, whose whole form and figure was that of a girl who has scarce