Much of his work on the Sunday supplement of "The Times" was of the hack order—special articles, write-ups, and interviews. About once a month, however, he wrote a short story, and of late, now that he was convalescing from Maupassant and had begun to be somewhat himself, these stories had improved in quality, and one or two had even been copied in the Eastern journals. He earned $100 a month.
When Snooky had let him in, Rivers dashed up the stairs of the Bessemers' flat, two at a time, tossed his stick into a porcelain cane-rack in the hall, wrenched off his overcoat with a single movement, and precipitated himself, panting, into the dining-room, tugging at his gloves.
He was twenty-eight years old—nearly ten years older than Travis; tall and somewhat lean; his face smooth-shaven and pink all over, as if he had just given it a violent rubbing with a crash towel. Unlike most writing folk, he dressed himself according to prevailing custom. But Condy overdid the matter. His scarfs and cravats were too bright, his colored shirt-bosoms were too broadly barred, his waistcoats too extreme. Even Travis, as she rose to his abrupt entrance? told herself that of a Sunday evening a pink shirt and scarlet tie were a combination hardly to be forgiven.
Condy shook her hand in both of his, then rushed over to Mr. Bessemer, exclaiming between breaths: "Don't get up, sir—don't THINK of it! Heavens! I'm disgustingly late. You're all through. My watch—this beastly watch of mine—I can't imagine how I came to be so late. You did quite right not to wait."
Then as his morbidly keen observation caught a certain look of blankness on Travis' face, and his rapid glance noted no vacant chair at table, he gave a quick gasp of dismay.
"Heavens and earth! didn't you EXPECT me?" he cried. "I thought you said—I thought—I must have forgotten—I must have got it mixed up somehow. What a hideous mistake, what a blunder! What a fool I am!"
He dropped into a chair against the wall and mopped his forehead with a blue-bordered handkerchief.
"Well, what difference does it make, Condy?" said Travis quietly. "I'll put another place for you."
"No, no!" he vociferated, jumping up. "I won't hear of it, I won't permit it! You'll think I did it on purpose!"
Travis ignored his interference, and made a place for him opposite the children, and had Maggie make some more chocolate.
Condy meanwhile covered himself with opprobrium.
"And all this trouble—I always make trouble everywhere I go. Always a round man in a square hole, or a square man in a round hole."
He got up and sat down again, crossed and recrossed his legs, picked up little ornaments from the mantelpiece, and replaced them without consciousness of what they were, and finally broke the crystal of his watch as he was resetting it by the cuckoo clock.
"Hello!" he exclaimed suddenly, "where did you get that clock? Where did you get that clock? That's new to me. Where did that come from?"
"That cuckoo clock?" inquired Travis, with a stare. "Condy Rivers, you've been here and in this room at least twice a week for the last year and a half, and that clock, and no other, has always hung there."
But already Condy had forgotten or lost interest in the clock.
"Is that so? is that so?" he murmured absent-mindedly, seating himself at the table.
Mr. Bessemer was murmuring: "That clock's a little fast. I can not make that clock keep time. Victorine has lost the key. I have to wind it with a monkey-wrench. Now I'll try some more beans. Maggie has put in too much pepper. I'll have to have a new key made to-morrow."
"Hey? Yes—yes. Is that so?" answered Condy Rivers, bewildered, wishing to be polite, yet unable to follow the old man's mutterings.
"He's not talking to you," remarked Travis, without lowering her voice. "You know how Papum goes on. He won't hear a word you say. Well, I read your story in this morning's 'Times.'"
A few moments later, while Travers and Condy were still discussing this story, Mr. Bessemer rose. "Well, Mr. Rivers," he announced, "I guess I'll say good-night. Come, Snooky."
"Yes, take her with you, Papum," said Travis. "She'll go to sleep on the lounge here if you don't. Howard, have you got your lessons for to-morrow?"
It appeared that he had not. Snooky whined to stay up a little longer, but at last consented to go with her father. They all bade Condy good-night and took themselves away, Howard lingering a moment in the door in the hope of the nickel he dared not ask for. Maggie reappeared to clear away the table.
"Let's go in the parlor," suggested Travis, rising. "Don't you want to?"
The parlor was the front room overlooking the street, and was reached by the long hall that ran the whole length of the flat, passing by the door of each one of its eight rooms in turn.
Travis preceded Condy, and turned up one of the burners in colored globe of the little brass chandelier.
The parlor was a small affair, peopled by a family of chairs and sofas robed in white drugget. A gold-and-white effect had been striven for throughout the room. The walls had been tinted instead of papered, and bunches of hand-painted pink flowers tied up with blue ribbons straggled from one corner of the ceiling. Across one angle of the room straddled a brass easel upholding a crayon portrait of Travis at the age of nine, "enlarged from a photograph." A yellow drape ornamented one corner of the frame, while another drape of blue depended from one end of the mantelpiece.
The piano, upon which nobody ever played, balanced the easel in an opposite corner. Over the mantelpiece hung in a gilded frame a steel engraving of Priscilla and John Alden; and on the mantel itself two bisque figures of an Italian fisher boy and girl kept company with the clock, a huge timepiece, set in a red plush palette, that never was known to go. But at the right of the fireplace, and balancing the tuft of pampa-grass to the left, was an inverted section of a sewer-pipe painted blue and decorated with daisies. Into it was thrust a sheaf of cat-tails, gilded, and tied with a pink ribbon.
Travis dropped upon the shrouded sofa, and Condy set himself carefully down on one of the frail chairs with its spindling golden legs, and they began to talk.
Condy had taken her to the theatre the Monday night of that week, as had been his custom ever since he had known her well, and there was something left for them to say on that subject. But in ten minutes they had exhausted it. An engagement of a girl known to both of them had just been announced. Condy brought that up, and kept conversation going for another twenty minutes, and then filled in what threatened to be a gap by telling her stories of the society reporters, and how they got inside news by listening to telephone party wires for days at a time. Travis' condemnation of this occupied another five or ten minutes; and so what with this and with that they reached nine o'clock. Then decidedly the evening began to drag. It was too early to go. Condy could find no good excuse for taking himself away, and, though Travis was good-natured enough, and met him more than half-way, their talk lapsed, and lapsed, and lapsed. The breaks became more numerous and lasted longer. Condy began to wonder