So I fancy that the titled and particled boys—"les nobles"—were of families that had drifted away from the lily and white flag of their loyal ancestors—from Rome and the Pope and the past.
Anyhow, none of our young nobles, when at home, seemed to live in the noble Faubourg across the river, and there were no clericals or ultramontanes among us, high or low—we were all red, white, and blue in equal and impartial combination. All this par parenthèse. On the asphalt terrace also, but separated from the head master's classic habitation by a small square space, was the lingerie, managed by Mlle. Marceline and her two subordinates, Constance and Félicité; and beneath this, le père et la mère Jaurion sold their cheap goodies, and jealously guarded the gates that secluded us from the wicked world outside—where women are, and merchants of tobacco, and cafés where you can sip the opalescent absinthe, and libraries where you can buy books more diverting than the Adventures of Telemachus!
On the opposite, or western, side was the gymnastic ground, enclosed in a wire fence, but free of access at all times—a place of paramount importance in all French schools, public and private.
From the doors of the refectory the general playground sloped gently down northwards to the Rond‑point, where it was bounded by double gates of wood and iron that were always shut; and on each hither side of these rose an oblong dwelling of red brick, two stories high, and capable of accommodating thirty boys, sleeping or waking, at work or rest or play; for in bad weather we played indoors, or tried to, chess, draughts, backgammon, and the like—even blind‑man's‑buff (Colin Maillard)—even puss in the corner (aux quatre coins!).
All the class‑rooms and school‑rooms were on the ground‑floor; above, the dormitories and masters' rooms.
These two buildings were symmetrical; one held the boys over fourteen, from the third class up to the first; the other (into the "salle d'études" of which the reader has already been admitted), the boys from the fourth down to the eighth, or lowest, form of all—just the reverse of an English school.
On either side of the play‑ground were narrow strips of garden cultivated by boys whose tastes lay that way, and small arbors overgrown with convolvulus and other creepers—snug little verdant retreats, where one fed the mind on literature not sanctioned by the authorities, and smoked cigarettes of caporal, and even colored pipes, and was sick without fear of detection (piquait son renard sans crainte d'être collé).
Finally, behind Père Brossard's Ciceronian Villa, on the south, was a handsome garden (we called it Tusculum); a green flowery pleasaunce reserved for the head master's married daughter (Madame Germain) and her family—good people with whom we had nothing to do.
Would I could subjoin a ground‑plan of the Institution F. Brossard, where Barty Josselin spent four such happy years, and was so universally and singularly popular!
Why should I take such pains about all this, and dwell so laboriously on all these minute details?
Firstly, because it all concerns Josselin and the story of his life—and I am so proud and happy to be the biographer of such a man, at his own often expressed desire, that I hardly know where to leave off and what to leave out. Also, this is quite a new trade for me, who have only dealt hitherto in foreign wines, and British party politics, and bimetallism—and can only write in telegraphese!
Secondly, because I find it such a keen personal joy to evoke and follow out, and realize to myself by means of pen and pencil, all these personal reminiscences; and with such a capital excuse for prolixity!
At the top of every page I have to pull myself together to remind myself that it is not of the Right Honorable Sir Robert Maurice, Bart., M.P., that I am telling the tale—any one can do that—but of a certain Englishman who wrote Sardonyx, to the everlasting joy and pride of the land of his fathers—and of a certain Frenchman who wrote Berthe aux grands pieds, and moved his mother‑country to such delight of tears and tender laughter as it had never known before.
Dear me! the boys who lived and learnt at Brossard's school fifty years ago, and the masters who taught there (peace to their ashes!), are far more to my taste than the actual human beings among whom my dull existence of business and politics and society is mostly spent in these days. The school must have broken up somewhere about the early fifties. The stuccoed Doric dwelling was long since replaced by an important stone mansion, in a very different style of architecture—the abode of a wealthy banker—and this again, later, by a palace many stories high. The two school‑houses in red brick are no more; the play‑ground grew into a luxuriant garden, where a dozen very tall trees overtopped the rest; from their evident age and their position in regard to each other they must have been old friends of mine grown out of all knowledge.
I saw them only twenty years ago, from the top of a Passy omnibus, and recognized every one of them. I went from the Arc de Triomphe to Passy and back quite a dozen times, on purpose—once for each tree! It touched me to think how often the author of Sardonyx has stood leaning his back against one of those giants—au piquet!
They are now no more; and Passy omnibuses no longer ply up and down the Allée du Bois de Boulogne, which is now an avenue of palaces.
An umbrageous lane that led from the Rond‑point to Chaillot (that very forgettable, and by me quite forgotten, quarter) separated the Institution F. Brossard from the Pensionnat Mélanie Jalabert—a beautiful pseudo‑Gothic castle which was tenanted for a while by Prince de Carabas‑Chenonceaux after Mlle. Jalabert had broken up her ladies' school in 1849.
My mother boarded and lodged there, with my little sister, in the summer of 1847. There were one or two other English lady boarders, half‑pupils—much younger than my mother—indeed, they may be alive now. If they are, and this should happen to meet their eye, may I ask them to remember kindly the Irish wife of the Scotch merchant of French wines who supplied them with the innocent vintage of Mâcon (ah! who knows that innocence better than I?), and his pretty little daughter who played the piano so nicely; may I beg them also not to think it necessary to communicate with me on the subject, or, if they do, not to expect an answer?
One night Mlle. Jalabert gave a small dance, and Mérovée Brossard was invited, and also half a dozen of his favorite pupils, and a fair‑haired English boy of thirteen danced with the beautiful Miss———.
They came to grief and fell together in a heap on the slippery floor; but no bones were broken, and there was much good‑natured laughter at their expense. If Miss———(that was) is still among the quick, and remembers, it may interest her to know that that fair‑haired English boy's name was no less than Bartholomew Josselin; and that another English boy, somewhat thick‑set and stumpy, and not much to look at, held her in deep love, admiration, and awe—and has not forgotten!
If I happen to mention this, it is not with a view of tempting her into any correspondence about this little episode of bygone years, should this ever meet her eye.
The Sunday morning that followed Barty's début at Brossard's the boys went to church in the Rue de l'Église, Passy—and he with them, for he had been brought up a Roman Catholic. And I went round to Mlle. Jalabert's to see my mother and sister.
I told them all about the new boy, and they were much interested. Suddenly my mother exclaimed:
"Bartholomew Josselin? why, dear me! that must be Lord Runswick's son—Lord Runswick, who was the eldest son of the present Marquis of Whitby. He was in the 17th lancers with your uncle Charles, who was very fond of him. He left the army twenty years ago, and married Lady Selina Jobhouse—and his wife went mad. Then he fell in love with the famous Antoinette Josselin at the 'Bouffes,' and wanted so much to marry her that he tried to get a divorce; it was tried in the House of Lords, I believe; but he didn't succeed—so they—a—well—they contracted a—a morganatic marriage, you know; and your friend was born. And poor Lord Runswick was killed in a duel about a dog, when his son was two years old; and his mother left the stage, and—"
Just