The Fatal Cord, and The Falcon Rover. Mayne Reid

      The young girl has glided forward, and, as directed, taken hold of the hanging limbs. It is a terrible task—a trying, terrible task even for a backwoods maiden. But she is equal to it; and bending to it with all her strength, she holds up what she believes to be the dead body of her playmate and companion. Her young heart is almost bursting with agony as she feels that in the limbs embraced there is no motion—not even a tremor.

      “Hold on hard,” urges her father. “Thet’s a stout gurl. I won’t be a minnit.”

      While giving this admonition, he is hurrying to get hold of his knife.

      It is out, and with a spring upward, as if youth had returned to his sinews, the old hunter succeeds in reaching the rope. It is severed with a “snig!” and the body, bearing the girl along with it, drops to the ground.

      The noose is instantly slackened and switched off; the old hunter with both hands embraces the throat, pressing the windpipe back into it; then, placing his ear close to the chest, listens.

      With eyes set in agonised suspense, and ears also; Lena listens, too, to hear what her father may say.

      “Oh! father, do you think he is dead? Tell me he still lives.”

      “Not much sign o’ it. Heigh! I thort I seed a tremble. You run to the shanty. Thar’s some corn whisky in the cubberd. It’s in the stone bottle. Bring it hyar. Go, gurl, an’ run as fast as your legs kin carry ye!”

      The girl springs to her feet, and is about starting off.

      “Stay, stay! It won’t do to let Dick know; this’ll drive him mad. Durn me, if I know what ter do. Arter all he may as well be told on’t. He must find it out, sooner or later. That must be, an’ dog-gone it ’twon’t do to lose time. Ye may go. No, stay! No, go—go! an’ fetch the bottle; ye needn’t tell him what it’s for. But he’ll know thars suthin’ wrong. He’ll be sure to know. He’ll come back along wi’ ye. That’s equilly sartin. Well, let him. Maybe thet’s the best. Yes, fetch him back wi’ ye. Thar’s no danger o’ them chaps—showin’ here arter this, I reck’n. Hurry him along but don’t forget the bottle. Now, gurl, quick as lightnin’, quick!”

      If not quite so quick as lightning, yet fast as her feet can carry her, the young girl starts along the trace leading to the shanty. She is not thinking of the sad tidings she bears to him who hides in her father’s cabin. Her own sorrow is sufficient for the time, and stifles every other thought in her heart.

      The old hunter does not stand idly watching her. He is busy with the body, doing what he can to restore life. He feels that it is warm. He fancies it is still breathing.

      “Now, how it came abeout?” he asked himself, scanning the corpse for an explanation. “Tied one o’ his hands an’ not the tother! Thar’s a puzzle. What can it mean?

      “They must a meant hangin’ anyhow, poor young fellar! They’ve dud it sure. For what? What ked he hev done, to hev engered them? Won the rifle for one thing, an’ thet they’ve tuk away.

      “The hul thing hez been a trick; a durned, infernal, hellniferous trick o’ some sort.

      “Maybe they only meant it for a joke. Maybe they only intended scarin’ him; an’ jess then that varmint kim along, an’ sot the houn’s on to it, an’ them arter, an’ they sneaked off ’thout thinkin’ o’ him? Wonder ef that was the way.

      “Ef it warn’t, what ked a purvoked them to this drefful deed? Durn me ef I kin think o’ a reezun.

      “Wal, joke or no joke, it hev ended in a tregidy—a krewel tregidy. Poor young fellar!

      “An’ dog-gone my cats! ef I don’t make ’em pay for it, every mother’s chick o’ ’em. Yes, Mr Alf Brandon, an’ you, Master Randall, an’ you, Bill Buck, an’ all an’ every one o’ ye.

      “Ya! I’ve got a idea; a durned splendifirous idea! By the Etarnal, I kin make a good thing out o’ this. Well thought o’, Jeremiah Rooke; ye’ve hed a hard life o’t lately; but ye’ll be a fool ef ye don’t live eezier for the future, a darned greenhorn o’ a saphead! Oh, oh! ye young bloods an’ busters! I’ll make ye pay for this job in a way ye ain’t thinkin’ o’, cussed ef I don’t.

      “What’s fust to be done? He musn’t lie hyar. Somebody mout kum along, an’ that ’ud spoil all. Ef ’twar only meent as a joke they mout kum to see the end o’t. I heerd shots. That must a been the finish o’ the anymal. ’Tain’t likely they’ll kum back, but they may; an’ ef so, they musn’t see this. I’ll tell them I carried the corp away and berried it. They won’t care to inquire too close ’beout it.

      “An’ Dick won’t object. I won’t let him object. What good would it do him? an’ t’other ’ll do me good, a power o’ good. Keep me for the balance o’ my days. Let Dick go a gold gatherin’ his own way, I’ll go mine.

      “Thar ain’t any time to lose. I must toat him to the shanty; load enough for my old limbs. But I’ll meet them a comin’, an’ Dick an’ the gurl kin help me. Now, then, my poor Pierre, you come along wi’ me.”

      This strange soliloquy does not occupy much time. It is spoken sotto-voce, while the speaker is still engaged in an effort to resuscitate life; nor is he yet certain that Pierre Robideau is dead, while raising his body from the ground and bearing it out of the glade.

      Staggering under the load, for the youth is of no light weight, he re-enters the trace conducting to his own domicile. The old bear-hound slinks after with a large piece of flesh between his teeth, torn from the carcase of the butchered bear.

      The vultures, no longer scared by man’s presence, living or dead, drop down upon the earth, and strut boldly up to their banquet.