I took my little brown bag and went back to my comfortable rooms in an old-fashioned square. I sat down before the fire on this bleak winter’s night with a couple of years’ work on my knee. One by one I glanced through the stories and in some cases read them carefully, and one by one I put them in the fire, and watched them burn. I was heavy at heart, but I felt that Forbes was right, and my own instinct told me that my ideas were better than my performance—and Forbes was right. Nothing was left of the tales; not a shred of paper, not a scrap of writing. They had all gone up the chimney in smoke. There was no self-pity. I had a grim kind of feeling regarding the thing, but I had no regrets, and I have never had any regrets since. I have forgotten most of the titles, and indeed all the stories except one. But Forbes and I were right; of that I am sure.
The next day after the arson I walked for hours where London was busiest. The shop windows fascinated me; they always did; but that day I seemed, subconsciously, to be looking for something. At last I found it. It was a second-hand shop in Covent Garden. In the window there was the uniform of an officer of the time of Wellington, and beside it—the leather coat and fur cap of a trapper of the Hudson’s Bay Company! At that window I commenced to build again upon the ashes of last night’s fire. Pretty Pierre, the French half-breed, or rather the original of him as I knew him when a child, looked out of the window at me. So I went home, and sitting in front of the fire which had received my manuscript the night before, with a pad upon my knee, I began to write ‘The Patrol of the Cypress Hills’ which opens ‘Pierre and His People’.
The next day was Sunday. I went to service at the Foundling Hospital in Bloomsbury, and while listening superficially to the sermon I was also reading the psalms. I came upon these words, “Free among the Dead like unto them that are wounded and lie in the grave, that are out of remembrance,” and this text, which I used in the story ‘The Patrol of the Cypress Hills’, became, in a sense, the text for all the stories which came after. It seemed to suggest the lives and the end of the lives of the workers of the pioneer world.
So it was that Pierre and His People chiefly concerned those who had been wounded by Fate, and had suffered the robberies of life and time while they did their work in the wide places. It may be that my readers have found what I tried, instinctively, to convey in the pioneer life I portrayed—“The soul of goodness in things evil.” Such, on the whole, my observation had found in life, and the original of Pierre, with all his mistakes, misdemeanours, and even crimes, was such an one as I would have gone to in trouble or in hour of need, knowing that his face would never be turned from me.
These stories made their place at once. The ‘Patrol of the Cypress Hills’ was published first in ‘The Independent’ of New York and in ‘Macmillan’s Magazine’ in England. Mr. Bliss Carman, then editor of ‘The Independent’, eagerly published several of them—‘She of the Triple Chevron’ and others. Mr. Carman’s sympathy and insight were a great help to me in those early days. The then editor of ‘Macmillan’s Magazine’, Mr. Mowbray Morris, was not, I think, quite so sure of the merits of the Pierre stories. He published them, but he was a little credulous regarding them, and he did not pat me on the back by any means. There was one, however, who made the best that is in ‘Pierre and His People’ possible; this was the unforgettable W. E. Henley, editor of The ‘National Observer’. One day at a sitting I wrote a short story called ‘Antoine and Angelique’, and sent it to him almost before the ink was dry. The reply came by return of post: “It is almost, or quite, as good as can be. Send me another.” So forthwith I sent him ‘God’s Garrison’, and it was quickly followed by ‘The Three Outlaws’, ‘The Tall Master’, ‘The Flood’, ‘The Cipher’, ‘A Prairie Vagabond’, and several others. At length came ‘The Stone’, which brought a telegram of congratulation, and finally ‘The Crimson Flag’. The acknowledgment of that was a postcard containing these all too-flattering words: “Bravo, Balzac!” Henley would print what no other editor would print; he gave a man his chance to do the boldest thing that was in him, and I can truthfully say that the doors which he threw open gave freedom to an imagination and an individuality of conception, for which I can never be sufficiently grateful.
These stories and others which appeared in ‘The National Observer’, in ‘Macmillan’s’, in ‘The English Illustrated Magazine’ and others made many friends; so that when the book at length came out it was received with generous praise, though not without some criticism. It made its place, however, at once, and later appeared another series, called ‘An Adventurer of the North’, or, as it is called in this edition, ‘A Romany of the Snows’. Through all the twenty stories of this second volume the character of Pierre moved; and by the time the last was written there was scarcely an important magazine in the English-speaking world which had not printed one or more of them. Whatever may be thought of the stories themselves, or of the manner in which the life of the Far North was portrayed, of one thing I am sure: Pierre was true to the life—to his race, to his environment, to the conditions of pioneer life through which he moved. When the book first came out there was some criticism from Canada itself, but that criticism has long since died away, and it never was determined.
Plays have been founded on the ‘Pierre’ series, and one in particular, ‘Pierre of the Plains’, had a considerable success, with Mr. Edgar Selwyn, the adapter, in the main part. I do not know whether, if I were to begin again, I should have written all the Pierre stories in quite the same way. Perhaps it is just as well that I am not able to begin again. The stories made their own place in their own way, and that there is still a steady demand for ‘Pierre and His People’ and ‘A Romany of the Snows’ seems evidence that the editor of an important magazine in New York who declined to recommend them for publication to his firm (and later published several of the same series) was wrong, when he said that the tales “seemed not to be salient.” Things that are not “salient” do not endure. It is twenty years since ‘Pierre and His People’ was produced—and it still endures. For this I cannot but be deeply grateful. In any case, what ‘Pierre’ did was to open up a field which had not been opened before, but which other authors have exploited since with success and distinction. ‘Pierre’ was the pioneer of the Far North in fiction; that much may be said; and for the rest, Time is the test, and Time will have its way with me as with the rest.
NOTE
It is possible that a Note on the country portrayed in these stories may be in keeping. Until 1870, the Hudson’s Bay Company—first granted its charter by King Charles II—practically ruled that vast region stretching from the fiftieth parallel of latitude to the Arctic Ocean—a handful of adventurous men entrenched in forts and posts, yet trading with, and mostly peacefully conquering, many savage tribes. Once the sole master of the North, the H. BC (as it is familiarly called) is reverenced by the Indians and half-breeds as much as, if not more than, the Government established at Ottawa. It has had its forts within the Arctic Circle; it has successfully exploited a country larger than the United States. The Red River Valley, the Saskatchewan Valley, and British Columbia, are now belted by a great railway, and given to the plough; but in the far north life is much the same as it was a hundred years ago. There the trapper, clerk, trader, and factor are cast in the mould of another century, though possessing the acuter energies of this. The ‘voyageur’ and ‘courier de bois’ still exist, though, generally, under less picturesque names.
The bare story of the hardy and wonderful career of the adventurers trading in Hudson’s Bay—of whom Prince Rupert was once chiefest—and the life of the prairies, may be found in histories and books of travel; but their romances, the near narratives of individual lives, have waited the telling. In this book I have tried to feel my way towards the heart of that life—worthy of being loved by all British men, for it has given honest graves to gallant fellows of our breeding. Imperfectly,