So began the great Cathedral of St. Paul, the finest in England in its time, which, witnessing heavy calamities, brilliant successes, scenes both glorious and sad, changes—some improvements and others debasements—lasted on for nearly six centuries, and then was destroyed in the Great Fire. We have first to note the main features of the architectural history.
Bishop Maurice began in the Norman style, as did all the cathedral-builders of that age, and splendid examples of their work are still to be seen in our cities. Bishop Maurice's, as I have said, was the finest of them all in its inception, but he really did little more than design it and lay the foundations, though he lived until 1108. He seems to have been too fond of his money. His successor, Richard Belmeis, exerted himself very heartily at the beginning of his episcopate, spent large sums on the cathedral, and cleared away an area of mean[page 4] buildings in the churchyard, around which his predecessor had built a wall. In this work King Henry I. assisted him generously; gave him stone, and commanded that all material brought up the River Fleet for the cathedral should be free from toll; gave him moreover all the fish caught within the cathedral neighbourhood, and a tithe of all the venison taken in the County of Essex. These last boons may have arisen from the economical and abstemious life which the bishop lived, in order to devote his income to the cathedral building.
Belmeis also gave a site for St. Paul's School; but though he, like his predecessor, occupied the see for twenty years, he did not see the completion of the cathedral. He seems to have been embittered because he failed in attaining what his soul longed for—the removal of the Primatial chair from Canterbury to London. Anselm, not unreasonably, pronounced the attempt an audacious act of usurpation. Belmeis's health broke down. He was attacked with creeping paralysis, and sadly withdrew himself from active work, devoting himself to the foundation of the monastery of St. Osyth, in Essex. There, after lingering four years, he died, and there he lies buried.
King Henry I. died nearly at the same time, and as there was a contest for the throne ensuing on his death, so was there for the bishopric of London. In the interval, Henry de Blois, the famous Bishop of Winchester, was appointed to administer the affairs of St. Paul's, and almost immediately he had to deal with a calamity. Another great fire broke out at London Bridge in 1135, and did damage more or less all the way to St. Clement Danes. Matthew Paris speaks of St. Paul's as having been destroyed. This was certainly not the case, but serious injury was done, and the progress of the building was greatly delayed. Bishop Henry called on his people of Winchester to help in the rebuilding, putting forward the plea that though St. Paul was the great Apostle of the West, and had planted so many churches, this was the only cathedral dedicated to him. During these years Architecture was ever on the change, and, as was always the custom, the builders in any given case did not trouble themselves to follow the style in which a work had been begun, but went on with whatever was in use then.
Consequently the heavy Norman passed into Transitional, and Early English. For heavy columns clustered pillars were substituted, and [page 5] lancets for round arches. Nevertheless, apparently, Norman columns which remained firm were left alone, while pointed arches were placed over them in the triforium. Even in the Early English clustered pillars there were differences marking different dates, some of the time of the Transition (1222), and some thirty years later. And here let us note that the "Gothic" church, as it is shown in our illustrations, does not indicate that the Norman work had been replaced by it. The clustered pillars really encased the Norman, as they have done in other cathedrals similarly treated. At Winchester, William of Wykeham cut the massive Norman into Perpendicular order, but at St. Paul's an outer encasement covered the Norman, as Wren showed when he wrote his account of the ruined church. A steeple was erected in 1221. There was a great ceremony at the rededication, by Bishop Roger Niger, in 1240, the Archbishop of Canterbury and six other bishops assisting.
In 1255 it became necessary for the Bishop of London (Fulk Basset) to put forth appeals for the repair of the cathedral, and his ground of appeal was that the church had in time past been so shattered by tempests that the roof was dangerous. Some notes about these tempests will be found in a subsequent page. Accordingly this part was renewed, and at the same time the cathedral church was lengthened out eastward. There had been a parish church of St. Faith at the east end, which was now brought within the cathedral. The parishioners were not well content with this, so the east end of the crypt was allotted to them as their parish church, and they were also allowed to keep a detached tower with a peal of bells east of the church. This tower had already an historic interest, for it had pealed forth the summons to the Folkmote in early days, when that was held at the top of Cheapside. This eastward addition was known all through the after years as "The New Work." It is remarkable to note how much assistance came from outside. Hortatory letters were sent from the Archbishops of Canterbury and York, as well as from the greater number of other bishops, to their respective dioceses. And not only so, but eight Irish dioceses and one Scotch (Brechin) also sent aid.
There was another parish church hard by, that of St. Gregory-by-St. Paul. Almost all our cathedrals have churches close to them, such as St. Margaret's, Westminster; St. Laurence, Winchester; St. John's,[page 6] Peterborough; St. Nicholas, Rochester. In all cases they are churches of the parishioners, as contrasted with those of the monastery or the cathedral body. St. Gregory's Church was not only near St. Paul's, but joined it; its north wall was part of the south wall of the cathedral. Its early history is lost in antiquity, but it was in existence before the Conquest.2 The body of St. Edmund, K. & M., had been preserved in it during the Danish invasions, before it was carried to Bury St. Edmunds by Cnut for burial. It shared the decay of the cathedral, and in the last days it was repaired, as was the west end, by Inigo Jones in his own style, as will be seen by the illustrations. Of the tombs and chantries which had by this time been set up, it will be more convenient to speak hereafter, as also of the deanery, which Dean Ralph de Diceto (d. 1283) built on its present site.
Before the end of the thirteenth century Old St. Paul's was complete. In the first quarter of the fourteenth century, a handsome marble pavement, "which cost 5d. a foot," was laid down over "the New Work," eastward, and the spire, which, being of lead over timber, was in a dangerous condition, was taken down and a very fine one set in its place, surmounted by a cross and a gilt pommel3 large enough to contain ten bushels of corn. Bishop Gilbert Segrave (who had previously been precentor of the cathedral, and was bishop from 1313 to 1317) came to the dedication. "There was a great and solemn procession and relics of saints were placed within" (Dugdale). But the following extract from a chronicle in the Lambeth library is worth quoting: "On the tenth of the calends of June, 1314, Gilbert, Bishop of London, dedicated altars, namely, those of the Blessed Virgin Mary, of St. Thomas the Martyr, and of the Blessed Dunstan, in the new buildings of the Church of St. Paul, London. In the same year the cross and the ball, with great part of the campanile, of the Church of St. Paul were taken down because they were decayed and dangerous, and a new cross, with a ball well gilt, was erected; and many relics of divers saints were for the protection of the aforesaid campanile[page 7] and of the whole structure beneath, placed within the cross, with a great procession, and with due solemnity, by Gilbert the bishop, on the fourth of the nones of October; in order that the Omnipotent God and the glorious merits of His saints, whose relics are contained within the cross, might deign to protect it from all danger of storms. Of whose pity twenty-seven years and one hundred and fifty days of indulgence, at any time of the year, are granted to those who assist in completing the fabric of the aforesaid church."
A BISHOP PLACING RELICS IN AN ALTAR.
From a Pontifical of the Fourteenth Century. British Museum, Lans. 451.
A PAPAL LEGATE.
From the Decretals of Boniface VIII. British Museum, 23923.
In the