"But you mustn't open any packages, my child. Be very careful about that. And Robert must not stop the car, under any circumstances, in going to or from the studio. There, at least, I believe you are quite safe. I will have a talk with Mr. Edwards to-day, and explain matters to him. And here you cannot possibly be in any danger. Meanwhile, in spite of what you say, I still beg you not to let this matter prey upon your mind. I cannot, will not, take it seriously." Poor Mrs. Morton, herself thoroughly frightened, strove with all her might to convince Ruth that she had nothing to fear. She knew the girl's intense, high-strung nature, and feared that constant worry, ceaseless anxiety, might readily so work upon her as to reduce her to a nervous wreck long before the expiration of the thirty days named in the first threatening letter. She found herself wishing devoutly that Duvall would appear.
As she finished speaking there came a ring at the doorbell, and Nora started to answer it. Mrs. Morton stopped her.
"Nora," she said. "Listen to me. You are not, under any circumstances, to admit anyone—no matter who it is—until I have first seen and talked with them. Do you understand?"
"Yes, ma'am. I understand," replied the girl, as she went out into the hall.
A moment later Mrs. Morton, hearing a man's voice, hurried after her. Nora, with the door but slightly open, was speaking with a rough-looking fellow, a workman, apparently, who stood in the hallway outside. He was a man of thirty-five, with a reddish moustache, wearing working clothes and a cap. This he removed, as Mrs. Morton came to the door.
"Is this Mrs. Morton's apartment?" he asked.
"Yes. What do you want?" Mrs. Morton's voice and manner were far from encouraging.
"There seems to be a leak in the plumbing somewhere on this floor," the man went on. "There's trouble with the ceilings in the apartment below. The superintendent wants me to go over the connections and see that everything is all right." He lifted a canvas bag containing his tools from the floor, and made as though to enter. Mrs. Morton, however, did not open the door any wider.
"You can't come in now," she said. "Come back later—in an hour. My daughter is not dressed yet." She seemed ready to close the door entirely, but the man again spoke.
"Can't afford to wait, ma'am," he said, with a significant smile. "I got every apartment in this building to go over before the end of the month, and there are only twenty-seven days left." He emphasized his concluding words, at the same time looking Mrs. Morton squarely in the eye. The words, the man's look, brought sudden recognition. Mrs. Morton drew open the door.
"Very well," she said. "Come in." She realized that the supposed workman was no other than Duvall.
The latter went quietly toward the kitchen at the rear of the apartment, and occupied himself by examining the connections of the sink. He seemed to work slowly, unconcernedly, whistling softly to himself as he moved about. His eyes, however, were very bright and keen, and no detail of the room, the negro cook who occupied it, or the buildings in the rear, escaped his attention.
Mrs. Morton came back presently and addressed him.
"My daughter has gone, now," she said. "You may look over the plumbing in the bathroom whenever you are ready."
With a nod Duvall picked up his tools and followed her to the front of the apartment. As they left the kitchen, Mrs. Morton closed the door leading from it to the hall.
"I want you to stay here for the next hour, Sarah," she said, as she left the kitchen. "If anyone rings, I will answer the bell." A moment later she and Duvall were in the library.
The latter pretended to be busy inspecting the connections of the hot water radiator.
"Have you received any more threats?" he asked, in a low voice, without turning his head.
Mrs. Morton took the telegram that Ruth had received a short time before, and placed it in his hand.
"This came half an hour ago," she said, without further comment.
Duvall read it, then thrust it into his pocket.
"Did your daughter see it?" he asked.
"Yes. It had been delivered to her before I could prevent it."
"That is too bad. Was she much upset?"
"Yes. The thing is beginning to get on her nerves."
Duvall rose, and placed his tools in the kit.
"Please take me to your daughter's bedroom," he said. Mrs. Morton led the way.
The room was a fairly large one, situated in an ell at the rear of the building. Of its two windows, one, as has already been pointed out, overlooked the court between the apartment building and the house next door. The other faced toward the rear. Duvall placed his kit of tools upon the floor, and began an examination of the room. After a quick glance about, he turned to Mrs. Morton.
"Where was the letter found—the one that did not come through the mails?"
"Here." Mrs. Morton indicated a spot on the floor near the small enameled dressing table that stood against the east wall of the room. Its position was midway between the two windows. It was clear that whoever had entered the room might have done so through either of the windows; at least, the position in which the dressing table stood afforded no indication as to which one it might have been.
"Which of the two windows was open, when you found the letter?" Duvall asked.
Mrs. Morton indicated the one facing the court.
"This one," she said. "Not wide open. Perhaps six or eight inches."
"The other was not fastened, I suppose?"
"No. Ruth always keeps it raised during the night, but usually closes it while dressing."
Duvall went to the window, and opened it. It was well balanced and moved easily.
"Anyone coming up by way of the fire escape could, of course, have raised the window from the outside, and closed it again after leaving the room," he said, more to himself than to Mrs. Morton. Then he got out on the fire escape and made a careful examination of its surface.
"When was this ironwork painted?" he asked Mrs. Morton, through the window.
"About ten days ago."
"H—m." Duvall examined the newly painted iron surface with rather a blank expression. That anyone had walked upon it since it had received its newly applied coat was, he felt, out of the question. The paint was so new, so shiny, so yielding in its fresh glossiness that, even treading as lightly as he could, the marks of his shoes were plainly visible. He leaned over and pressed the palm of his hand upon the grated iron floor. The pressure of his hand was sufficient to dull the freshly painted surface. It seemed impossible that anyone, even in bare or stockinged feet, could have been upon the fire escape, without having left tell-tale marks upon it. He re-entered the room, and turned his attention to the other window.
Here the opportunities for entrance seemed even more unfavorable. The window was situated on the fourth floor. There was still another floor above, with a window similarly located. Anyone might, of course, have been lowered from this window above, to the sill of the one at which he now stood, and entered the room in that way. He examined with care the white woodwork of the window sill, also freshly painted. It showed no marks. This, of course, was not conclusive. He determined to investigate the occupants of the apartment on the top floor.
The wall of the brownstone dwelling house next door, which formed the east side of the narrow court, was of brick, covered with ivy. There were no windows in it whatever. Apparently it had once adjoined the wall of a similar house, where the apartment building now stood, and when the second house had been torn down to make way for the new building, the partition wall had remained as originally built, without windows.
Duvall examined this house next door with a great deal of interest. It was four stories high, with an attic, and rose to almost the same height as the fifth floor of the apartment house, owing,