‘No longer were the friar’s eyes directed to the earth; they were cast abroad, and roamed from point to point, as if the gloom and desolation of the scene found a quick response in his own bosom. Again he paused near the sisters’ house, and again he entered by the postern.
‘But not again did his ear encounter the sound of laughter, or his eyes rest upon the beautiful figures of the five sisters. All was silent and deserted. The boughs of the trees were bent and broken, and the grass had grown long and rank. No light feet had pressed it for many, many a day.
‘With the indifference or abstraction of one well accustomed to the change, the monk glided into the house, and entered a low, dark room. Four sisters sat there. Their black garments made their pale faces whiter still, and time and sorrow had worked deep ravages. They were stately yet; but the flush and pride of beauty were gone.
‘And Alice—where was she? In Heaven.
‘The monk—even the monk—could bear with some grief here; for it was long since these sisters had met, and there were furrows in their blanched faces which years could never plough. He took his seat in silence, and motioned them to continue their speech.
‘“They are here, sisters,” said the elder lady in a trembling voice. “I have never borne to look upon them since, and now I blame myself for my weakness. What is there in her memory that we should dread? To call up our old days shall be a solemn pleasure yet.”
‘She glanced at the monk as she spoke, and, opening a cabinet, brought forth the five frames of work, completed long before. Her step was firm, but her hand trembled as she produced the last one; and, when the feelings of the other sisters gushed forth at sight of it, her pent-up tears made way, and she sobbed “God bless her!”
‘The monk rose and advanced towards them. “It was almost the last thing she touched in health,” he said in a low voice.
‘“It was,” cried the elder lady, weeping bitterly.
‘The monk turned to the second sister.
‘“The gallant youth who looked into thine eyes, and hung upon thy very breath when first he saw thee intent upon this pastime, lies buried on a plain whereof the turf is red with blood. Rusty fragments of armour, once brightly burnished, lie rotting on the ground, and are as little distinguishable for his, as are the bones that crumble in the mould!”
‘The lady groaned, and wrung her hands.
‘“The policy of courts,” he continued, turning to the two other sisters, “drew ye from your peaceful home to scenes of revelry and splendour. The same policy, and the restless ambition of—proud and fiery men, have sent ye back, widowed maidens, and humbled outcasts. Do I speak truly?”
‘The sobs of the two sisters were their only reply.
‘“There is little need,” said the monk, with a meaning look, “to fritter away the time in gewgaws which shall raise up the pale ghosts of hopes of early years. Bury them, heap penance and mortification on their heads, keep them down, and let the convent be their grave!”
‘The sisters asked for three days to deliberate; and felt, that night, as though the veil were indeed the fitting shroud for their dead joys. But, morning came again, and though the boughs of the orchard trees drooped and ran wild upon the ground, it was the same orchard still. The grass was coarse and high, but there was yet the spot on which they had so often sat together, when change and sorrow were but names. There was every walk and nook which Alice had made glad; and in the minster nave was one flat stone beneath which she slept in peace.
‘And could they, remembering how her young heart had sickened at the thought of cloistered walls, look upon her grave, in garbs which would chill the very ashes within it? Could they bow down in prayer, and when all Heaven turned to hear them, bring the dark shade of sadness on one angel’s face? No.
‘They sent abroad, to artists of great celebrity in those times, and having obtained the church’s sanction to their work of piety, caused to be executed, in five large compartments of richly stained glass, a faithful copy of their old embroidery work. These were fitted into a large window until that time bare of ornament; and when the sun shone brightly, as she had so well loved to see it, the familiar patterns were reflected in their original colours, and throwing a stream of brilliant light upon the pavement, fell warmly on the name of Alice.
‘For many hours in every day, the sisters paced slowly up and down the nave, or knelt by the side of the flat broad stone. Only three were seen in the customary place, after many years; then but two, and, for a long time afterwards, but one solitary female bent with age. At length she came no more, and the stone bore five plain Christian names.
‘That stone has worn away and been replaced by others, and many generations have come and gone since then. Time has softened down the colours, but the same stream of light still falls upon the forgotten tomb, of which no trace remains; and, to this day, the stranger is shown in York Cathedral, an old window called the Five Sisters.’
‘That’s a melancholy tale,’ said the merry-faced gentleman, emptying his glass.
‘It is a tale of life, and life is made up of such sorrows,’ returned the other, courteously, but in a grave and sad tone of voice.
‘There are shades in all good pictures, but there are lights too, if we choose to contemplate them,’ said the gentleman with the merry face. ‘The youngest sister in your tale was always light-hearted.’
‘And died early,’ said the other, gently.
‘She would have died earlier, perhaps, had she been less happy,’ said the first speaker, with much feeling. ‘Do you think the sisters who loved her so well, would have grieved the less if her life had been one of gloom and sadness? If anything could soothe the first sharp pain of a heavy loss, it would be—with me—the reflection, that those I mourned, by being innocently happy here, and loving all about them, had prepared themselves for a purer and happier world. The sun does not shine upon this fair earth to meet frowning eyes, depend upon it.’
‘I believe you are right,’ said the gentleman who had told the story.
‘Believe!’ retorted the other, ‘can anybody doubt it? Take any subject of sorrowful regret, and see with how much pleasure it is associated. The recollection of past pleasure may become pain—’
‘It does,’ interposed the other.
‘Well; it does. To remember happiness which cannot be restored, is pain, but of a softened kind. Our recollections are unfortunately mingled with much that we deplore, and with many actions which we bitterly repent; still in the most chequered life I firmly think there are so many little rays of sunshine to look back upon, that I do not believe any mortal (unless he had put himself without the pale of hope) would deliberately drain a goblet of the waters of Lethe, if he had it in his power.’
‘Possibly you are correct in that belief,’ said the grey-haired gentleman after a short reflection. ‘I am inclined to think you are.’
‘Why, then,’ replied the other, ‘the good in this state of existence preponderates over the bad, let miscalled philosophers tell us what they will. If our affections be tried, our affections are our consolation and comfort; and memory, however sad, is the best and purest link between this world and a better. But come! I’ll tell you a story of another kind.’
After a very brief silence, the merry-faced gentleman sent round the punch, and glancing slyly at the fastidious lady, who seemed desperately apprehensive that he was going to relate something improper, began
THE BARON OF GROGZWIG
‘The Baron Von Koeldwethout, of Grogzwig in Germany, was as likely a young baron as you would wish to see. I needn’t say that he lived in a castle, because that’s of course; neither need I say that he lived in an old castle; for what German baron ever lived in a new one? There were many strange circumstances connected with this venerable