‘That’s woman’s logic, all over, Mary. What has age to do with it? Another man might plead that he was too old; and as to his friendship, if the thing itself be right, private motives should never be allowed to interfere. Because I esteem Mr Harding, is that a reason that I should neglect a duty which I owe to these old men? or should I give up a work which my conscience tells me is a good one, because I regret the loss of his society?’
‘And Eleanor, John?’ said the sister, looking timidly into her brother’s face.
‘Eleanor, that is, Miss Harding, if she thinks fit — that is, if her father — or, rather, if she — or, indeed, he — if they find it necessary — but there is no necessity now to talk about Eleanor Harding; but this I will say, that if she has the kind of spirit for which I give her credit, she will not condemn me for doing what I think to be a duty.’ And Bold consoled himself with the consolation of a Roman.
Mary sat silent for a while, till at last her brother reminded her that the notes must be answered, and she got up, and placed her desk before her, took out her pen and paper, wrote on it slowly:
‘PAKENHAM VILLAS
‘Tuesday morning
‘MY DEAR ELEANOR,
‘I—’
and then stopped, and looked at her brother.
‘Well, Mary, why don’t you write it?’
‘Oh, John,’ said she, ‘dear John, pray think better of this.’
‘Think better of what?’ said he.
‘Of this about the hospital — of all this about Mr Harding — of what you say about those old men. Nothing can call upon you — no duty can require you to set yourself against your oldest, your best friend. Oh, John, think of Eleanor. You’ll break her heart, and your own.’
‘Nonsense, Mary; Miss Harding’s heart is as safe as yours.’
‘Pray, pray, for my sake, John, give it up. You know how dearly you love her.’ And she came and knelt before him on the rug. ‘Pray give it up. You are going to make yourself, and her, and her father miserable: you are going to make us all miserable. And for what? For a dream of justice. You will never make those twelve men happier than they now are.’
‘You don’t understand it, my dear girl,’ said he, smoothing her hair with his hand.
‘I do understand it, John. I understand that this is a chimera — a dream that you have got. I know well that no duty can require you to do this mad — this suicidal thing. I know you love Eleanor Harding with all your heart, and I tell you now that she loves you as well. If there was a plain, a positive duty before you, I would be the last to bid you neglect it for any woman’s love; but this — oh, think again, before you do anything to make it necessary that you and Mr Harding should be at variance.’ He did not answer, as she knelt there, leaning on his knees, but by his face she thought that he was inclined to yield. ‘At any rate let me say that you will go to this party. At any rate do not break with them while your mind is in doubt.’ And she got up, hoping to conclude her note in the way she desired.
‘My mind is not in doubt,’ at last he said, rising. ‘I could never respect myself again were I to give way now, because Eleanor Harding is beautiful. I do love her: I would give a hand to hear her tell me what you have said, speaking on her behalf; but I cannot for her sake go back from the task which I have commenced. I hope she may hereafter acknowledge and respect my motives, but I cannot now go as a guest to her father’s house.’ And the Barchester Brutus went out to fortify his own resolution by meditations on his own virtue. Poor Mary Bold sat down, and sadly finished her note, saying that she would herself attend the party, but that her brother was unavoidably prevented from doing so. I fear that she did not admire as she should have done the self-devotion of his singular virtue.
The party went off as such parties do. There were fat old ladies, in fine silk dresses, and slim young ladies, in gauzy muslin frocks; old gentlemen stood up with their backs to the empty fire-place, looking by no means so comfortable as they would have done in their own arm-chairs at home; and young gentlemen, rather stiff about the neck, clustered near the door, not as yet sufficiently in courage to attack the muslin frocks, who awaited the battle, drawn up in a semicircular array. The warden endeavoured to induce a charge, but failed signally, not having the tact of a general; his daughter did what she could to comfort the forces under her command, who took in refreshing rations of cake and tea, and patiently looked for the coming engagement: but she herself, Eleanor, had no spirit for the work; the only enemy whose lance she cared to encounter was not there, and she and others were somewhat dull.
Loud above all voices was heard the clear sonorous tones of the archdeacon as he dilated to brother parsons of the danger of the church, of the fearful rumours of mad reforms even at Oxford, and of the damnable heresies of Dr Whiston.
Soon, however, sweeter sounds began timidly to make themselves audible. Little movements were made in a quarter notable for round stools and music stands. Wax candles were arranged in sconces, big books were brought from hidden recesses, and the work of the evening commenced.
How often were those pegs twisted and re-twisted before our friend found that he had twisted them enough; how many discordant scrapes gave promise of the coming harmony. How much the muslin fluttered and crumpled before Eleanor and another nymph were duly seated at the piano; how closely did that tall Apollo pack himself against the wall, with his flute, long as himself, extending high over the heads of his pretty neighbours; into how small a corner crept that round and florid little minor canon, and there with skill amazing found room to tune his accustomed fiddle!
And now the crash begins: away they go in full flow of harmony together — up hill and down dale — now louder and louder, then lower and lower; now loud, as though stirring the battle; then low, as though mourning the slain. In all, through all, and above all, is heard the violoncello. Ah, not for nothing were those pegs so twisted and re-twisted — listen, listen! Now alone that saddest of instruments tells its touching tale. Silent, and in awe, stand fiddle, flute, and piano, to hear the sorrows of their wailing brother. ’Tis but for a moment: before the melancholy of those low notes has been fully realised, again comes the full force of all the band — down go the pedals, away rush twenty fingers scouring over the bass notes with all the impetus of passion. Apollo blows till his stiff neckcloth is no better than a rope, and the minor canon works with both arms till he falls in a syncope of exhaustion against the wall.
How comes it that now, when all should be silent, when courtesy, if not taste, should make men listen — how is it at this moment the black-coated corps leave their retreat and begin skirmishing? One by one they creep forth, and fire off little guns timidly, and without precision. Ah, my men, efforts such as these will take no cities, even though the enemy should be never so open to assault. At length a more deadly artillery is brought to bear; slowly, but with effect, the advance is made; the muslin ranks are broken, and fall into confusion; the formidable array of chairs gives way; the battle is no longer between opposing regiments, but hand to hand, and foot to foot with single combatants, as in the glorious days of old, when fighting was really noble. In corners, and under the shadow of curtains, behind sofas and half hidden by doors, in retiring windows, and sheltered by hanging tapestry, are blows given and returned, fatal, incurable, dealing death.
Apart from this another combat arises, more sober and more serious. The archdeacon is engaged against two prebendaries, a pursy full-blown rector assisting him, in all the perils and all the enjoyments of short whist. With solemn energy do they watch the shuffled pack, and, all-expectant, eye the coming trump. With what anxious nicety do they arrange their cards, jealous of each other’s eyes! Why is that lean doctor so slow — cadaverous man with hollow jaw and sunken eye, ill beseeming the richness of his mother church! Ah, why so slow, thou meagre doctor? See how the archdeacon, speechless in his agony, deposits on the board his cards, and looks to heaven or to the ceiling for support. Hark, how he sighs, as with thumbs in his waistcoat pocket he seems to signify that the end of such