Информация о произведении:
CUPID’S ARROWS
ORIGIN OF LOVE
ROMAN LOVE
WOMAN’S POSITION
NO WOOING AND CHOICE
VIRGIL, DRYDEN, AND SCOTT
OVID’S ART OF MAKING LOVE
BIRTH OF GALLANTRY
MEDIÆVAL LOVE
CELIBACY VERSUS MARRIAGE
WOMAN’S LOWEST DEGRADATION
NEGATION OF FEMININE CHOICE
CHRISTIANITY AND LOVE
CHIVALRY—MILITANT AND COMIC
CHIVALRY—POETIC
FEMALE CULTURE
PERSONAL BEAUTY
SPENSER ON LOVE
DANTE AND SHAKSPERE
MODERN LOVE
A BIOLOGIC TEST
VENUS, PLUTUS, AND MINERVA
LEADING MOTIVES
MODERN COYNESS
MODERN JEALOUSY
MONOPOLY OR EXCLUSIVENESS
PRIDE AND VANITY
SPECIAL SYMPATHY
GALLANTRY AND SELF-SACRIFICE
EMOTIONAL HYPERBOLE
MIXED MOODS AND PARADOXES
INDIVIDUAL PREFERENCE
CONJUGAL AFFECTION AND ROMANTIC LOVE
ROMANCE IN CONJUGAL LOVE
MARRIAGES OF REASON OR LOVE-MATCHES?
MARRIAGE HINTS
OLD MAIDS
BACHELORS
GENIUS AND MARRIAGE
GENIUS AND LOVE
GENIUS IN LOVE
I.—PRECOCITY
II.—ARDOUR
III.—FICKLENESS
IV.—MULTIPLICITY
V.—FICTITIOUSNESS
INSANITY AND LOVE
ANALOGIES
EROTOMANIA, OR REAL LOVE-SICKNESS
THE LANGUAGE OF LOVE
I.—WORDS
II.-FACIAL EXPRESSION,
III.—CARESSES
KISSING—PAST, PRESENT, AND FUTURE
AMONG ANIMALS
AMONG SAVAGES
THE ORIGIN OF KISSING
ANCIENT KISSES
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