13
Morse Peckham. Man’s Rage for Chaos. New York: Schocken Books, 1967.
14
Бергер Й. Скрытое влияние: Какие невидимые силы управляют нашими поступками. Минск: Попурри, 2017.
15
Томпсон Д. Хитмейкеры. Наука популярности в эпоху развлечений. СПб: Азбука-Бизнес, 2018.
16
Jonah Berger. Invisible Influence. New York: Simon & Schuster, 2016; Derek Thompson. Hit Makers. New York: Penguin, 2017.
17
Miloš Forman. Amadeus. The Saul Zaentz Company, 1984.
18
Roger Ebert. “Great Movie: Amadeus”. RogerEbert.com. April 14, 2002. www.rogerebert.com.
19
Подробности о письме взяты из: Kevin Ashton. “Divine Genius Does Not Exist: Hard Work, Not Magical Inspiration, Is Essence of Creativity”. Salon. February 1, 2015. www.salon.com.
20
William Stafford. The Mozart Myths: A Critical Reassessment. Redwood City: Stanford University Press, 1993.
21
Подробности жизни и работы Моцарта взяты из: “Wolfgang Mozart”. https://www.biography.com; David P. Schroeder. “Mozart’s Compositional Processes and Creative Complexity”. Dalhousie Review. 73 (2). 1993. www.dalspace.library.dal.ca.
22
Ulrich Konrad. Mozart’s Sketches. Oxford: Oxford University Press, 1992.
23
Phillip McIntyre. Creativity and Cultural Production: Issues for Media Practice. New York: Palgrave Macmillan, 2012; Robert Spaethling. Mozart’s Letters, Mozart’s Life: Selected Letters. New York: W. W. Norton & Company, 2000.
24
“Mozart and Salieri ‘Lost’ Composition Played in Prague”. BBC News. February 16, 2016. www.bbc.com; Sarah Pruitt. “Mozart’s ‘Lost’ Collaboration with Salieri Performed in Prague”. History Channel. February 17, 2016. www.history.com.
25
David Brooks. “What Is Inspiration?” The New York Times. April 15, 2016. www.nytimes.com.
26
Lucille Wehner et al. “Current Approaches Used in Studying Creativity: An Exploratory Investigation”. Creativity Research Journal. January 1991. www.tandfonline.com.