But he caught sight of the large vehicle drawn by four horses, in which the vast corn-measure, the kalathos, which Serapis wore as his distinguishing head-gear, had been conveyed to Eleusis. It was empty now, for the contents had been offered to the god, and the four black horses had an easy task with the great wagon. No one had as yet thought of using it as a conveyance back to the town; but Diodoros, who was both ingenious and tired, ran after it and leaped up. Several now wanted to follow his example, but he pushed them off, even thrusting at them with a newly lighted torch, for he could not be quiet in spite of his fatigue. In the midst of the skirmishing he perceived his friend and Melissa.
His heart had been given to the gentle girl ever since they had been playmates in his father’s garden, and when he saw her, walking along downcast, while her brother sported with his neighbor’s daughters, he beckoned to her, and, as she refused to accompany him in the wagon, he nimbly sprang off, lifted her up in his arms, made strong by exercise in the Palaestra, and gently deposited her, in spite of her struggles, on the flat floor of the car, by the side of the empty kalathos.
“The rape of Persephone!” he cried. “The second performance in one. night!”
Then the old reckless spirit seized Alexander too.
With as much gay audacity—as though he were free of every care and grief, and had signed a compact with Fortune, he picked up pretty Ino, lifted her into the wagon, as Diodoros had done with his sister, and exclaiming, “The third performance!” seated himself by her side.
His bold example found immediate imitators. “A fourth!” “A fifth!” cried one and another, shouting and laughing, with loud calls on Iakchos.
The horses found it hard work, for all along the edge of the car, and round the kalathos of the great Serapis, sat the merry young couples in close array. Alexander and Melissa soon were wreathed with myrtle and ivy. In the vehicle and among the crowd there were none but radiant and frolicsome faces, and no sound but triumphant revelry.
Fatigue was forgotten; it might have been supposed that the sinister sisters, Care and Sorrow, had been banished from earth.
There was a smile even on Melissa’s sweet, calm face. At first her old friend’s audacious jest had offended her maidenly coyness; but if Diodoros had always loved her, so had she always loved him; and as other well-conducted girls had been content to have the like done to them, and her companion so confidently and roguishly sued for pardon, she gave him a smile which filled his heart with rapture, and said more than words.
It was a comfort, too, to sit still and rest.
She spoke but little, but even she forgot what troubled her when she felt her friend’s hand on hers, and he whispered to her that this was the most delightful night he had ever known, and that, of all the sweets the gods had created, she was to him the sweetest?
The blue sea spread before them, the full moon mirrored on its scarcely heaving surface like a tremulous column of pure and shining silver. The murmur of the ripples came up from the strand as soothing and inviting as the song of the Nereids; and if a white crest of foam rose on a wave, she could fancy it was the arm of Thetis or Galatea. There, where the blue was deepest, the sea-god Glaukos must dwell, and his heart be gladdened by the merry doings on shore.
Nature is so great; and as the thought came to her that her heart was not too small to take its greatness in, even to the farthest horizon, it filled her with glad surprise.
And Nature was bountiful too. Melissa could see the happy and gracious face of a divinity in everything she looked upon. The immortals who had afflicted her, and whom she had often bitterly accused, could be kind and merciful too. The sea, on whose shining surface the blue vault of heaven with the moon and stars rocked and twinkled, the soft breeze which fanned her brow, the new delicious longing which filled her heart-all she felt and was conscious of, was a divinity or an emanation of the divine. Mighty Poseidon and majestic Zeus, gentle Selene, and the sportive children of the god of winds, seemed to be strangely near her as she rode along. And it was the omnipotent son of Kypris, no doubt, who stirred her heart to beat higher than it had ever done before.
Her visit to her mother’s grave, too, her prayer and her offerings there, had perhaps moved the spirit of the beloved dead to hover near her now as a guardian genius.
Still, now and again the memory of something terrible passed over her soul like a sweeping shadow; but what it was which threatened her and those dear to her she did not see, and would not now inquire. What the morrow might bring should not cloud the enchantment of this hour. For oh, how fair the world was, and how blessed might mortals be!
“Iakchos! Iakchos!” the voices about her shouted, and it sounded as gleeful as though the breasts of the revelers were overflowing with gladness; and as the scented curls of Diodoros bent over her head, as his hand closed on hers, and his whispered words of love were in her ear, she murmured: “Alexander is right; the world is a banqueting-hall, and life is fair.”
“So fair!” echoed the youth, pensively. Then he shouted aloud to his companions: “The world is a banqueting-hall! Bring roses, bring wine, that we may sacrifice to Eros, and pour libations to Dionysus. Light the flaming torches! Iakchos! come, Iakchos, and sanctify our glad festival!”
“Come, Iakchos, come!” cried one and another, and soon the enthusiastic youth’s cry was taken up on all sides. But wine-skin and jar were long since emptied.
Hard by, below the cliff, and close to the sea, was a tavern, at the sign of the Cock. Here cool drink was to be had; here the horses might rest-for the drivers had been grumbling bitterly at the heavy load added to the car over the deep sand—and here there was a level plot, under the shade of a spreading sycamore, which had often before now served as a floor for the choric dance.
The vehicle soon drew up in front of the whitewashed inn, surrounded on three sides by a trellised arbor, overgrown with figs and vine. The young couples sprang to the ground; and, while the host and his slave dragged up a huge wine-jar with two ears, full of the red juice of the grape, fresh torches were lighted and stuck on poles or fastened to the branches of the sycamore, the youths took their places eager for the dance, and suddenly the festal song went up from their clear throats unbidden, and as though inspired by some mysterious power:
Iakchos, come! oh, come, Iakchos!
Hither come, to the scene of our revel,
The gladsome band of the faithful.
Shake the fragrant, berried garland,
Myrtle-twined, that crowns thy love-locks,
Shedding its odors!
Tread the measure, with fearless stamp,
Of this our reckless, rapturous dance,
In holy rejoicing!
Hand in hand, thrice beatified,
Lo we thread the rhythmic, fanciful,
Mystical mazes!
And the dance begins. Youths and maidens advance to meet each other with graceful movements. Every step must be a thing of beauty, every bend and rising, while the double flutes play faster and faster, and the measured rhythm becomes a wild whirl. They all know the dance, and the music is a guide to the feeling to be expressed; the dancing must be suited to it. Every gesture is a stroke of color which may beautify or mar the picture. Body and spirit are in perfect harmony, combining to represent the feelings that stir the soul. It is a work of art, the art of the arms and feet. Even when passion is at the highest the guiding law is observed. Nay, when the dancers fly wildly apart, they, not merely come together again with unerring certainty, but form in new combination another delightful and perfectly harmonious picture.
“Seek and find” this dance might be called, for the first idea is to represent the wandering of Demeter in search of her daughter Persephone, whom Pluto has carried