“Someone’s coming!”
Jerry froze, then put his hand over her mouth and motioned toward their clothing in a pile at the foot of the bed. With the mood broken and their affair on the verge of being discovered, they scrambled to get dressed. But their bodies were slick with sweat and their hands were shaking. All they got on was underwear before the men entered the barn below.
Half naked and shaking in terror, they huddled together on the mattress, listening in disbelief to what sounded like a drug deal going down. Jerry turned toward the camera, his eyes widening in horror, then looked back at Alicia just as a gun went off below them.
Alicia clasped her hands over her mouth to keep from screaming as more gunshots sounded, and as hay sprayed around them, she realized some shots were flying into the loft. She buried her face against her knees, trying to make herself as small a target as possible.
The shots ended as abruptly as they’d begun. She heard footsteps running out of the barn and turned with relief to Jerry until she saw him slumped down behind her, blood spilling onto the mattress.
“Jerry! Oh my God, Jerry!” she cried, and knelt beside him, trying to feel for a pulse. But there was none.
He was dead.
She leaned over his body, sobbing uncontrollably at the reality of what had just happened, then rocked back on her heels and screamed.
“Cut!” the director said, and then jumped out of his chair while Sahara Travis pulled herself up from the hayloft as gracefully as if she’d just curtsied before the queen.
She held out her arms as someone from wardrobe came running with a dressing gown to cover her up.
The director was pleased with both actors, and the lilt in his voice showed it.
Bobby French, the actor playing Jerry, stood up, scratching his bare belly and waiting for someone to bring him a robe.
“That was great, Bobby. Absolutely riveting, Sahara. We’ll break for lunch now. Everyone back on set in one hour.”
Sahara nodded as she began fastening her dressing gown while looking around for her personal assistant.
“Has anyone seen Lucy?” she asked.
One of the cameramen waved toward the craft service area.
“Catering was here. She might have taken your lunch to your trailer.”
“Thanks,” Sahara said, and strode off the set and then outside into the sunny California heat.
She was halfway to the trailer when she heard someone calling her name.
“Wait a second!” Lucy called, as she ran to catch up. “I was dropping off your lunch, and I got a call from wardrobe. They wanted you to stop in before you get back on set, but I told them to send someone to your trailer for measurements instead.”
Sahara frowned. “Thanks, but why do they need new measurements?”
“Your director doesn’t like the wardrobe in tomorrow’s scenes,” Lucy said.
“Whatever,” Sahara said, and walked up the steps and into the trailer with Lucy behind her.
The air-conditioning was welcome as she entered. Sahara turned toward the kitchen to wash up and was startled to see a woman curled up on the floor.
“It’s Moira,” Sahara cried, running to her.
She dropped to her knees beside the wardrobe assistant, assuming Moira must have fainted. But then she felt for a pulse and there was none.
“She’s not breathing! Call 911,” Sahara shouted to Lucy, then rolled Moira onto her back to begin CPR while her assistant frantically pulled out her phone.
Sahara tilted Moira’s head back and ran her finger inside her mouth to make sure the airway was clear, only to realize it was packed with food Moira never got to swallow. She leaned closer, intent on clearing the airway, when she smelled something that nearly stopped her heart. She yanked her finger out of Moira’s mouth and frantically wiped it on her robe, then jumped to her feet to wash her hands at the sink.
The tray with Sahara’s catered meal was on the counter and it was obvious that the food in Moira’s mouth came from that plate. Sahara smelled the food and then shoved it aside, staggering toward a chair to sit down, trembling in every muscle. The ramifications of what she was thinking were too horrifying to accept.
“The police are on the way,” Lucy said, as she turned around, and then saw her boss sitting at the table, staring at the body on the floor. “What’s wrong? Why aren’t you doing CPR?”
“She’s dead. I think she’s been poisoned.”
Lucy gasped. “What do you mean? How do you know?”
“Her breath... I smelled bitter almonds. Someone put cyanide in my food, and she ate it.”
Lucy ran toward the counter and lifted the cover off Sahara’s lunch. Sure enough some food had been eaten off the plate. She smelled it, then spun toward Sahara with a look of disbelief.
“I smell it, too, but—cyanide? How do you know?”
Sahara was rocking back and forth where she sat with her hands curled into fists, shaking uncontrollably. She ignored Lucy’s question completely, focusing instead on the implications of what had just happened.
“Why would she eat my lunch? Maybe she thought I’d never miss it. Who cares—she’s dead, Lucy! But if she was poisoned by my food, then... Oh my God! She died because someone tried to kill me! Why? Why?” Sahara cried, and then burst into tears.
Lucy ran to comfort her as the sound of sirens filled the air. By the time the police cars were on the lot and heading for Sahara’s trailer, most of the crew was already there.
Tom Mahan, the director, was in a panic, thinking something had happened to the star of his movie. He was relieved to see Sahara sitting at the table in tears, but that ended abruptly when he saw the body.
“Oh my God! Moira! What happened?”
“We don’t know. She was here to take measurements, and it looks like she ate some of Sahara’s catered meal and...died. Sahara thinks Moira was poisoned,” Lucy said.
“I don’t think it, I know it,” Sahara insisted. “Remember the movie I did with Rhett Coulter? The stalker used cyanide on Rhett’s character to get rid of him so he could get to me. It was the medical examiner who smelled bitter almonds and said he’d been poisoned.”
“Yes, I remember!” Tom said. “Wow, good call, Sahara.”
She looked up at him in disbelief. “Can we please not celebrate my memory right now? Moira is dead.”
“Right! Sorry!” he said, and darted out of the trailer. Moments later he was back with a half-dozen uniformed officers from the Hollywood division of the LAPD, followed by a couple of detectives from Homicide who began issuing orders. To the director’s dismay, shooting would have to be stopped and everyone would be on lockdown until statements were taken.
A couple of officers were unrolling crime scene tape around the trailer as everyone was sent back to the set. An interview site was set up near craft services by commandeering one of the long serving tables to use as a desk.
Because she found the body, Sahara was called up first. The video camera was on and once again she was being filmed, but this time she wasn’t going to have to fake emotions. She was sick to her stomach and scared to death.
The detective doing the interview sat down on the other side of the table and introduced himself.
“Miss Travis, I’m Detective Colin Shaw from the Homicide division. We’re going to be filming all of the interviews for our records.” He gestured toward the video camera set up on a tripod nearby. “I need you to tell me in your own words what