‘He’s gone to the theatre already. We don’t see much of him at home these days.’
It struck me that it had been two weeks or more since I had seen Daniel. He must be working even harder than usual, and yet the Augustus might be considered a step down for a man who regularly played at both Covent Garden and Drury Lane. I knew the theatre from earlier times when I’d lived in London, and I had been backstage several times. It was a barn of a place, at the Covent Garden end of Long Acre, built ten years earlier by a man who had hoped to convert London audiences to the delights of classical drama and gone spectacularly broke in the process. It had passed through several hands since and was already showing signs of shoddy construction, with plaster flaking from the walls and rust blistering the supports of the canopy over the main entrance.
When I got there, just as it was beginning to get dark at four o’clock, a few loiterers were reading the bright new playbills plastered to the walls. The Return to the London Stage of Madame Columbine topped the bill in large black letters. She was to perform two ballets: The Court of Queen Titaniaand Diana the Huntress. Among the other attractions were a new comical domestic burletta entitled The Hoodwinked Husband, Signor Cavalari and his arithmetical horse, twin boy acrobats (‘Peas in a Pod’), and the murder scene from Shakespeare’s Famous Tragedy Othello performed by the renowned tragedian Mr Robert Surrey. Daniel’s name was near the bottom of the bill as director of music.
The main doors were locked so I went in at the side entrance. There was nobody in the doorkeeper’s booth except a fat tabby cat, blinking at me from a stool. A long corridor with dressing-room doors off it led into the depths of the building. The air was colder than outside and a smell of damp plaster hung over everything. With three hours to go to curtain-rise, the place seemed deserted and quiet as a church.
Then somebody started singing. It was a simple song, ‘The Lass of Richmond Hill’, to piano accompaniment. The soprano voice was sweet and true, but it seemed to me not strong enough for a big place like the Augustus. I took a right turn and walked down a flight of steep wooden steps into the orchestra pit.
There were just the two of them: the man at the piano and the woman standing beside it. It was almost dark in the pit, apart from one candle in the holder on the piano. By the light of it, the first thing I noticed was the girl’s beautiful red hair, the colour of a beech tree in autumn. Her pale face, eyes wide, was intent on the song. The man sitting at the piano was looking up at her, his fingers stroking out the accompaniment so tenderly that it seemed to make a cave of music to shelter the two of them. He was Daniel.
I knew I was intruding so turned to go, but must have made some sound because she stopped singing suddenly and looked scared, as if they had no right to be there. The accompaniment stopped as well.
‘Is that you, Mr Blake?’ the man at the piano said, not able to see outside their halo of candlelight.
‘No, it’s me,’ I said, wishing I were a thousand miles away.
‘Liberty?’ From the sound of Daniel’s voice, he wished the same. ‘Is something wrong?’
‘No, I’m going. I’m sorry.’
‘Wait, Libby.’ He’d recovered himself now and spoke in his usual gentle voice. ‘Come over here. There’s somebody I’d like you to meet.’
The girl looked as if she wanted to run away. He touched her hand quickly and gave her a nod, as if to reassure her that I posed no threat.
‘Liberty, may I introduce Jenny Jarvis. Jenny, this is Liberty Lane, one of my oldest and dearest friends.’
Her bare hand met my gloved hand. I could feel her pulse beating like a trapped bird against a window. She was wearing a plain cotton dress, not warm enough for winter. Daniel picked up a grey wool shawl from the top of the piano and adjusted it carefully round her narrow shoulders.
‘Jenny, would you go to the dressing room and keep warm if you can. I’ll come soon.’
She went without a word, picking her way among the shadowy chairs and music stands as gracefully as a deer in a hazel copse.
‘She’s a dancer,’ Daniel said. ‘I’m teaching her singing, when we have time.’
‘You shouldn’t have sent her away for my sake.’
‘She needs to rest before the performance. In any case, I wanted to talk to you. It’s providential in a way, your being here.’
I thought, but didn’t say, that he hadn’t felt that way a minute ago. He was keyed up and nervous, far more than a man of his experience would be for a first night in a second-rate theatre.
‘Jenny’s nineteen,‘ he said. ‘She’s only been in London a few months. She comes from a village in Kent, near Maidstone. Her father’s a farm labourer. Her mother died and he married again.’
‘She ran away from a wicked step-mother?’
I didn’t like the flippancy in my own voice. In fact, I didn’t like myself very much at all. Only minutes ago, I’d been angry that my brother was trying to press me into marrying Daniel. Now here I was feeling shocked and miserable because he loved somebody else. I’d guessed the moment I saw them together, known for certain when his fingers rested on her shoulder just a moment longer than it needed to settle the shawl. Why should I be shocked? Daniel had made no promises to me, nor I to him. If I’d assumed, too easily, that I’d always be the woman in the world who mattered most to him, that was no fault of his.
Daniel gave no sign that he’d noticed my tone.
‘She ran away to London because she wanted to dance. She saw some travelling troupe at a fair and that was all she wanted to do. I honestly believe she thought London was full of happy people singing and dancing.’
I bit my tongue to stop myself saying that nobody should be that naïve, even a country girl. Daniel must have picked up on my thoughts.
‘I’m making her sound like a fool, Liberty. I promise you, she’s far from that. She’s quick minded, a talented dancer and has an excellent ear for music. And the sheer courage of her amazes me. Here she is, a little thing with no friends and no experience, managing to survive in London. Can you imagine what that must be like?’
‘Yes.’
‘She’s sharing a room with two of the other dancers in Seven Dials. One of them brings men home. There’s only the one room and two beds in it. You understand?’
I imagined two girls huddled in one of the beds of a slum room, listening to the sounds from the other bed a few feet away.
‘She’s only just begun trusting me enough to tell me about it,‘ Daniel said. ’It makes me sick even thinking of it.’
‘How long have you known her?’
‘Three weeks. I must do something, Libby. But I can’t bring her to lodge with me in a house of men. Her reputation would be entirely gone.’
I thought, Unless you married her. I didn’t put it into words in case it tipped him into something he’d spend the rest of his life regretting.
‘So you can guess what I want to ask you. It was in my mind in any case, but when you arrived just now …’
Ironic, I supposed, guessing what was coming.
‘I wonder if she might come to live with you and Mrs Martley. Only for a while, of course, until I can make some other arrangement. It’s a lot to ask, but…’
He looked me in the face, wanting this more than I’d ever known him want anything. I hoped my horror didn’t show. The two rooms in Abel Yard were a tight fit for me and Mrs Martley. Having to take in a girl I knew almost nothing about would be a burden, even without this feeling of hollowness round my heart.