But no, Henry cannot speak of his doubts in that quarter. Cranmer loves Anne, he thinks her the pattern of a Christian woman, the hope of good Bible readers all over Europe.
He sleeps again and dreams of the flowers made before the dawn of the world. They are made of white silk. There is no bush or stem to pluck them from. They lie on the bare uncreated ground.
He looks closely at Anne the queen, the day he brings back his report; she looks sleek, contented, and the benign domestic hum of their voices, as he approaches, tell him that she and Henry are in harmony. They are busy, their heads together. The king has his drawing instruments to hand: his compasses and pencils, his rules, inks and penknives. The table is covered in unscrolling plans, and in artificers’ moulds and batons.
He makes them his reverence, and comes to the point: ‘She is not well, and I believe it would be a kindness to let her have a visit from ambassador Chapuys.’
Anne shoots out of her chair. ‘What, so he can intrigue with her more conveniently?’
‘Her doctors suggest, madam, that she will soon be in her grave, and not able to work you any displeasure.’
‘She would come out of it, flapping in her shroud, if she saw the chance to thwart me.’
Henry stretches out a hand: ‘Sweetheart, Chapuys has never acknowledged you. But when Katherine is gone, and can no longer make trouble for us, I will make sure he bends his knee.’
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