A Woman of War: A new voice in historical fiction for 2018, for fans of The Tattooist of Auschwitz. Mandy Robotham. Читать онлайн. Newlib. NEWLIB.NET

Автор: Mandy Robotham
Издательство: HarperCollins
Серия:
Жанр произведения: Книги о войне
Год издания: 0
isbn: 9780008324230
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       Chapter 30: Clouds in Springtime

      

       Chapter 31: Relief

      

       Chapter 32: Waiting

      

       Chapter 33: Empty Space

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       Chapter 34: Beginnings

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       Chapter 35: Brewing

      

       Chapter 36: A Night Shift

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       Chapter 37: Watching and Waiting

      

       Chapter 38: Imminence

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       Chapter 39: Strength of the Web

      

       Chapter 40: A Real World on Top of the Mountain

      

       Chapter 41: Retribution

      

       Epilogue: Berlin 1990

      

       Acknowledgements

      

       About the Author

      

       About the Publisher

       Author’s Note

      Midwives love to talk, analyse and dissect; the post-birth babble in the coffee room is where we relate the beauty of a birth and the small dilemmas: How to relay to women the intensity of what they may go through in labour? Is it fair to describe in detail the two-headed agony and ecstasy of birth before the day? It led me to wonder at the bigger moral issues we might face, a point where we as midwives may not want to give body and soul towards the safety of mother and baby. And who and or where would that be?

      For me there was only one answer: a child whose very genetics would cause ripples among those who had suffered hugely at the hands of its father: Adolf Hitler. Combining a fascination for wartime history and my passion for birth, the idea was conceived. Using real characters like Hitler and Eva Braun – both of whom continue to incite strong emotions almost eight decades on – tested my own moral compass. And yet, I retain the premise that all women, at the point of birth, are equal: princess or pauper, angel or devil, in normal labour we all have to dig deep into ourselves. Birth sweeps away all prejudice. Eva, in the moments of labour, is one of those women. So too, the baby is born free of moral stain – an innocent, entirely pure.

      While using factual research material and scenarios, this is my take on a snapshot in history. There has been past speculation that the Führer and his eventual bride had a child, but A Woman of War is a work of fiction, my mind asking: What if? Anke too, is a fiction, yet an embodiment of what I sense in many midwives – a huge heart, but with doubts and fears. In other words, a normal person.

       1

       Irena

       Germany, January 1944

      For a few moments, the hut was as quiet as it ever could be in the early hours, a near silence broken only by the sound of a few feminine snores. The night monitor padded up and down the lines of bunks with her stick, on the lookout for rats preying on the women’s still limbs, ready to swipe at the voracious predators. Small clouds of human breath rose from the top bunks as it met with the icy, still air – strange not to hear the women coughing in turn, a symphony of ribs racked by the force of infection on their piteous lungs, as if just one more hack would crack their chests wide open. Every thirty seconds, the darkness was split by pinpricks of white as the searchlight did its endless sweep through the holes in the flimsy planks, in the only place we could call home.

      I was dozing at the front of the hut, knowing Irena was in the early stages. A sudden cry from her bunk next to the stove broke the silence, as a fierce contraction coiled within her and split her uneasy sleep, spilling through her broken teeth.

      ‘Anke, Anke,’ she cried. ‘No, no, no … Make it stop.’

      Her distress wasn’t of weakness – Irena had done this twice before in peacetime – but of the inevitable result of this process, of labour. A birth. Her baby would be born, and that to Irena was her worst nightmare. While her baby lay inside, occasionally kicking and showing signs it had not sucked away its mother’s life juices and still found wanting, there was hope. On the outside, hope diminished rapidly.

      I was soon at her side, gathering the rags and paper we had been harbouring, a bucket of water drawn painstakingly from the well before curfew. She was agitated, in a type of delirium usually seen in the typhus cases. The name of her husband – probably long since dead in another camp – burbled through her dry lips time and again as she thrashed on the thin hay mattress, causing the wooden slats below to creak.

      ‘Irena, Irena,’ I whispered her name repeatedly, bobbing to catch her gaze while her eyes opened and closed. Unlike women in the Berlin hospitals, mothers in the camp often became otherworldly in labour, taking themselves to another place, a palace of the mind. I imagined it was a way of avoiding the reality that they were bringing their babies into this stark world of horror, creating a perfect nest in their dreams where life failed to provide it.

      Much like third labours generally, this one progressed quickly. After simmering for several hours, contractions came one after another, spiralling rapidly. Rosa was soon by my side, roused from her half sleep too. She stoked the pitiful fire and put some of the water on to boil, while another woman brought an oil lamp, the fuel saved for such occasions. That was as much as we had, other than faith in Mother Nature.

      The contractions were fierce and the waters broke during one particularly strong moment – a pathetic, meagre amount – but Irena was resisting. In any other scenario, the body would have been forced to bear down, the natural expulsion overwhelming and unrelenting.