Hilary Mantel Collection: Six of Her Best Novels. Hilary Mantel. Читать онлайн. Newlib. NEWLIB.NET

Автор: Hilary Mantel
Издательство: HarperCollins
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Жанр произведения: Современная зарубежная литература
Год издания: 0
isbn: 9780007557707
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it?’

      ‘Yes.’

      ‘Could you be a little more comprehensive in your answers?’

      ‘No.’

      ‘You object but you won't say why?’

      ‘Yes.’

      ‘Is it the matter of the statute you object to, or the form of the oath, or the business of oath-taking in itself?’

      ‘I would rather not say.’

      Cranmer ventures, ‘Where it is a question of conscience, there must always be some doubt …’

      ‘Oh, but this is no whim. I have made long and diligent consultation with myself. And in this matter I hear the voice of my conscience clearly.’ He puts his head on one side, smiling. ‘It is not so with you, my lord?’

      ‘None the less, there must be some perplexity? For you must ask yourself, as you are a scholar and accustomed to controversy, to debate, how can so many learned men think on the one side, and I on the other? But one thing is certain, and it is that you owe a natural obedience to your king, as every subject does. Also, when you entered the king's council, long ago, you took a most particular oath, to obey him. So will not you do so?’ Cranmer blinks. ‘Set your doubts against that certainty, and swear.’

      Audley sits back in his chair. Eyes closed. As if to say, we're not going to do better than that.

      More says, ‘When you were consecrated archbishop, appointed by the Pope, you swore your oath to Rome, but all day in your fist, they say, all through the ceremonies, you kept a little paper folded up, saying that you took the oath under protest. Is that not true? They say the paper was written by Master Cromwell here.’

      Audley's eyes snap open: he thinks More has shown himself the way out. But More's face, smiling, is a mask of malice. ‘I would not be such a juggler,’ he says softly. ‘I would not treat the Lord my God to such a puppet show, let alone the faithful of England. You say you have the majority. I say I have it. You say Parliament is behind you, and I say all the angels and saints are behind me, and all the company of the Christian dead, for as many generations as there have been since the church of Christ was founded, one body, undivided –’

      ‘Oh, for Christ's sake!’ he says. ‘A lie is no less a lie because it is a thousand years old. Your undivided church has liked nothing better than persecuting its own members, burning them and hacking them apart when they stood by their own conscience, slashing their bellies open and feeding their guts to dogs. You call history to your aid, but what is history to you? It is a mirror that flatters Thomas More. But I have another mirror, I hold it up and it shows a vain and dangerous man, and when I turn it about it shows a killer, for you will drag down with you God knows how many, who will only have the suffering, and not your martyr's gratification. You are not a simple soul, so don't try to make this simple. You know I have respected you? You know I have respected you since I was a child? I would rather see my only son dead, I would rather see them cut off his head, than see you refuse this oath, and give comfort to every enemy of England.’

      More looks up. For a fraction of a second, he meets his gaze, then turns away, coy. His low, amused murmur: he could kill him for that alone. ‘Gregory is a goodly young man. Don't wish him away. If he has done badly, he will do better. I say the same of my own boy. What's the use of him? But he is worth more than a debating point.’

      Cranmer, distressed, shakes his head. ‘This is no debating point.’

      ‘You speak of your son,’ he says. ‘What will happen to him? To your daughters?’

      ‘I shall advise them to take the oath. I do not suppose them to share my scruples.’

      ‘That is not what I mean, and you know it. It is the next generation you are betraying. You want the Emperor's foot on their neck? You are no Englishman.’

      ‘You are barely that yourself,’ More says. ‘Fight for the French, eh, bank for the Italians? You were scarcely grown up in this realm before your boyhood transgressions drove you out of it, you ran away to escape gaol or a noose. No, I tell you what you are, Cromwell, you are an Italian through and through, and you have all their vices, all their passions.’ He sits back in his chair: one mirthless grunt of laughter. ‘This relentless bonhomie of yours. I knew it would wear out in the end. It is a coin that has changed hands so often. And now the small silver is worn out, and we see the base metal.’

      Audley smirks. ‘You seem not to have noted Master Cromwell's efforts at the Mint. His coinage is sound, or it is nothing.’

      The Chancellor cannot help it, that he is a smirking sort of man; someone must keep calm. Cranmer is pale and sweating, and he can see the pulse galloping at More's temple. He says, ‘We cannot let you go home. Still, it seems to me that you are not yourself today, so rather than commit you to the Tower, we could perhaps place you in the custody of the Abbot of Westminster … Would that seem suitable to you, my lord of Canterbury?’

      Cranmer nods. More says, ‘Master Cromwell, I should not mock you, should I? You have shown yourself my most especial and tender friend.’

      Audley nods to the guard at the door. More rises smoothly, as if the thought of custody has put a spring in his step; the effect is spoiled only by his usual grab at his garments, the scuffle as he shrugs himself together; and even then he seems to step backwards, and tread on his own feet. He thinks of Mary at Hatfield, rising from her stool and forgetting where she'd left it. After some fashion, More is bundled out of the room. ‘Now he's got exactly what he wants,’ he says.

      He puts his palm against the glass of the window. He sees the smudge it makes, against the old flawed glass. A bank of cloud has come up over the river; the best of the day is behind them. Audley crosses the room to him. Hesitant, he stands at his shoulder. ‘If only More would indicate which part of the oath he finds objectionable, it is possible something might be written to meet his objection.’

      ‘You can forget that. If he indicates anything, he is done for. Silence is his only hope, and it is not much of a hope at that.’

      ‘The king might accept some compromise,’ Cranmer says. ‘But I fear the queen will not. And indeed,’ he says faintly, ‘why should she?’

      Audley puts a hand on his arm. ‘My dear Cromwell. Who can understand More? His friend Erasmus told him to keep away from government, he told him he had not the stomach for it and he was right. He should never have accepted the office I now hold. He only did it to spite Wolsey, whom he hated.’

      Cranmer says, ‘He told him to keep away from theology too. Unless I am wrong?’

      ‘How could you be? More publishes all his letters from his friends. Even when they reprove him, he makes a fine show of his humility and so turns it to his profit. He has lived in public. Every thought that passes through his mind he has committed to paper. He never kept anything private, till now.’

      Audley reaches past him, opens the window. A torrent of birdsong crests on the edge of the sill and spills into the room, the liquid, fluent notes of the storm-thrush.

      ‘I suppose he's writing an account of today,’ he says. ‘And sending it out of the kingdom to be printed. Depend upon it, in the eyes of Europe we will be the fools and the oppressors, and he will be the poor victim with the better turn of phrase.’

      Audley pats his arm. He wants to console him. But who can begin to do it? He is the inconsolable Master Cromwell: the unknowable, the inconstruable, the probably indefeasible Master Cromwell.

      Next day the king sends for him. He supposes it is to berate him for failing to get More to take the oath. ‘Who will accompany me to this fiesta?’ he enquires. ‘Master Sadler?’

      As soon as he enters the king's presence, Henry gestures with a peremptory sweep of his arm for his attendants to clear a space, and leave him alone in it. His face is like thunder. ‘Cromwell, have I not been a good lord to you?’

      He begins to talk … gracious, and more than gracious … own sad unworthiness …