Returning to the Dee,—about a mile below the Linn, the stream of the Lui forces a passage through the steep banks and joins the river. We enter the glen from which this stream flows by a narrow rocky pass, through which the trees of the Mar forest struggle upwards. As we proceed, the trees gradually become more scarce, the rocky barrier is left behind us, and we are in a long grassy glen shut out from the world. This is Glen Lui. A better introduction to the savage scenery beyond, for the sake of contrast, there could not be. Every thing here is peace and softness. Banks lofty, but round and smooth, intervene to hide the summits of the mountains. The stream is not stagnant, but it flows on with a gentle current, sometimes through sedge or between grassy banks; elsewhere edged by a beach of the finest yellow sand. The water is beautifully transparent, and even where it is deepest you may count the shining pebbles below. A few weeping birches here and there hang their graceful disconsolate ringlets almost into the stream; the grass is as smooth as a shaven lawn, and much softer; and where a few stones protrude through it, they are covered with a cushion of many-coloured mosses. But with all its softness and beauty, the extreme loneliness of the scene fills the mind with a sense of awe. It surely must have been in such a spot that Wordsworth stood, or of such a scene that he dreamed, when he gave that picture of perfect rest which he professed to apply to a far different spot, Glen Almon—a rough, rocky glen, with a turbulent brook running through it, where there never was or can be silence:
"A convent—even a hermit's cell
Would break the silence of this dell—
It is not quiet—is not ease,
But something deeper far than these.
The separation that is here
Is of the grave, and of austere
And happy feelings of the dead."
Nor in Glen Lui can one feel inclined to join in the charge of mysticism which has been raised against this last simile. Its echoes in the heart at once associate themselves with a few strange, mysterious, round mounds, of the smoothest turf, and of the most regular, oval, or circular construction, which rise here and there from the flat floor of the valley. It needs no archæological inquiry to tell us what they are: we feel that they cover and have covered—who call tell how many hundred years?—the remains of some ancient people, with whom history cannot make us acquainted, and who have not even the benefit of tradition; for how can there be traditions in places where no human beings dwell?
"A noble race, but they are gone!
With their old forests wide and deep;
And we have fed our flocks upon
Hills where their generations sleep.
Their fountains slake our thirst at noon,
Upon their fields our harvest waves;
Our shepherds woo beneath their moon—
Ah, let us spare at least their graves!"
"Stop!" says a voice, "the quotation is utterly inappropriate—how can there be flocks where not even a single sheep feeds—how can shepherds woo beneath the moon where there are no damsels to woo?" Granted; but the lines are pretty—they were the most appropriate that we could find, and they blend in with one's feelings on this spot; for, if it be a strange and melancholy sight in the Far West, beyond the Atlantic, to alight upon the graves of a tribe of Indians whose history has become extinct, is it not more strange still to look, in the centre of this busy island, which has lived in history eighteen hundred years, on these vestiges of an old extinct race, not turned up by the plough, or found in digging the foundation of a cotton mill, but remaining there beneath the open sky, as they were left of old, no successors of the aboriginal race coming to touch them? Standing in Glen Lui, and remembering how fast we are peopling Australia and the Oregon, one's mind becomes confused about the laws of emigration and colonisation. Yet how soon may all this be changed. Perhaps the glen may turn out to be a good trunk level—the granite of Ben Muich Dhui peculiarly well adapted for tunnelling, and the traffic something of an unknown and indescribable extent: and some day soon the silence may be awakened with the fierce whistle of the train, and the bell may ring, and passengers may be ordered to be ready to take their places, and first, second, and third class tickets may be stamped with the rapidity of button-making—who knows? Nobody should prophesy in this age what may not be done. We once met a woful instance of a character for great sagacity utterly lost at one blow, in consequence of such a prediction. The man had engaged to eat the first locomotive that ever came to Manchester by steam from Liverpool. On the day when this marvel was accomplished, he received a polite note enclosing a piece of leather cut from the machinery, with an intimation that when he had digested that, the rest of the engine would be at his service. But the reader is getting tired of Glen Lui, and insists on being led into more exciting scenery.
After being for a few miles such as we have tried to describe it, the glen becomes narrower, and the scenery rougher. Granite masses crop out here and there. The pretty dejected weeping birches become mixed with stern, stiff, surly pines, which look as if they could "do any thing but weep," and not unnaturally suggest the notion that their harsh conduct may be the cause of the tears of their gentler companions. At last a mountain thrusts a spur into the glen, and divides it into two: we are here at the foot of Cairngorm of Derrie, or the lesser Cairngorm. The valley opening to the left is Glen Lui Beg, or Glen Luithe Little—containing the shortest and best path to the top of Ben Muich Dhui. The other to the right is Glen Derrie—one of the passes towards Loch A'an or Avon, and the basin of the Spey. Both these glens are alike in character. The precipitous sides of the great mountains between which they run, frown over them and fill them with gloom. The two streams of which the united waters lead so peaceful a wedded life in calm Glen Lui, are thundering torrents, chafing among rocks, and now and then starting unexpectedly at our feet down into deep black pools, making cataracts which, in the regular touring districts, would be visited by thousands. But the marked feature of these glens is the ancient forest. Somewhere we believe in Glen Derrie there are the remains of a saw-mill, showing that an attempt had been at one time made to apply the forest to civilised purposes; but it was a vain attempt, and neither the Baltic timber duties, nor the demand for railway sleepers, has brought the axe to the root of the tree beneath the shadow of Ben Muich Dhui. There are noble trees in the neighbouring forest of Braemar, but it is not in a state of nature. The flat stump occurs here and there, showing that commerce has made her selection, and destroyed the ancient unity of the forest. In Glen Derrie, the tree lives to its destined old age, and whether falling from decay, or swept to the ground by the tempest, lies and rots, stopping perhaps the course of some small stream, and by solution in the intercepted waters forming a petty peat-bog, which, after a succession of generations, becomes hardened and encrusted with lichens. Near such a mass of vegetable corruption and reorganisation, lies the new-fallen tree with its twigs still full of sap. Around them stand the hoary fathers of the forest, whose fate will come next. They bear the scars and contortions of many a hard-fought battle with the storms that often sweep the narrow glen. Some are bent double, with their heads nearly touching the earth; and among other fantastic forms it is not unusual to see the trunk of some aged warrior twisted round and round, its outer surface resembling the strands of a rope. A due proportion of the forest is still in its manly prime—tall, stout, straight trees, lifting their huge branches on high, and bearing aloft the solemn canopy of dark green that distinguishes "the scarcely waving pine." We are tempted to have recourse to poetry again—we promise it shall be the last time on this occasion: there are, however, some lines by Campbell "on leaving