After making his pitch this big man left the room abruptly, without taking questions, merely loosing a Parthian shaft at anti-war columnist Walter Lippmann. We had risen and were gathering our notes, when suddenly the president put his head around the door again. ‘Now, before y’all go,’ he said almost coyly, ‘I want to ask: do any of you feel any different from anything you had read or heard about me before you came?’ We were stunned into inarticulacy by this glimpse of Johnson’s awesome vulnerability.
In 1970, I presented a series of reports for BBC TV’s 24 Hours programme from Cambodia and Vietnam, then returned in the following year to do more of the same, interviewing President Nguyen Van Thieu and also visiting Laos. Among other themes of those films, I accompanied men of the US 23rd Division on a sweep in the Hiep Duc valley, flew in a Vietnamese Skyraider on a strafing mission, and reported on the battle for Firebase 6 in the Central Highlands. Later that year, in Beijing’s Great Hall of the People I shook the hand of Zhou Enlai. In 1973 and 1974 I travelled again in Vietnam, and in 1975 reported the final campaigns, including the shambles of Danang just before its fall, later from around Saigon.
I intended to remain among the handful of correspondents covering the North Vietnamese takeover. On the afternoon of the final day, however, I lost my nerve, forced a path through the mob of terrified Vietnamese around the US embassy, and scrambled over its wall with some assistance from the Marine defenders. A few hours later I was evacuated in a Jolly Green Giant to the USS Midway.
The above episodes* yielded immature journalism, but today lend personal colouring to my descriptions below of the sweat-soaked, dust-clinging, bomb-happy ‘boondocks’, as Vietnamese, French and American fighters knew them. In later years I met Robert McNamara, Henry Kissinger and other giants of the Vietnam era. Arthur Schlesinger became a friend.
All wars are different, and yet the same. A myth has grown up, in the US at least, that Vietnam inflicted unique horrors on its participants, attested in countless veterans’ anguished gropings into poetry. Yet anyone who lived through Rome’s Carthaginian struggles, the Thirty Years War in Europe, Napoleon’s campaign in Russia or the 1916 Somme battles would mock the notion that Indochina offered qualitatively worse experiences. The violence that men inflicted with spears and swords, or unleashed on innocents in the path of armies, was as ghastly in the second century AD as in the twentieth. An attacker set afire by burning oil poured from the walls of a medieval city suffered as terribly as one who fell victim to napalm. Looting, rape, black markets, casual violence towards civilians and prisoners, are inseparable from all conflicts. The 1939–45 cities of Europe hosted as many girls for sale as later did Saigon – recall London’s ‘Piccadilly commandos’. In times gone by, however, little was said to folks back home about such sordid manifestations. Film footage authorised for public screening excluded images that were deemed demoralising, because explicit.
In the new revelatory mood of the 1960s, however, suddenly the world witnessed nightly on prime-time TV the excesses and uglinesses perpetrated by US and South Vietnamese forces. Among images that inflicted special injury upon American purposes were that of Saigon’s police chief shooting a Vietcong prisoner during the 1968 Tet offensive; and of a screaming child, running naked in her agony after falling victim to a 1972 napalm strike. Hanoi released no comparable snapshots of cadres executing indigenous opponents by burying them alive, nor of Vietcong being mown down in unsuccessful assaults. Instead, it broadcast only heroic narratives, together with heart-rending footage of devastation inflicted by capitalist air power. The visual contrast between the war-making of a superpower, deploying diabolical technology symbolised by the B-52 bomber, and that of peasants clad in coolie hats or pith helmets, relying for mobility upon sandals and bicycles, conferred a towering propaganda advantage on the communists. In the eyes of many young Western people, Ho Chi Minh’s ‘freedom fighters’ became imbued with a romantic glow. It seems quite mistaken to suggest, as did some hawks fifty years ago, that the media lost the war for the United States. But TV and press coverage made it impossible for Westerners either to ignore the human cost or to deny the military blunderings.
Hours before I myself, aged twenty-four, flew to Saigon for the first time, I sought advice from Nicholas Tomalin, a British Sunday Times reporter. He gave me the address of the Indian bookshop on Tu-do Street which offered the best rate for changing dollars on the black market. Then he said, ‘Just remember – they lie, they lie, they lie.’ He meant the US command, of course, and he was right. Like many other Western writers then and since, however, Nick ignored the important point that Hanoi did the same. This does not render acceptable the deceits perpetrated by MACV (Military Assistance Command Vietnam) and JUSPAO (Joint US Public Affairs Office), but it provides a context often absent from judgements upon the so-called ‘credibility gap’.
Moreover, although American and South Vietnamese spokesmen peddled fantasies, MACV seldom barred reporters from getting out there and seeing for ourselves. In a fashion unmatched in any conflict before or since, free passage was accorded on fixed-wing aircraft and helicopters to journalists and photographers, many fiercely hostile to their carrier’s cause. Relative American openness, contrasted with the communist commitment to secrecy, in my view constitutes a claim upon a fragment of moral high ground. The egregious error committed by US statesmen and commanders was not that of lying to the world, but rather that of lying to themselves.
In modern Vietnam collectivist economic policies have been largely discarded, yet the legitimacy of its autocratic government derives solely from its victory in 1975. Thus, no stain is permitted to besmirch that narrative: few survivors feel able to speak freely about what took place. This opacity has been amazingly successful in defining the terms in which Western as well as Asian writers address the war. While it is unlikely that US archives still conceal important secrets, many must be locked in Hanoi’s files. Liberal America has adopted an almost masochistic attitude, which has distorted the historiography as surely as do jingoistic works by conservative revisionists. I recently asked one of the most celebrated correspondents of the war era, ‘If peace demonstrations had been permitted in Hanoi, how many people would have shown up?’ He replied unhesitatingly, ‘None. The North was 100 per cent behind the struggle.’
This seems heroically naïve: most normal human beings crave escape from an experience that is inflicting grief and hardship on themselves and loved ones. Many of those in the West who opposed the war made a well-founded assessment that the US was doing something unlikely to succeed, employing grievously haphazard violence. Some then went a step further, adopting a view that if their own nation had embraced a bad cause, the other side’s must be a good one. Yet the Hanoi politburo and National Liberation Front caused the South Vietnamese people merely to exchange oppression by warlords and landlords in favour of even harsher subjection to disciples of Stalin. Democracy allows voters to remove governments with which they are dissatisfied. Once communist rule has been established, however, no further open ballot is indulged, nor has been under Hanoi’s auspices since 1954.
In conducting its war effort, the Northern politburo enjoyed significant advantages. Its principals were content to pay an awesome price in human life, secure from media or electoral embarrassments. They could suffer repeated failures on the battlefield without risking absolute defeat, because the US had set its face against invading the North. By contrast, when the South lost once, its fate was irreversible. There are significant parallels between the Vietnamese communists’ struggle and the Soviet Union’s 1941–45 war effort: Stalin yoked patriotism, ideology and compulsion in just the fashion emulated by Ho Chi Minh and Le Duan a generation later. Beyond peradventure the communists proved more effective warriors than the soldiers of Saigon, but it seems prudent to hesitate before anointing them the good guys in this saga.
Much of the narrative below depicts cruelties and follies,