Miss Marple 3-Book Collection 1: The Murder at the Vicarage, The Body in the Library, The Moving Finger. Агата Кристи. Читать онлайн. Newlib. NEWLIB.NET

Автор: Агата Кристи
Издательство: HarperCollins
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Жанр произведения: Зарубежные детективы
Год издания: 0
isbn: 9780007431724
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      Her clothes were perfect and she had all the ease of manner of a well-bred woman, and yet there was something about her that was incongruous and baffling. You felt that she was a mystery. The word Griselda had used occurred to me –sinister. Absurd, of course, and yet – was it so absurd? The thought sprang unbidden into my mind: ‘This woman would stick at nothing.’

      Our talk was on most normal lines – pictures, books, old churches. Yet somehow I got very strongly the impression that there was something else – something of quite a different nature that Mrs Lestrange wanted to say to me.

      I caught her eye on me once or twice, looking at me with a curious hesitancy, as though she were unable to make up her mind. She kept the talk, I noticed, strictly to impersonal subjects. She made no mention of a husband or relations.

      But all the time there was that strange urgent appeal in her glance. It seemed to say: ‘Shall I tell you? I want to. Can’t you help me?’

      Yet in the end it died away – or perhaps it had all been my fancy. I had the feeling that I was being dismissed. I rose and took my leave. As I went out of the room, I glanced back and saw her staring after me with a puzzled, doubtful expression. On an impulse I came back:

      ‘If there is anything I can do –’

      She said doubtfully: ‘It’s very kind of you –’

      We were both silent. Then she said:

      ‘I wish I knew. It’s difficult. No, I don’t think anyone can help me. But thank you for offering to do so.’

      That seemed final, so I went. But as I did so, I wondered. We are not used to mysteries in St Mary Mead.

      So much is this the case that as I emerged from the gate I was pounced upon. Miss Hartnell is very good at pouncing in a heavy and cumbrous way.

      ‘I saw you!’ she exclaimed with ponderous humour. ‘And I was so excited. Now you can tell us all about it.’

      ‘About what?’

      ‘The mysterious lady! Is she a widow or has she a husband somewhere?’

      ‘I really couldn’t say. She didn’t tell me.’

      ‘How very peculiar. One would think she would be certain to mention something casually. It almost looks, doesn’t it, as though she had a reason for not speaking?’

      ‘I really don’t see that.’

      ‘Ah! But as dear Miss Marple says, you are so unworldly, dear Vicar. Tell me, has she known Dr Haydock long?’

      ‘She didn’t mention him, so I don’t know.’

      ‘Really? But what did you talk about then?’

      ‘Pictures, music, books,’ I said truthfully.

      Miss Hartnell, whose only topics of conversation are the purely personal, looked suspicious and unbelieving. Taking advantage of a momentary hesitation on her part as to how to proceed next, I bade her good-night and walked rapidly away.

      I called in at a house farther down the village and returned to the Vicarage by the garden gate, passing, as I did so, the danger point of Miss Marple’s garden. However, I did not see how it was humanly possible for the news of my visit to Mrs Lestrange to have yet reached her ears, so I felt reasonably safe.

      As I latched the gate, it occurred to me that I would just step down to the shed in the garden which young Lawrence Redding was using as a studio, and see for myself how Griselda’s portrait was progressing.

      I append a rough sketch here which will be useful in the light of after happenings, only sketching in such details as are necessary.

      I had no idea there was anyone in the studio. There had been no voices from within to warn me, and I suppose that my own footsteps made no noise upon the grass.

      I opened the door and then stopped awkwardly on the threshold. For there were two people in the studio, and the man’s arms were round the woman and he was kissing her passionately.

      The two people were the artist, Lawrence Redding, and Mrs Protheroe.

      I backed out precipitately and beat a retreat to my study. There I sat down in a chair, took out my pipe, and thought things over. The discovery had come as a great shock to me. Especially since my conversation with Lettice that afternoon, I had felt fairly certain that there was some kind of understanding growing up between her and the young man. Moreover, I was convinced that she herself thought so. I felt positive that she had no idea of the artist’s feelings for her stepmother.

      A nasty tangle. I paid a grudging tribute to Miss Marple. She had not been deceived but had evidently suspected the true state of things with a fair amount of accuracy. I had entirely misread her meaning glance at Griselda.

      I had never dreamt of considering Mrs Protheroe in the matter. There has always been rather a suggestion of Caesar’s wife about Mrs Protheroe – a quiet, selfcontained woman whom one would not suspect of any great depths of feeling.

      I had got to this point in my meditations when a tap on my study window aroused me. I got up and went to it. Mrs Protheroe was standing outside. I opened the window and she came in, not waiting for an invitation on my part. She crossed the room in a breathless sort of way and dropped down on the sofa.

      I had the feeling that I had never really seen her before. The quiet self-contained woman that I knew had vanished. In her place was a quick-breathing, desperate creature. For the first time I realized that Anne Protheroe was beautiful.

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      She was a brown-haired woman with a pale face and very deep set grey eyes. She was flushed now and her breast heaved. It was as though a statue had suddenly come to life. I blinked my eyes at the transformation.

      ‘I thought it best to come,’ she said. ‘You – you saw just now?’ I bowed my head.

      She said very quietly: ‘We love each other…’

      And even in the middle of her evident distress and agitation she could not keep a little smile from her lips. The smile of a woman who sees something very beautiful and wonderful.

      I still said nothing, and she added presently:

      ‘I suppose to you that seems very wrong?’

      ‘Can you expect me to say anything else, Mrs Protheroe?’

      ‘No – no, I suppose not.’

      I went on, trying to make my voice as gentle as possible:

      ‘You are a married woman –’

      She interrupted me.

      ‘Oh! I know – I know. Do you think I haven’t gone over all that again and again? I’m not a bad woman really – I’m not. And things aren’t – aren’t – as you might think they are.’

      I said gravely: ‘I’m glad of that.’

      She asked rather timorously:

      ‘Are you going to tell my husband?’

      I said rather dryly:

      ‘There seems to be a general idea that a clergyman is incapable of behaving like a gentleman. That is not true.’

      She threw me a grateful glance.

      ‘I’m so unhappy. Oh! I’m so dreadfully unhappy. I can’t go on. I simply can’t go on. And I don’t know what to do.’ Her voice rose with a slightly hysterical note in it. ‘You don’t know what my life is like. I’ve been miserable with Lucius from the beginning. No woman could be happy with him. I wish he were dead…It’s awful, but I do…I’m desperate. I tell you, I’m desperate.’ She started and looked over at the window.

      ‘What was that? I thought I heard someone? Perhaps it’s Lawrence.’

      I