“What is this to me, Sir?” said Trenchard, cutting him short.
“Nothing whatever,” rejoined the thief-taker, coldly. “But it is much to me. Jack Sheppard is to me what Thames Darrell is to you—an object of hatred. I owed his father a grudge: that I settled long ago. I owe his mother one, and will repay the debt, with interest, to her son. I could make away with him at once, as you are about to make away with your nephew, Sir Rowland,—but that wouldn’t serve my turn. To be complete, my vengeance must be tardy. Certain of my prey, I can afford to wait for it. Besides, revenge is sweetened by delay; and I indulge too freely in the passion to rob it of any of its zest. I’ve watched this lad—this Sheppard—from infancy; and, though I have apparently concerned myself little about him, I have never lost sight of my purpose. I have suffered him to be brought up decently—honestly; because I would make his fall the greater, and deepen the wound I meant to inflict upon his mother. From this night I shall pursue a different course; from this night his ruin may be dated. He is in the care of those who will not leave the task assigned to them—the utter perversion of his principles—half-finished. And when I have steeped him to the lips in vice and depravity; when I have led him to the commission of every crime; when there is neither retreat nor advance for him; when he has plundered his benefactor, and broken the heart of his mother—then—but not till then, I will consign him to the fate to which I consigned his father. This I have sworn to do—this I will do.”
“Not unless your skull’s bullet-proof,” cried a voice at his elbow; and, as the words were uttered, a pistol was snapped at his head, which,—fortunately or unfortunately, as the reader pleases,—only burnt the priming. The blaze, however, was sufficient to reveal to the thief-taker the features of his intended assassin. They were those of the Irish watchman.
“Ah! Terry O’Flaherty!” vociferated Jonathan, in a tone that betrayed hot the slightest discomposure. “Ah! Terry O’Flaherty!” he cried, shouting after the Irishman, who took to his heels as soon as he found his murderous attempt unsuccessful; “you may run, but you’ll not get out of my reach. I’ll put a brace of dogs on your track, who’ll soon hunt you down. You shall swing for this after next sessions, or my name’s not Jonathan Wild. I told you, Sir Rowland,” he added, turning to the knight, and chuckling, “the devil never deserts me.”
“Conduct me to your dwelling, Sir, without further delay,” said Trenchard, sternly,—“to the boy.”
“The boy’s not at my house,” replied Wild.
“Where is he, then?” demanded the other, hastily.
“At a place we call the Dark House at Queenhithe,” answered Jonathan, “a sort of under-ground tavern or night-cellar, close to the river-side, and frequented by the crew of the Dutch skipper, to whose care he’s to be committed. You need have no apprehensions about him, Sir Rowland. He’s safe enough now. I left him in charge of Quilt Arnold and Rykhart Van Galgebrok—the skipper I spoke of—with strict orders to shoot him if he made any further attempt at escape; and they’re not lads—the latter especially—to be trifled with. I deemed it more prudent to send him to the Dark House than to bring him here, in case of any search after him by his adoptive father—the carpenter Wood. If you choose, you can see him put on board the Zeeslang yourself, Sir Rowland. But, perhaps, you’ll first accompany me to my dwelling for a moment, that we may arrange our accounts before we start. I’ve a few necessary directions to leave with my people, to put ‘em on their guard against the chance of a surprise. Suffer me to precede you. This way, Sir Rowland.”
The thief-taker’s residence was a large dismal-looking, habitation, separated from the street by a flagged court-yard, and defended from general approach by an iron railing. Even in the daylight, it had a sombre and suspicious air, and seemed to slink back from the adjoining houses, as if afraid of their society. In the obscurity in which it was now seen, it looked like a prison, and, indeed, it was Jonathan’s fancy to make it resemble one as much as possible. The windows were grated, the doors barred; each room had the name as well as the appearance of a cell; and the very porter who stood at the gate, habited like a jailer, with his huge bunch of keys at his girdle, his forbidding countenance and surly demeanour seemed to be borrowed from Newgate. The clanking of chains, the grating of locks, and the rumbling of bolts must have been music in Jonathan’s ears, so much pains did he take to subject himself to such sounds. The scanty furniture of the rooms corresponded with their dungeon-like aspect. The walls were bare, and painted in stone-colour; the floors, devoid of carpet; the beds, of hangings; the windows, of blinds; and, excepting in the thief-taker’s own audience-chamber, there was not a chair or a table about the premises; the place of these conveniences being elsewhere supplied by benches, and deal-boards laid across joint-stools. Great stone staircases leading no one knew whither, and long gloomy passages, impressed the occasional visitor with the idea that he was traversing a building of vast extent; and, though this was not the case in reality, the deception was so cleverly contrived that it seldom failed of producing the intended effect. Scarcely any one entered Mr. Wild’s dwelling without apprehension, or quitted it without satisfaction. More strange stories were told of it than of any other house in London. The garrets were said to be tenanted by coiners, and artists employed in altering watches and jewelry; the cellars to be used as a magazine for stolen goods. By some it was affirmed that a subterranean communication existed between the thief-taker’s abode and Newgate, by means of which he was enabled to maintain a secret correspondence with the imprisoned felons: by others, that an under-ground passage led to extensive vaults, where such malefactors as he chose to screen from justice might lie concealed till the danger was blown over. Nothing, in short, was too extravagant to be related of it; and Jonathan, who delighted in investing himself and his residence with mystery, encouraged, and perhaps originated, these marvellous tales. However this may be, such was the ill report of the place that few passed along the Old Bailey without bestowing a glance of fearful curiosity at its dingy walls, and wondering what was going on inside them; while fewer still, of those who paused at the door, read, without some internal trepidation, the formidable name—inscribed in large letters on its bright brass-plate—of JONATHAN WILD.
Arrived at his habitation, Jonathan knocked in a peculiar manner at the door, which was instantly opened by the grim-visaged porter just alluded to. No sooner had Trenchard crossed the threshold than a fierce barking was heard at the farther extremity of the passage, and, the next moment, a couple of mastiffs of the largest size rushed furiously towards him. The knight stood upon his defence; but he would unquestionably have been torn in pieces by the savage hounds, if a shower of oaths, seconded by a vigorous application of kicks and blows from their master, had not driven them growling off. Apologizing to Sir Rowland for this unpleasant reception, and swearing lustily at his servant for occasioning it by leaving the dogs at liberty, Jonathan ordered the man to light them to the audience-room. The command was sullenly obeyed, for the fellow did not appear to relish the rating. Ascending the stairs, and conducting them along a sombre gallery, in which Trenchard noticed that every door was painted black, and numbered, he stopped at the entrance of a chamber; and, selecting a key from the bunch at his girdle, unlocked it. Following his guide, Sir Rowland found himself in a large and lofty apartment, the extent of which he could not entirely discern until lights were set upon the table. He then looked around him with some curiosity; and, as the thief-taker was occupied in giving directions to his attendant in an undertone, ample leisure was allowed him for investigation. At the first glance, he imagined he must have stumbled upon a museum of rarities, there were so many glass-cases, so many open cabinets, ranged against the walls; but the next convinced him that if Jonathan was a virtuoso, his tastes did not run in the ordinary channels. Trenchard was tempted to examine the contents of some of these cases, but a closer inspection made him recoil from them in disgust. In the one he approached was gathered together a vast assortment of weapons, each of which, as appeared from the ticket attached to it, had been used as an instrument of destruction. On this side was a razor with which a son had murdered his father; the blade notched, the haft crusted with blood: on that, a bar