At this time, there was living in a country parish, a young clergyman of the name of John Keble. He had gone to Oxford at the age of fifteen, where, after a successful academic career, he had been made a Fellow of Oriel. He had then returned to his father's parish and taken up the duties of a curate. He had a thorough knowledge of the contents of the Prayer-book, the ways of a Common Room, the conjugations of the Greek Irregular Verbs, and the small jests of a country parsonage; and the defects of his experience in other directions were replaced by a zeal and a piety which were soon to prove themselves equal, and more than equal, to whatever calls might be made upon them. The superabundance of his piety overflowed into verse; and the holy simplicity of the Christian Year carried his name into the remotest lodging-houses of England.
As for his zeal, however, it needed another outlet. Looking forth upon the doings of his fellow-men through his rectory windows in Gloucestershire, Keble felt his whole soul shaken with loathing, anger, and dread. Infidelity was stalking through the land; authority was laughed at; the hideous doctrines of Democracy were being openly preached. Worse still, if possible, the Church herself was ignorant and lukewarm; she had forgotten the mysteries of the sacraments, she had lost faith in the Apostolical Succession; she was no longer interested in the Early Fathers; and she submitted herself to the control of a secular legislature, the members of which were not even bound to profess belief in the Atonement. In the face of such enormities what could Keble do? He was ready to do anything, but he was a simple and an unambitious man, and his wrath would in all probability have consumed itself unappeased within him had he not chanced to come into contact, at the critical moment, with a spirit more excitable and daring than his own.
Hurrell Froude, one of Keble's pupils, was a clever young man to whom had fallen a rather larger share of self-assurance and intolerance than even clever young men usually possess. What was singular about him, however, was not so much his temper as his tastes. The sort of ardour which impels more normal youths to haunt Music Halls and fall in love with actresses took the form, in Froude's case, of a romantic devotion to the Deity and an intense interest in the state of his own soul. He was obsessed by the ideals of saintliness, and convinced of the supreme importance of not eating too much. He kept a diary in which he recorded his delinquencies, and they were many. 'I cannot say much for myself today,' he writes on September 29th, 1826 (he was twenty-three years old). 'I did not read the Psalms and Second Lesson after breakfast, which I had neglected to do before, though I had plenty of time on my hands. Would have liked to be thought adventurous for a scramble I had at the Devil's Bridge. Looked with greediness to see if there was a goose on the table for dinner; and though what I ate was of the plainest sort, and I took no variety, yet even this was partly the effect of accident, and I certainly rather exceeded in quantity, as I was fuzzy and sleepy after dinner.' 'I allowed myself to be disgusted, with—'s pomposity,' he writes a little later, 'also smiled at an allusion in the Lessons to abstemiousness in eating. I hope not from pride or vanity, but mistrust; it certainly was unintentional.' And again, 'As to my meals, I can say that I was always careful to see that no one else would take a thing before I served myself; and I believe as to the kind of my food, a bit of cold endings of a dab at breakfast, and a scrap of mackerel at dinner, are the only things that diverged from the strict rule of simplicity.' 'I am obliged to confess,' he notes, 'that in my intercourse with the Supreme Being, I am be come more and more sluggish.' And then he exclaims: 'Thine eye trieth my inward parts, and knoweth my thoughts … Oh that my ways were made so direct that I might keep Thy statutes. I will walk in Thy Commandments when Thou hast set my heart at liberty.'
Such were the preoccupations of this young man. Perhaps they would have been different, if he had had a little less of what Newman describes as his 'high severe idea of the intrinsic excellence of Virginity'; but it is useless to speculate.
Naturally enough the fierce and burning zeal of Keble had a profound effect upon his mind. The two became intimate friends, and Froude, eagerly seizing upon the doctrines of the elder man, saw to it that they had as full a measure of controversial notoriety as an Oxford common room could afford. He plunged the metaphysical mysteries of the Holy Catholic Church into the atmosphere of party politics. Surprised Doctors of Divinity found themselves suddenly faced with strange questions which had never entered their heads before. Was the Church of England, or was it not, a part of the Church Catholic? If it was, were not the Reformers of the sixteenth century renegades? Was not the participation of the Body and Blood of Christ essential to the maintenance of Christian life and hope in each individual? Were Timothy and Titus Bishops? Or were they not? If they were, did it not follow that the power of administering the Holy Eucharist was the attribute of a sacred order founded by Christ Himself? Did not the Fathers refer to the tradition of the Church as to something independent of the written word, and sufficient to refute heresy, even alone? Was it not, therefore, God's unwritten word? And did it not demand the same reverence from us as the Scriptures, and for exactly the same reason—BECAUSE IT WAS HIS WORD? The Doctors of Divinity were aghast at such questions, which seemed to lead they hardly knew whither; and they found it difficult to think of very apposite answers. But Hurrell Froude supplied the answers himself readily enough. All Oxford, all England, should know the truth. The time was out of joint, and he was only too delighted to have been born to set it right.
But, after all, something more was needed than even the excitement of Froude combined with the conviction of Keble to ruffle seriously the vast calm waters of Christian thought; and it so happened that that thing was not wanting: it was the genius of John Henry Newman. If Newman had never lived, or if his father, when the gig came round on the fatal morning, still undecided between the two Universities, had chanced to turn the horse's head in the direction of Cambridge, who can doubt that the Oxford Movement would have flickered out its little flame unobserved in the Common Room of Oriel? And how different, too, would have been the fate of Newman himself! He was a child of the Romantic Revival, a creature of emotion and of memory, a dreamer whose secret spirit dwelt apart in delectable mountains, an artist whose subtle senses caught, like a shower in the sunshine, the impalpable rainbow of the immaterial world. In other times, under other skies, his days would have been more fortunate. He might have helped to weave the garland of Meleager, or to mix the lapis lazuli of Fra Angelico, or to chase the delicate truth in the shade of an Athenian palaestra, or his hands might have fashioned those ethereal faces that smile in the niches of Chartres. Even in his own age he might, at Cambridge, whose cloisters have ever been consecrated to poetry and common sense, have followed quietly in Gray's footsteps and brought into flower those seeds of inspiration which now lie embedded amid the faded devotion of the Lyra Apostolica.
At Oxford, he was doomed. He could not withstand the last enchantment of the Middle Age. It was in vain that he plunged into the pages of Gibbon or communed for long hours with Beethoven over his beloved violin. The air was thick with clerical sanctity, heavy with the odours of tradition and the soft warmth of spiritual authority; his friendship with Hurrell Froude did the rest. All that was weakest in him hurried him onward, and all that was strongest in him too. His curious and vaulting imagination began to construct vast philosophical fabrics out of the writings of ancient monks, and to dally with visions of angelic visitations and the efficacy of the oil of St Walburga; his emotional nature became absorbed in the partisan passions of a University clique; and his subtle intellect concerned itself more and more exclusively with the dialectical splitting of dogmatical hairs. His future course was marked out for him all too clearly; and yet by a singular chance the true nature of the man was to emerge triumphant in the end. If Newman had died at the age of sixty, today he would have been already forgotten, save by a few ecclesiastical historians; but he lived to write his Apologia, and to reach immortality, neither as a thinker nor as a theologian, but as an artist who has embalmed the poignant history of an intensely human spirit in the magical spices of words.
When Froude succeeded in impregnating Newman with the ideas of Keble, the Oxford Movement began. The original and