Great as was Landor's dislike to the uncle, it paled before his detestation of the reigning Emperor,—a detestation too general to be designated an idiosyncrasy on the part of the poet. We always knew who was meant when a sentence was prefaced with "that rascal" or "that scoundrel,"—such were the epithets substituted for the name of Louis Napoleon. Believing the third Napoleon to be the worst enemy of his foster-mother, Italy, as well as of France, Landor bestowed upon him less love, if possible, than the majority of Englishmen. Having been personally acquainted with the Emperor when he lived in England as an exile, Landor, unlike many of Napoleon's enemies, acknowledged the superiority of his intellect. "I used to see a great deal of the Prince when he was in London. I met him very frequently of an evening at Lady Blessington's, and had many conversations with him, as he always sought me and made himself particularly civil. He was a very clever man, well informed on most subjects. The fops used to laugh at him, and call him a bore. A coxcombical young lord came up to me one evening after the Prince had taken his leave, and said, 'Mr. Landor, how can you talk to that fool, Prince Napoleon?' To which I replied, 'My Lord, it takes a fool to find out that he is not a wise man!' His Lordship retired somewhat discomfited," added Landor with a laugh, "The Prince presented me with his work on Artillery, and invited me to his house. He had a very handsome establishment, and was not at all the poor man he is so often said to have been." Of this book Landor writes in an article to the "Quarterly Review" (I think): "If it is any honor, it has been conferred on me to have received from Napoleon's heir the literary work he composed in prison, well knowing, as he did, and expressing his regret for, my sentiments on his uncle. The explosion of the first cannon against Rome threw us apart forever." I shall not soon forget Landor's lively narration of Napoleon's escape from the prison at Ham, given in the same language in which it was told to him by the Prince. I would feign repeat it here, were it not that an account of this wonderful escape found its way into print some years ago. Apropos of Napoleon, an old friend of Landor's told me that, while in London, the Prince was in the habit of calling upon him after dinner. He would sip café noir, smoke a cigar, ply his host with every conceivable question, but otherwise maintain a dignified reticence. It seems then that Louis Napoleon is indebted to nature, as well as to art, for his masterly ability in keeping his own counsel.
Among other persons of note encountered by Landor at Lady Blessington's was Rachel. It was many years ago, before her star had attained its zenith. "She took tea with her Ladyship, and was accompanied by a female attendant, her mother I think. Rachel had very little to say, and left early, as she had an engagement at the theatre. There was nothing particularly noticeable in her appearance, but she was very ladylike. I never met her again."
Landor entertained a genuine affection for the memory of Lady Blessington. "Ah, there was a woman!" he exclaimed one day with a sigh. "I never knew so brilliant and witty a person in conversation. She was most generous too, and kind-hearted. I never heard her make an ill-natured remark. It was my custom to visit her whenever the laurel was in bloom; and as the season approached, she would write me a note, saying, 'Gore House expects you, for the laurel has begun to blossom.' I never see laurel now, that it does not make me sad, for it recalls her to me so vividly. During these visits I never saw Lady Blessington until dinner-time. She always breakfasted in her own room, and wrote during the morning. She wrote very well, too; her style was pure. In the evening her drawing-room was thrown open to her friends, except when she attended the opera. Her opera-box faced the Queen's, and a formidable rival she was to her Majesty."
"D'Orsay was an Apollo in beauty, very amiable, and had considerable talent for modelling." Taking me into his little back sitting-room, Landor brought out a small album, and, passing over the likenesses of several old friends, among whom were Southey, Porson, Napier, and other celebrities, he held up an engraving of Lady Blessington. Upon my remarking its beauty, Landor replied: "That was taken at the age of fifty, so you can imagine how beautiful she must have been in her youth. Her voice and laugh were very musical." Then, turning to a young lady present, Landor made her an exceedingly neat compliment, by saying, "Your voice reminds me very vividly of Lady Blessington's. Perhaps," he continued with a smile, "this is the reason why my old, deaf ears never lose a word when you are speaking." Driving along the north side of the Arno, one summer's day, Landor gazed sadly at a terrace overlooking the water, and said: "Many a delightful evening have I spent on that terrace with Lord and Lady Blessington. There we used to take our tea. They once visited Florence for no other purpose than to see me. Was not that friendly? They are both dead now, and I am doomed to live on. When Lady Blessington died, I was asked to write a Latin epitaph for her tomb, which I did; but some officious person thought to improve the Latin before it was engraved, and ruined it."
This friendship was fully reciprocated by Lady Blessington, who, in her letters to Landor, refers no less than three times to those "calm nights on the terrace of the Casa Pelosi." "I send you," she writes, "the engraving, and have only to wish that it may sometimes remind you of the original.... Five fleeting years have gone by since our delicious evenings on the lovely Arno,—evenings never to be forgotten, and the recollections of which ought to cement the friendships then formed." Again, in her books of travel,—the "Idler in France" and "Idler in Italy,"—Lady Blessington pays the very highest tribute to Landor's heart, as well as intellect, and declares his real conversations to be quite as delightful as his imaginary ones. She who will live long in history as the friend of great men now lies "beneath the chestnut shade of Saint Germain"; and Landor, with the indignation of one who loved her, has turned to D'Orsay, asking
"Who was it squandered all her wealth,
And swept away the bloom of health?"
Although a Latinist, Landor did not approve of making those who have passed away doubly dead to a majority of the living by Latin eulogy. In an interesting conversation he gives the following opinion: "Although I have written at various times a great number of such inscriptions" (Latin), "as parts of literature, yet I think nothing is so absurd, if you only inscribe them on a tomb. Why should extremely few persons, the least capable, perhaps, of sympathy, be invited to sympathize, while thousands are excluded from it by the iron grate of a dead language? Those who read a Latin inscription are the most likely to know already the character of the defunct, and no new feelings are to be excited in them; but the language of the country tells the ignorant who he was that lies under the turf before them; and, if he was a stranger, it naturalizes him among them; it gives him friends and relations; it brings to him and detains about him some who may imitate, many who will lament him. We have no right to deprive any one of a tender sentiment, by talking in an unknown tongue to him, when his heart would listen and answer to his own; we have no right to turn a chapel into a library, locking it with a key which the lawful proprietors cannot turn."
I once asked Landor to describe Wordsworth's personal appearance. He laughed and replied: "The best description I can give you of Wordsworth is the one that Hazlitt gave me. Hazlitt's voice was very deep and gruff, and he peppered his sentences very bountifully with 'sirs.' In speaking to me of Wordsworth, he said: 'Well, sir, did you ever see a horse, sir?' 'Yes.' 'Then, sir, you have seen Wordsworth, sir! He looks exactly like a horse, sir, and a very long-faced horse at that, sir!' And he did look like a horse," added Landor.
Those who have seen good likenesses of Wordsworth will readily remark this resemblance. A greater length of ear would liken the Lake poet to an animal of less dignity.
Continuing the conversation thus begun, Landor said: "I saw a great deal of Hazlitt when he was in Florence. He called upon me frequently, and a funny fellow he was. He used to say to me: 'Mr. Landor, I like you, sir,—I like you very much, sir,—you're an honest man, sir; but I don't approve, sir, of a great deal that you have written, sir. You must reform some of your opinions, sir.'" And again Landor laughed with great good-will.
"I regret that I saw Charles Lamb but once," replied