One feature of his character was definite—he was a home-loving man. He liked the society of women with whom he could be familiar, and he preferred the company of books and music to fashionable social functions. This pleasant habit of domesticity was illustrated during the evening by an accidental incident—a noisy, mechanical street organ stopped before the windows, and in a blatant manner began its performance. Conversation was paralyzed by the intrusion and when it was removed Judge Rawdon said: “What a democratic, leveling, aggressive thing music is! It insists on being heard. It is always in the way, it thrusts itself upon you, whether you want it or not. Now art is different. You go to see pictures when you wish to.”
Mostyn did not notice the criticism on music itself, but added in a soft, disapproving way: “That man has no music in him. Do you know that was one of Mendelssohn’s delicious dreams. This is how it should have been rendered,” and he went impulsively to the piano and then the sweet monotonous cadences and melodious reveries slipped from his long white fingers till the whole room was permeated with a delicious sense of moonlit solitude and conversation was stilled in its languor. The young man had played his own dismissal, but it was an effective one, and he complimented himself on his readiness to seize opportunities for display, and on his genius in satisfying them.
“I think I astonished them a little,” he mused, “and I wonder what that pretty, cousin of mine thought of the music and the musician. I fancy we shall be good friends; she is proud—that is no fault; and she has very decided opinions—which might be a great fault; but I think I rather astonished them.”
To such reflections he stepped rather pompously down the avenue, not at all influenced by any premonition that his satisfactory feelings might be imperfectly shared. Yet silence was the first result of his departure. Judge Rawdon took out his pocketbook and began to study its entries. Ruth Bayard rose and closed the piano. Ethel lifted a magazine, while it was Madam who finally asked in an impatient tone:
“What do you think of Frederick? I suppose, Edward, you have an opinion. Isn’t he a very clever man?”
“I should not wonder if he were, mother, clever to a fault.”
“I never heard a young man talk better.”
“He talked a great deal, but then, you know, he was not on his oath.”
“I’ll warrant every word he said.”
“Your warrant is fine surety, mother, but I am not bound to believe all I hear. You women can please yourselves.”
And with these words he left the women to find out, if they could, what manner of man their newly-found kinsman might be.
CHAPTER III
ONE of the most comfortable things about Frederick Mostyn was his almost boyish delight in the new life which New York opened to him. Every phase of it was so fresh, so unusual, that his Yorkshire existence at Mostyn Hall gave him no precedents and no experiences by which to measure events. The simplest things were surprising or interesting. He was never weary of taking those exciting “lifts” to the top of twenty-three story buildings and admiring the wonderful views such altitudes gave him. He did not perhaps comprehend how much he was influenced by the friction of two million wills and interests; did not realize how they evoked an electric condition that got behind the foreground of existence and stirred something more at the roots of his being than any previous experience had ever done. And this feeling was especially entrancing when he saw the great city and majestic river lying at his feet in the white, uncanny light of electricity, all its color gone, its breath cold, its life strangely remote and quiet, men moving like shadows, and sounds hollow and faint and far off, as if they came from a distant world. It gave him a sense of dreamland quite as much as that of reality. The Yorkshire moors and words grew dull and dreary in his memory; even the thought of the hunting field could not lure his desire. New York was full of marvelous novelties; its daily routine, even in the hotel and on the streets, gripped his heart and his imagination; and he confessed to himself that New York was life at first hand; fresh drawn, its very foam sparkling and intoxicating. He walked from the Park to the Battery and examined all that caught his eye. He had a history of the city and sought out every historical site; he even went over to Weehawken, and did his best to locate the spot where Burr and Hamilton fought. He admired Hamilton, but after reading all about the two men, gave his sympathy to Burr, “a clever, unlucky little chap,” he said. “Why do clever men hate each other?” and then he smiled queerly as he remembered political enemies of great men in his own day and his own country; and concluded that “it was their nature to do so.”
But in these outside enthusiasms he did not forget his personal relations. It took him but a few days to domesticate himself in both the Rawdon houses. When the weather drove him off the streets, he found a pleasant refuge either with Madam or with Ethel and Miss Bayard. Ethel he saw less frequently than he liked; she was nearly always with Dora Denning, but with Ruth Bayard he contracted a very pleasant friendship. He told her all his adventures and found her more sympathetic than Madam ever pretended to be. Madam thought him provincial in his tastes, and was better pleased to hear that he had a visiting entry at two good clubs, and had hired a motor ear, and was learning how to manage it. Then she told herself that if he was good to her, she would buy him one to be proud of before he returned to Yorkshire.
It was at the Elite Club Bryce Denning first saw him. He came in with Shaw McLaren, a young man whose acquaintance was considered as most definitely satisfactory. Vainly Bryce Denning had striven to obtain any notice whatever from McLaren, whose exclusiveness was proverbial. Who then was this stranger he appeared so anxious to entertain? His look of supreme satisfaction, his high-bred air, and peculiar intonation quickly satisfied Bryce as to his nationality.
“English, of course,” he reflected, “and probably one of the aristocrats that Shaw meets at his recently ennobled sister’s place. He is forever bragging about them. I must find out who Shaw’s last British lion is,” and just as he arrived at this decision the person appeared who could satisfy him.
“That man!” was the reply to the inevitable question—“why, he is some relative of the old lady Rawdon. He is staying at the Holland House, but spends his time with the Rawdons, old and young; the young one is a beauty, you know.”
“Do you think so? She is a good deal at our house. I suppose the fellow has some pretentions. Judge Rawdon will be a man hard to satisfy with a son-in-law.”
“I fancy his daughter will take that subject in her own hand. She looks like a girl of spirit; and this man is not as handsome as most Englishmen.”
“Not if you judge him by bulk, but women want more than mere bulk; he has an air of breeding you can’t mistake, and he looks clever.”
“His name is Mostyn. I have heard him spoken of. Would you like to know him?”
“I could live without that honor”—then Bryce turned the conversation upon a recent horse sale, and a few moments later was sauntering up the avenue. He was now resolved to make up his quarrel with Dora. Through Dora he could manage to meet Mostyn socially, and he smiled in anticipation of that proud moment when he should parade in his own friendly leash McLaren’s new British lion. Besides, the introduction to Mr. Mostyn might, if judiciously managed, promote his own acquaintance with Shaw McLaren, a sequence to be much desired; an end he had persistently looked for.
He went straight to his sister’s apartments and touched the bell quite gently. Her maid opened the door and looked annoyed and uncertain. She knew all about the cruelly wicked opposition