Death is not ours to deal. And were it ours, should we give him the nameless mystic mercy which all men live to crave—give it as the chastisement of crime? Death! It is rest to the aged, it is oblivion to the atheist, it is immortality to the poet! It is a vast, dim, exhaustless pity to all the world. And would you summon it as your hardest cruelty to sin?
They were silent; she stirred their souls—she had not bound their passions.
"A traitor merits death," they muttered.
"Merits it! Not so. The martyr, the liberator, the seeker of truth, may deserve its peace; how has the traitor won them? You deem yourselves just; your justice errs. If you would give him justice, make him live. Live to know fear lest every wind among the leaves may whisper of his secret; live to feel the look of a young child's eyes a shame to him; live to envy every peasant whose bread has not been bought with tainted coin; live to hear ever in his path the stealing step of haunting retribution; live to see his brethren pass by him as a thing accurst; live to listen in his age to white-haired men, who once had been his comrades, tell to the youth about them the unforgotten story of his shame. Make him live thus if you would have justice."
They answered nothing; a shudder ran through them as they heard.
"And—if you have as I—a deliverance that forbids you even so much harshness, still let him live, and bury his transgression in your hearts. Say to him as I say, 'Your sin was great, go forth and sin no more.'"
"One is not an assassin!"
"Since when have you discovered that?"
The flush grew darker on Count Conrad's forehead; he moved restlessly under the irony, and drank down a draught of red fiery Roussillon without tasting it more than if it had been water. Then he laughed; the same careless musical laughter with which he had made the requiem over a violet—a laugh which belonged at once to the most careless and the most evil side of his character.
"Since sophism came in, which was with Monsieur Cain, when he asked, 'Am I my brother's keeper?' It was ingenious that reply; creditable to a beginner, without social advantages. 'An assassin!' Take the word boldly by the beard, and look at it. What is there objectionable?"
"Nothing—except to the assassinated."
"It has had an apotheosis ever since the world began," pursued Phaulcon, unheeding, in his bright vivacity. "Who are celebrated in Scripture? Judith, Samuel, David, Moses, Joab. Who is a patriot? Brutus. Who is an immortal? Harmodius and Aristogiton. Who is a philosopher? Cicero, while he murmurs 'Vixerunt!' after slaying Lentulus. Who is a hero? Marius, who nails the senators' heads to the rostræ. Who is a martyr? Charles, who murders Strafford. What is religion? Christianity, that has burnt and slain millions. Who is a priest? Calvin, who destroys Servetus; or Pole, who kills Latimer, which you like. Who is a saint? George of Cappadocia, who slaughters right and left. Who is a ruler? Sulla, who slays Ofella. Who is a queen? Christina, who stabs Monaldeschi; Catherine, who strangles Peter; Isabella, who slays Moors and Jews by the thousand. Murderers all! Assassination has always been deified; and before it is objected to, the world must change its creeds, its celebrities, and its chronicles. 'Monsieur, you are an assassin,' says an impolite world. 'Messieurs,' says the polite logician, 'I found my warrant in your Bible, and my precedent in your Brutus. What you deify in Aristogiton and Jael you mustn't damn in Ankarström and me.' Voilà! What could the world say?"
"That you would outwit Belial with words, and beguile Beelzebub out of his kingdom with sophistry."
A VILLAGE COMMUNE
Power is sweet, and when you are a little clerk you love its sweetness quite as much as if you were an emperor, and maybe you love it a good deal more.
He saw no reason why he should not become a deputy, and even a minister before he died, and indeed there was no reason whatever. He was only a clerk at fifty pounds a year; but he had a soul above all scruples, and a heart as hard as a millstone.
He was only a clerk indeed, at a slender salary, and ate his friends' tomatoes publicly in the little back room of the caffè; but he had the soul of a statesman. When a donkey kicks, beat it; when it dies, skin it; so only will it profit you; that was his opinion, and the public was the donkey of Messer Nellemane.
Pippo and Viola feared everything, yet knew not what they feared; it is a ghostly burden of dread, that which the honest poor carry with them all through their toiling hungry days, the vague oppressive dread of this law which is always acting the spy on them, always dogging their steps, always emptying their pockets. The poor can understand criminal law, and its justice and its necessity easily enough, and respect its severities; but they cannot understand the petty tyrannies of civil law; and it wears their lives out, and breaks their spirits. When it does not break their spirits it curdles their blood and they become socialists, nihilists, internationalists, anything that will promise them riddance of their spectre and give them vengeance. We in Italy are all of us afraid of socialism, we who have anything to lose; and yet we let the syndics, and their secretaries, conciliators, and chancellors sow it broadcast in dragon's teeth of petty injustices and petty cruelties, that soon or late will spring up armed men, hydra-headed and torch in hand!
The law should be a majesty, solemn, awful, unerring: just, as man hopes that God is just; and from its throne it should stretch out a mighty hand to seize and grasp the guilty, and the guilty only. But when the law is only a petty, meddlesome, cruel, greedy spy, mingling in every household act and peering in at every window pane, then the poor who are guiltless would be justified if they spat in its face, and called it by its right name, a foul extortion.
The Italian tongue chatters like a magpie's; if they did not let the steam off thus they would be less easily ruled than they are; but no great talker ever did any great thing yet, in this world.
A retentive memory is of great use to a man, no doubt; but the talent of oblivion is on the whole more useful.
Sarta Rosalia is in a lovely pastoral country; the country that seems to thrill with Theocritus' singing, as it throbs with the little tamborine of the cicala; a country running over with beautiful greenery, and with climbing creepers hanging everywhere, from the vine on the maples to the china-rose hedges, and with the deep-blue shadows, and the sun-flushed whiteness of the distant mountains lending to it in the golden distance that solemnity and ethereal charm which, without mountains somewhere within sight, no country ever has. But since the advent of "freedom" it is scarred and wounded; great scar-patches stretch here and there where woods have been felled by the avarice illumined in the souls of landowners; hundreds and thousands of bare poles stand stark and stiff against the river light which have been glorious pyramids of leaf shedding welcome shadows on the river path; and many a bold round hill like the ballons of the Vosges, once rich of grass as they, now shorn of wood, and even of undergrowth, lift a bare stony front to the lovely sunlight, and never more will root of tree, or seed of flower or of fern, find bed there.
Such is Progress.
For the first time his liberi pensieri were distasteful to him and unsatisfactory; for atheism makes a curse a mere rattle of dry peas in a fool's bladder, as it makes a blessing a mere flutter of a breath. Messer Nellemane for the first time felt that the old religion has its advantages over agnosticism; it gave you a hell for your rivals and your enemies!
He had never heard of Virgil and of Theocritus—but it hurt him to have these sylvan pictures spoiled; these pictures which are the same as those they saw and sang; the threshing barns with the piles of golden grain, and the flails flying to merry voices; the young horses trampling the wheat loose from its husk with bounding limbs and tossing manes; the great arched doorways, with the maidens sitting in a circle breaking the maize from its withered leaves, and telling old-world stories, and singing sweet fiorellini all the while; the hanging fields broken up in hill and vale with the dun-coloured oxen pushing their patient way through labyrinths of vine boughs, and clouds of silvery olive leaf: the bright