MUCK-A-MUCK
A MODERN INDIAN NOVEL
AFTER COOPER
CHAPTER I
It was toward the close of a bright October day. The last rays of the setting sun were reflected from one of those sylvan lakes peculiar to the Sierras of California. On the right the curling smoke of an Indian village rose between the columns of the lofty pines, while to the left the log cottage of Judge Tompkins, embowered in buckeyes, completed the enchanting picture.
Although the exterior of the cottage was humble and unpretentious, and in keeping with the wildness of the landscape, its interior gave evidence of the cultivation and refinement of its inmates. An aquarium, containing goldfishes, stood on a marble centre-table at one end of the apartment, while a magnificent grand piano occupied the other. The floor was covered with a yielding tapestry carpet, and the walls were adorned with paintings from the pencils of Van Dyke, Rubens, Tintoretto, Michael Angelo, and the productions of the more modern Turner, Kensett, Church, and Bierstadt. Although Judge Tompkins had chosen the frontiers of civilization as his home, it was impossible for him to entirely forego the habits and tastes of his former life. He was seated in a luxurious arm-chair, writing at a mahogany ecritoire, while his daughter, a lovely young girl of seventeen summers, plied her crochet-needle on an ottoman beside him. A bright fire of pine logs flickered and flamed on the ample hearth.
Genevra Octavia Tompkins was Judge Tompkins's only child. Her mother had long since died on the Plains. Reared in affluence, no pains had been spared with the daughter's education. She was a graduate of one of the principal seminaries, and spoke French with a perfect Benicia accent. Peerlessly beautiful, she was dressed in a white moire antique robe trimmed with tulle. That simple rosebud with which most heroines exclusively decorate their hair, was all she wore in her raven locks.
The Judge was the first to break the silence.
"Genevra, the logs which compose yonder fire seem to have been incautiously chosen. The sibilation produced by the sap, which exudes copiously therefrom, is not conducive to composition."
"True, father, but I thought it would be preferable to the constant crepitation which is apt to attend the combustion of more seasoned ligneous fragments."
The Judge looked admiringly at the intellectual features of the graceful girl, and half forgot the slight annoyances of the green wood in the musical accents of his daughter. He was smoothing her hair tenderly, when the shadow of a tall figure, which suddenly darkened the doorway, caused him to look up.
CHAPTER II
It needed but a glance at the new-comer to detect at once the form and features of the haughty aborigine,—the untaught and untrammelled son of the forest. Over one shoulder a blanket, negligently but gracefully thrown, disclosed a bare and powerful breast, decorated with a quantity of three-cent postage-stamps which he had despoiled from an Overland Mail stage a few weeks previous. A cast-off beaver of Judge Tompkins's, adorned by a simple feather, covered his erect head, from beneath which his straight locks descended. His right hand hung lightly by his side, while his left was engaged in holding on a pair of pantaloons, which the lawless grace and freedom of his lower limbs evidently could not brook.
"Why," said the Indian, in a low sweet tone,—"why does the Pale Face still follow the track of the Red Man? Why does he pursue him, even as O-kee-chow, the wild-cat, chases Ka-ka, the skunk? Why are the feet of Sorrel-top, the white chief, among the acorns of Muck-a-muck, the mountain forest? Why," he repeated, quietly but firmly abstracting a silver spoon from the table,—"why do you seek to drive him from the wigwams of his fathers? His brothers are already gone to the happy hunting-grounds. Will the Pale Face seek him there?" And, averting his face from the Judge, he hastily slipped a silver cake-basket beneath his blanket, to conceal his emotion.
"Muck-a-Muck has spoken," said Genevra, softly. "Let him now listen. Are the acorns of the mountain sweeter than the esculent and nutritious bean of the Pale Face miner? Does my brother prize the edible qualities of the snail above that of the crisp and oleaginous bacon? Delicious are the grasshoppers that sport on the hillside,—are they better than the dried apples of the Pale Faces? Pleasant is the gurgle of the torrent, Kish-Kish, but is it better than the cluck-cluck of old Bourbon from the old stone bottle?"
"Ugh!" said the Indian,—"ugh! good. The White Rabbit is wise. Her words fall as the snow on Tootoonolo, and the rocky heart of Muck-a-Muck is hidden. What says my brother the Gray Gopher of Dutch Flat?"
"She has spoken, Muck-a-Muck," said the Judge, gazing fondly on his daughter. "It is well. Our treaty is concluded. No, thank you,—you need NOT dance the Dance of Snow Shoes, or the Moccasin Dance, the Dance of Green Corn, or the Treaty Dance. I would be alone. A strange sadness overpowers me."
"I go," said the Indian. "Tell your great chief in Washington, the Sachem Andy, that the Red Man is retiring before the footsteps of the adventurous Pioneer. Inform him, if you please, that westward the star of empire takes its way, that the chiefs of the Pi-Ute nation are for Reconstruction to a man, and that Klamath will poll a heavy Republican vote in the fall."
And folding his blanket more tightly around him, Muck-a-Muck withdrew.
CHAPTER III
Genevra Tompkins stood at the door of the log-cabin, looking after the retreating Overland Mail stage which conveyed her father to Virginia City. "He may never return again," sighed the young girl as she glanced at the frightfully rolling vehicle and wildly careering horses,—"at least, with unbroken bones. Should he meet with an accident! I mind me now a fearful legend, familiar to my childhood. Can it be that the drivers on this line are privately instructed to despatch all passengers maimed by accident, to prevent tedious litigation? No, no. But why this weight upon my heart?"
She seated herself at the piano and lightly passed her hand over the keys. Then, in a clear mezzo-soprano voice, she sang the first verse of one of the most popular Irish ballads:—
"O Arrah, ma dheelish, the distant dudheen
Lies soft in the moonlight, ma bouchal vourneen:
The springing gossoons on the heather are still,
And the caubeens and colleens are heard on the hills."
But as the ravishing notes of her sweet voice died upon the air, her hands sank listlessly to her side. Music could not chase away the mysterious shadow from her heart. Again she rose. Putting on a white crape bonnet, and carefully drawing a pair of lemon-colored gloves over her taper fingers, she seized her parasol and plunged into the depths of the pine forest.
CHAPTER IV
Genevra had not proceeded many miles before a weariness seized upon her fragile limbs, and she would fain seat herself upon the trunk of a prostrate pine, which she previously dusted with her handkerchief. The sun was just sinking below the horizon, and the scene was one of gorgeous and sylvan beauty. "How beautiful is Nature!" murmured the innocent girl, as, reclining gracefully against the root of the tree, she gathered up her skirts and tied a handkerchief around her throat. But a low growl interrupted her meditation. Starting to her feet, her eyes met a sight which froze her blood with terror.
The only outlet to the forest was the narrow path, barely wide enough for a single person, hemmed in by trees and rocks, which she had just traversed. Down this path, in Indian file, came a monstrous grizzly, closely followed by a California lion, a wild-cat, and a buffalo, the rear being brought up by a wild Spanish bull. The mouths of the three first animals were distended with frightful significance; the horns of the last were lowered as ominously. As Genevra was preparing to faint, she heard a low voice behind her.
"Eternally dog-gone my skin ef this ain't the puttiest chance yet."
At the same moment, a long, shining barrel dropped lightly from behind her, and rested over her shoulder.
Genevra shuddered.
"Dern