The Heir of Redclyffe. Yonge Charlotte Mary. Читать онлайн. Newlib. NEWLIB.NET

Автор: Yonge Charlotte Mary
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And at her mother’s question,—‘Charlotte, what business have you here?’ She stole back to her lessons, looking very small, without the satisfaction of hearing her mother’s compassionate words—‘Poor child!’

      ‘How old is he?’ asked Mr. Edmonstone, returning to the former subject.

      ‘He is of the same age as Laura—seventeen and a half,’ answered Mrs. Edmonstone. ‘Don’t you remember my brother saying what a satisfaction it was to see such a noble baby as she was, after such a poor little miserable thing as the one at Redclyffe?’

      ‘He is grown into a fine spirited fellow,’ said Philip.

      ‘I suppose we must have him here,’ said Mr. Edmonstone. Should you not say so—eh, Philip?’

      ‘Certainly; I should think it very good for him. Indeed, his grandfather’s death has happened at a most favourable time for him. The poor old man had such a dread of his going wrong that he kept him—’

      ‘I know—as tight as a drum.’

      ‘With strictness that I should think very bad for a boy of his impatient temper. It would have been a very dangerous experiment to send him at once among the temptations of Oxford, after such discipline and solitude as he has been used to.’

      ‘Don’t talk of it,’ interrupted Mr. Edmonstone, spreading out his hands in a deprecating manner. ‘We must do the best we can with him, for I have got him on my hands till he is five-and-twenty—his grandfather has tied him up till then. If we can keep him out of mischief, well and good; if not, it can’t be helped.’

      ‘You have him all to yourself,’ said Charles.

      ‘Ay, to my sorrow. If your poor father was alive, Philip, I should be free of all care. I’ve a pretty deal on my hands,’ he proceeded, looking more important than troubled. ‘All that great Redclyffe estate is no sinecure, to say nothing of the youth himself. If all the world will come to me, I can’t help it. I must go and speak to the men, if I am to be off to Redclyffe tomorrow. Will you come, Philip?’

      ‘I must go back soon, thank you,’ replied Philip. ‘I must see about my leave; only we should first settle when to set off.’

      This arranged, Mr. Edmonstone hurried away, and Charles began by saying, ‘Isn’t there a ghost at Redclyffe?’

      ‘So it is said,’ answered his cousin; ‘though I don’t think it is certain whose it is. There is a room called Sir Hugh’s Chamber, over the gateway, but the honour of naming it is undecided between Hugo de Morville, who murdered Thomas a Becket, and his namesake, the first Baronet, who lived in the time of William of Orange, when the quarrel began with our branch of the family. Do you know the history of it, aunt?’

      ‘It was about some property,’ said Mrs Edmonstone, ‘though I don’t know the rights of it. But the Morvilles were always a fiery, violent race, and the enmity once begun between Sir Hugh and his brother, was kept up, generation after generation, in a most unjustifiable way. Even I can remember when the Morvilles of Redclyffe used to be spoken of in our family like a sort of ogres.’

      ‘Not undeservedly, I should think,’ said Philip. ‘This poor old man, who is just dead, ran a strange career. Stories of his duels and mad freaks are still extant.’

      ‘Poor man! I believe he went all lengths,’ said Mrs. Edmonstone.

      ‘What was the true version of that horrible story about his son?’ said Philip. ‘Did he strike him?’

      ‘Oh, no! it was bad enough without that.’

      ‘How?’ asked Laura.

      ‘He was an only child, and lost his mother early. He was very ill brought up, and was as impetuous and violent as Sir Guy himself, though with much kindliness and generosity. He was only nineteen when he made a runaway marriage with a girl of sixteen, the sister of a violin player, who was at that time in fashion. His father was very much offended, and there was much dreadfully violent conduct on each side. At last, the young man was driven to seek a reconciliation. He brought his wife to Moorworth, and rode to Redclyffe, to have an interview with his father. Unhappily, Sir Guy was giving a dinner to the hunt, and had been drinking. He not only refused to see him, but I am afraid he used shocking language, and said something about bidding him go back to his fiddling brother in-law. The son was waiting in the hall, heard everything, threw himself on his horse, and rushed away in the dark. His forehead struck against the branch of a tree, and he was killed on the spot.’

      ‘The poor wife?’ asked Amabel, shuddering.

      ‘She died the next day, when this boy was born.’

      ‘Frightful!’ said Philip. ‘It might well make a reformation in old Sir Guy.’

      ‘I have heard that nothing could be more awful than the stillness that fell on that wretched party, even before they knew what had happened—before Colonel Harewood, who had been called aside by the servants, could resolve to come and fetch away the father. No wonder Sir Guy was a changed man from that hour.’

      ‘It was then that he sent for my father,’ said Philip.

      ‘But what made him think of doing so?’

      ‘You know Colonel Harewood’s house at Stylehurst? Many years ago, when the St. Mildred’s races used to be so much more in fashion, Sir Guy and Colonel Harewood, and some men of that stamp, took that house amongst them, and used to spend some time there every year, to attend to something about the training of the horses. There were some malpractices of their servants, that did so much harm in the parish, that my brother was obliged to remonstrate. Sir Guy was very angry at first, but behaved better at last than any of the others. I suspect he was struck by my dear brother’s bold, uncompromising ways, for he took to him to a certain degree—and my brother could not help being interested in him, there seemed to be so much goodness in his nature. I saw him once, and never did I meet any one who gave me so much the idea of a finished gentleman. When the poor son was about fourteen, he was with a tutor in the neighbourhood, and used to be a good deal at Stylehurst, and, after the unhappy marriage, my brother happened to meet him in London, heard his story, and tried to bring about a reconciliation.’

      ‘Ha!’ said Philip; ‘did not they come to Stylehurst? I have a dim recollection of somebody very tall, and a lady who sung.’

      ‘Yes; your father asked them to stay there, that he might judge of her, and wrote to Sir Guy that she was a little, gentle, childish thing, capable of being moulded to anything, and representing the mischief of leaving them to such society as that of her brother, who was actually maintaining them. That letter was never answered, but about ten days or a fortnight after this terrible accident, Colonel Harewood wrote to entreat my brother to come to Redclyffe, saying poor Sir Guy had eagerly caught at the mention of his name. Of course he went at once, and he told me that he never, in all his experience as a clergyman, saw any one so completely broken down with grief.’

      I found a great many of his letters among my father’s papers,’ said Philip; ‘and it was a very touching one that he wrote to me on my father’s death. Those Redclyffe people certainly have great force of character.’

      ‘And was it then he settled his property on my uncle?’ said Charles.

      ‘Yes,’ said Mrs. Edmonstone. ‘My brother did not like his doing so, but he would not be at rest till it was settled. It was in vain to put him in mind of his grandchild, for he would not believe it could live; and, indeed, its life hung on a thread. I remember my brother telling me how he went to Moorworth to see it—for it could not be brought home—in hopes of bringing, back a report that might cheer its grandfather, but how he found it so weak and delicate, that he did not dare to try to make him take interest in it. It was not till the child was two or three years old, that Sir Guy ventured to let himself grow fond of it.’

      ‘Sir Guy was a very striking person,’ said Philip; ‘I shall not easily forget my visit to Redclyffe four years ago. It was more like a scene in a romance than anything real—the fine old red sandstone house crumbling away in the exposed parts, the arched gateway covered with ivy; the great quadrangle where the sun never shone, and full of echoes; the