Maybe longer.
As Gwen guided Teddy Kilgore’s happily stunned face down toward her collarbone, she recalled what an icy, utterly passive, silently submissive wife Lacy Mayfair had been to Malcolm Morgan.
Heck, maybe ever.
She ran her hands up and down Teddy’s back with exaggerated strokes, knowing it would take broad gestures to attract adequate attention. Teddy responded enthusiastically. “Hot damn,” he murmured against her neck, and then set about taking advantage of his amazing good luck.
He wasn’t a bad kisser, actually. If she hadn’t had other things on her mind, she might even have enjoyed it. Her efforts were rewarded quickly. Within no more than a minute, she heard a few startled sounds from the people right below them. Slowly, as more and more people caught on, a rustle of curiosity moved through the crowd, silencing the normal hum of conversation.
Her fingers buried in Teddy’s black hair, Gwen twisted him a few inches to one side and peered over his shoulder into the audience below. Most of the people were watching the shadow show on the curtains, some smiling with incredulous amusement, some holding back shock with well-manicured, bejeweled fingers.
But one person had already figured it out. One face in the crowd was turned the other way, up toward the loft, up toward the spotlight. Staring straight at the actors.
It was Lacy, of course. Her beautiful face was pale, impassive, as always, but Gwen knew she must be horrified. Echoes came to her from years past. Her father’s voice. Disgusted. Cold.
Control yourself, Gwen, for God’s sake. Haven’t you ever noticed that Lacy never makes a spectacle of herself like that?
Gwen tilted Teddy’s shoulder out of the spotlight’s glare, and tossed her stepmother a broad grin and a wink.
Yeah, she thought wickedly. But I do.
CHAPTER TWO
TWO HOURS LATER, even though the auction was going beautifully, Lacy was done in. The band was still playing “baby” songs—a gimmick that had seemed quite amusing when they’d planned it a month ago.
“Baby, I’m Yours.” “Be My Baby.” “Baby, Come Back.” “Walking My Baby Back Home.” What had she been thinking? And all these paintings of babies—sleeping babies, nursing babies, crying babies, babies cradled lovingly in the arms of doting Madonnas. Suddenly Lacy found the whole thing completely exhausting.
Maybe it was Gwen’s absurdly rebellious arrival. Lacy could only imagine the resentment that had made the young woman put on such a display. When people had begun noticing the sexy silhouettes on the curtains, they had been transfixed—as Gwen had no doubt intended. For a moment Lacy had been stumped. How was such a flagrant piece of bad manners to be handled? Finally, though, she had decided to chuckle, announce that apparently her stepdaughter had joined a theater troupe, and then begin to softly, calmly applaud the performance. Other chuckles had followed, other applause had joined hers, and finally two sheepish young faces had peered down from the loft and grinned.
And, thank heaven, the crisis was averted.
Still, it had taken a lot out of her. Gwen had avoided her the rest of the evening, but Lacy knew a confrontation was inevitable before the night was over. Gwen never came back to the island unless she wanted something, and she never asked nicely. Lacy didn’t blame her. It must be galling to have to ask at all.
And yet, wasn’t it unfair of fate to ask her to handle Adam’s return and Gwen’s bitterness all in one night? Her head was aching, and she longed to go home, crawl under the covers and sleep for a week.
However, as chairman of the fund-raising committee, she couldn’t leave until the last bid was in the box, the last champagne glass drained, the final donor safely out the door. But she simply had to have a moment alone.
She looked around guiltily, like a prisoner scanning the tower watch. For once no one was bearing down on her, requiring a decision or requesting an opinion. Holding her breath, she eased into the small, remote stall at the end of the aisle, an area half hidden by a bank of lush ferns laced with small sparkling white lights. Formerly the stable’s breeding chute, it was too narrow to allow an effective display, so only two or three paintings hung on its padded walls. Most of the guests probably didn’t even know the space was there.
Grateful for the privacy, she pretended to study the largest painting. Ironically, it was one of her late husband’s, which she had donated to the auction somewhat self-consciously, aware that giving away a painting you despised hardly qualified as generosity. She wondered if anyone would buy it. Though it was technically proficient—executed by a fairly well-known Southern artist—she had always hated the thing.
Saturday Morning: Half Past Paradise, it was titled. It showed a sunny summer day in a rustic setting by a river. In the foreground two young lovers lay on a blue-checked picnic blanket, locked in an erotic embrace. In the background, on the corner of the blanket nearest the swiftly flowing water, an infant lay sleeping, utterly forgotten.
Malcolm had bought the painting only a year into their marriage, and had always hung it in a prominent place. Lacy had never told him how she felt about it. Why should she? She hadn’t ever told him how she felt about anything.
“If you want to melt into the woodwork, I’d advise a different dress.” The sheltering curtain of fern fronds rustled, and suddenly Adam Kendall was in the stall, standing right behind her. The white lights crowned his dark head like a twinkling halo. He touched her sleeve, his fingers deeply tanned against the blue silk. “Something less conspicuous. This is the uniform of a player, I’m afraid. Not a bench warmer.”
She looked at him, his broad shoulders effectively blocking the entrance to the shed, and was suddenly uncomfortably aware that these breeding chutes had originally been designed to prevent reluctant mares from escaping.
She fought down a moment of panic. He had caught her, and that was that. She had always known, deep inside, that this day would come. Once she had longed for it, dreamed of it, imagined it down to the clearest detail. Now she just wanted to get it over with.
“Ten years,” she said musingly, half to herself. “Ten years since we’ve seen each other, and all we can find to talk about is clothes?”
He continued to finger the silk, a small smile playing at one corner of his mouth. “But I thought we were doing quite well. It isn’t easy to find the perfect metaphor, you know. Reading between the lines is a dying art, don’t you think?”
How could she pretend not to understand? And, in a way, he was right. Their clothes really were symbols, weren’t they? His old white-kneed jeans and rust-speckled T-shirt had said poverty, hunger, ambition. This new designer tuxedo said luxury, triumph, complacence. But the ratty old T-shirt had smelled so comfortingly of soap and sunshine, and of him. When she had pulled it off, over his shoulders, over his head, she had always pressed it against her face and inhaled deeply, taking him into her lungs before tossing it aside.
Ten years ago, his unkempt black waves of silky hair had said rebellion, defiance, indifference. This new elegant, sculpted disarray said sex, power, confidence. But those tousled waves had always tumbled toward his eyes as he lowered himself over her, dipping his head to her breast. The locks had feathered her skin as he kissed her.
For a long moment she simply studied him, listening to everything his new persona had to tell her, from his squared shoulders to his gleaming cuff links. From his smile to his suntan. From his perfectly knotted tie to his arrogantly arched eyebrow.
But what about that scar? Just below his left eye a tiny line glistened, as if someone had traced the high curve of his cheekbone with a thin silver pencil. Or a knife blade. Where had it come from? What did it say? She stared at the scar, realizing that it was