The Times Great Victorian Lives. Ian Brunskill. Читать онлайн. Newlib. NEWLIB.NET

Автор: Ian Brunskill
Издательство: HarperCollins
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Жанр произведения: Биографии и Мемуары
Год издания: 0
isbn: 9780007363742
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      ‘Than gems or gold – the varying roof of heaven

      ‘And the green earth – lost in his heart its claims

      ‘To love and wonder……’

      It will devolve on our contemporaries, more exclusively devoted than ourselves to the history of the fine arts to record with greater fullness and precision the works of Mr. Turner’s long and active life; but in these hasty recollections we have endeavoured to pay a slight tribute to the memory of a painter who possessed many of the gifts of his art in extraordinary abundance, and who certainly in dying leaves not his like behind. He will be buried, by his own desire, in St. Paul’s Cathedral, by the side of Sir Joshua Reynolds.

      Turner, who had been born on 23 April 1775, died on 19 December 1851 at his cottage on Cheyne Walk at Chelsea. The fate of the many major paintings remaining unsold in his possession was not known until his will was made public. His estate, amounting to some £140,000, was not finally settled until 1857, the will having been disputed by relatives. Two pictures – Dido building Carthage and Sun rising through Vapour – were specifically left to the newly founded National Gallery on condition that they should hang next to two pictures by Claude. The other ‘finished’ paintings in his collection were also left to the nation under the proviso that they should be housed within ten years in a building attached to the National Gallery called ‘Turner’s Gallery’. He also left money for the establishment of almshouses for ‘decayed artists’. These two ambitions were frustrated. Although the National Gallery (and, by succession, the Tate) inherited the paintings, no dedicated ‘Turner Gallery’ was established until the ‘Clore’ Gallery, designed by James Stirling, was added to Tate Britain in 1982-1986. The Times’s pious hope that ‘an early opportunity of commemorating the genius of this great artist’ was very belatedly, and only in part, realised when the Turner Prize for visual artists under the age of 50 was initiated in 1984.

       ISAMBARD KINGDOM BRUNEL

       Engineer: ‘born an engineer.’

      15 SEPTEMBER 1859

      OUR COLUMNS OF Saturday last contained the ordinary record of the death of one of our most eminent engineers, Mr. I. K. Brunel. The loss of a man whose name has now for two generations, from the commencement of this century to the present time, been identified with the progress and the application of mechanical and engineering science, claims the notice due to those who have done the State some service. This country is largely indebted to her many eminent civil engineers for her wealth and strength, and Mr. Brunel will take a high rank among them when the variety and magnitude of his works are considered, and the original genius he displayed in accomplishing them. He was, as it were, born an engineer, about the time his father had completed the block machinery at Portsmouth, then one of the most celebrated and remarkable works of the day, and which remains efficient and useful. Those who recollect him as a boy recollect full well how rapidly, almost intuitively, indeed, he entered into and identified himself with all his father’s plans and pursuits. He was very early distinguished for his powers of mental calculation, and not less so for his rapidity and accuracy as a draughtsman. His power in this respect was not confined to professional or mechanical drawings only. He displayed an artist-like feeling for and a love of art, which in later days never deserted him. He enjoyed and promoted it to the last, and the only limits to the delight it afforded him were his engrossing occupations and his failing health.

      The bent of his mind when young was clearly seen by his father and by all who knew him. His education was therefore directed to qualify him for that profession in which he afterwards distinguished himself. His father was his first, and, perhaps, his best tutor. When he was about 14 he was sent to Paris, where he was placed under the care of M. Masson, previous to entering the college of Henri Quartre, where he remained two years. He then returned to England, and it may be said that, in fact, he then commenced his professional career under his father, Sir I. Brunel, and in which he rendered him important assistance – devoting himself from that time forward to his profession exclusively and ardently. He displayed even then the resources, not only of a trained and educated mind, but great, original, and inventive power. He possessed the advantage of being able to express or draw clearly and accurately whatever he had matured in his own mind. But not only that; he could work out with his own hands, it he pleased, the models of his own designs, whether

      in wood or iron. As a mere workman he would have excelled. Even at this early period steam navigation may be said to have occupied his mind, for he made the model of a boat, and worked it with locomotive contrivances of his own. Everything he did, he did with all his might and strength, and he did it well. The same energy, thoughtfulness, and accuracy, the same thorough conception and mastery of whatever he undertook distinguished him in all minor things, whether working as a tyro in his father’s office, or as the engineer of the Great Western Railway Company, or, later, in the conception and design in all its details of the Great Eastern. Soon after his return to England his father was occupied, among other things, with plans for the formation of a tunnel under the Thames. In 1825 this work was commenced, and Brunel took an active part in the work under his father. There are many of his fellow labourers now living who well know the energy and ability he displayed in that great scientific struggle against physical difficulties and obstacles of no ordinary magnitude, and it may be said that at this time the anxiety and fatigue he underwent, and an accident he met with, laid the foundation of future weakness and illness. Upon the stoppage of that undertaking by the irruption of the river in 1828, he became employed on his own account upon various works. Docks at Sunderland and Bristol were constructed by him, and when it was proposed to throw a suspension bridge across the Avon at Clifton, his design and plan was approved by Mr. Telford, then one of the most eminent engineers of the day. This work was never completed. He thus became known, however, in Bristol, and when a railway was in contemplation between London and Bristol, and a company formed, he was appointed their engineer. He had previously been employed, however, as a railway engineer in connexion with the Bristol and Glocestershire and the Merthyr and Cardiff tramways. In these works his mind was first turned to the construction of railways, and when he became engineer of the Great Western Railway Company he recommenced and introduced what is popularly called the broad guage, and the battle of the guages began. This is not the place or the time to say one word upon this controversy. No account of Mr. Brunel’s labours, however, would be complete without mentioning so important a circumstance in his life. Considering the Great Western Railway as an engineering work alone, it may challenge a comparison with any other railway in the world for the general perfection of its details, and the speed and ease of travelling upon it. Many of its structures, such as the viaduct at Hanwell, the Maidenhead-bridge, which has the flattest arch of such large dimensions ever attempted in brickwork, the Box-tunnel, which, at the date of its construction, was the longest in the world, and the bridges and tunnels between Bath and Bristol deserve the attention of the professional student. They are all more or less remarkable and original works.

      In the South Devon and Cornish railways there are also works of great magnitude and importance. The sea wall of the South Devon Railway, and, above all, the bridge over the Tamar, called the Albert-bridge from the interest taken in it by the Prince Consort, deserve to be specially mentioned, together with the bridge over the Wye at Chepstow, as works which do honour to the genius of the engineer and the country too. It was on the South Devon Railway that he adopted the plan which had been previously tried on the London and Croydon line, – viz., of propelling the carriages by atmospheric pressure. This plan failed, but he entertained a strong opinion that this power would be found hereafter capable of adoption for locomotive purposes. It is impossible, in such a rapid sketch as this of his energetic and professional life, to do more than notice, or rather catalogue, his works. It was in connexion with the interests of the Great Western Railway that he first conceived the idea of building a steamship to run between England and America. The Great Western was built accordingly. The power and tonnage of this vessel was about double that of the largest ship afloat at the time of her construction. Subsequently, as the public know, the Great Britain was designed and built under Mr. Brunel’s superintendence. This ship, the result, as regards