‘Damned? You mean like doomed to eternal punishment? I don’t believe that crap. I don’t really believe in you either, so move your arse along.’
He helped the creature out of the train.
A path wound uphill, fringed with fern. Beyond, on either side, grew rhododendrons, their dark foliage hastening the approach of night. He peered ahead, alert, full of wonder and excitement. The trees were thinning. A moth fluttered by on a powdery wing and lost itself on the trunk of a birch. A brick-built house showed some way ahead. As he looked a dim light lit in one of its windows, like an eye opening.
Tugging his captive, he emerged from the copse on to the lawn. The lawn was sprinkled with daisies already closing. It led steeply up to the house, which crowned a ridge of higher ground. A row of pines towered behind the roofs and chimneys of the house, which lay at ease on its eminence, overlooking a large ornamental pool, a gazebo and pleasant flowerbeds past which Bodenland now made his way.
A young gardener in waistcoat and shirtsleeves saw him coming, dropped his hoe in astonishment, and ran round the other side of the house. Bodenland halted to give his reluctant captive a pull.
On a terrace which ran the length of the house stood classical statues. The sun was setting, casting long fingers of shadow which reached towards Bodenland. As he paused, another light was lit inside the house.
Uncertain for once, he made towards the back door and took hold of the knocker.
The ginger man was watching and listening again, an opera glass in his right hand. With his left hand, he stroked his short red beard appreciatively, as if it had been a cat.
He stood in the wings of the Lyceum Theatre with the delectable Ellen Terry in costume by his side, gazing on to the lighted stage.
On the stage, before a packed auditorium, Henry Irving was playing the role of Mephistopheles in a performance of Faust. Dressed in black, with a black goatee beard and whitened face, the celebrated actor spread out his cloak like a giant bat’s wings. Back and forth he stalked, menacing a somewhat aghast Faust, and chanting his lines:
So great’s his Christian faith, I cannot grasp
His soul – but I’ll afflict his body with
Lament, and strew him with diverse diseases …
Thunderous applause from the audience, all of whom believed in one way or another that they were in some danger of damnation themselves.
When the play was finished, Irving took his bows before the curtain.
As he made his exit into the wings, he passed the ginger man with a triumphant smirk and headed for his dressing room.
Both Irving and the ginger man were smartly attired in evening dress when they finally left the theatre. The ginger man adjusted his top hat at a rakish angle, careful that some curls sizzled over the brim to the left of his head.
The stagedoor keeper fawned on them as they passed his nook.
‘’Night, Mr Irving. ’Night, Mr Stoker.’
The ginger man pressed a tip into his hand as they passed. Out in the night, haloed by a gas lamp, Irving’s carriage awaited.
‘The club?’ Irving asked.
‘I’ll join you later,’ said the ginger man, on impulse. He turned abruptly down the side alley to the main thoroughfare.
Irving swung himself up into his carriage. ‘The Garrick Club,’ he told his driver.
In the thoroughfare, bustle was still the order of the day, despite the lateness of the hour. Hansoms and other carriages plied back and forth in the street, while the elegant and the shabby formed a press on the pavements. And in doorways and the entrances to dim side-courts were propped those beings who had no advantages in a hard-hearted world, who had failed or been born in failure, men, women, small children. These shadowy persons, keeping their pasty faces in shadow, begged, or proffered for sale tawdry goods – matches, separate cigarettes, flowers stolen from graves – or simply lounged in their niches, awaiting a change of fortune or perhaps a nob to relieve of his wallet.
The ginger man was alert to all these lost creatures of the shadows, eyeing them with interest as he passed. A thin young woman in an old bonnet came forth from a stairway and said something to him. He tilted her head to the light to study her face. She was no more than fourteen.
‘Where are you from, child?’
‘Chiswick, sir. Have a feel, sir, for a penny, bless you, just a feel.’
He laughed, contemptuous of the pleasure offered. Nevertheless, he retreated with her into the shadow of the stairs with only a brief backward look. Ignoring the two children who crouched wordless on the lower steps, the girl hitched up her dress and let him get one hand firm behind her back while with the other he rifled her, feeling powerfully into her body.
‘You like it, sir? Sixpence a quick knee-trembler?’
‘Pah, get back to Chiswick with you, child.’
‘My little brothers, sir – they’re half dead of starvation.’
‘And you’ve the pox.’ He wiped his fingers on her dress, thrust a sixpenny piece into her hand, and marched off, head down in case he was recognized.
Newsboys were shouting. ‘Standard. Three Day Massacre. Read all abart it.’ The ginger man pressed on, taking large strides. He shook off a transvestite who accosted him outside a penny gaff.
Only when he turned off down Glasshouse Street did he pause again, outside the Alhambra music hall, from which sounds of revelry issued. Here several better dressed whores stood, chatting together. They broke off when they saw a toff coming, to assume a businesslike pleasantness.
One of them, recognizing the ginger man, came up and took his arm familiarly. Her face was thickly painted, as if for the stage.
‘Ooh, where are you off to so fast, this early? Haven’t seen you for ages.’ She fluttered her eyelashes and breathed cachou at him.
This was a fleshy woman in her late twenties – no frail thing like the girl Stoker had felt earlier. She was confident and brazen, with large breasts, and tall for a street walker. Her clothes, though cheap, were colourful, and bright earrings hung from the fleshy folds of her ears. She faced him head on, grinning impudently, aware with a whore’s instinct that she looked common and that he liked it that way.
‘What have you been up to, Violet? Behaving yourself?’
‘Course. You know me. I’m set up better now. Got myself a billet round the corner. How about a bit? What you say? We could send out for a plate of mutton or summat.’
‘Are you having your period?’ His voice was low and urgent.
She looked at him and winked. ‘I ain’t forgotten you likes the sight of blood. Come on, you’re in luck. It’s a quid, mind you.’
He pressed up against her. ‘You’re a mercenary bitch, Violet, that you are,’ he said jocularly, allowing the lilt of brogue into his speech. ‘And here’s me thinking you loved me.’
As she led him down the nearest back street, she said, saucily, ‘I’ll love what you got, guv.’ She slid a hand over the front of his trousers.
He knew she would perform better for the promise of a plate of mutton. London whores were always hungry. Hungry or not, he’d have her first. The beef first, then the mutton.
‘Hurry,’ he said, snappishly. ‘Where’s this bleeding billet of yours?’
The knocker was a heavy iron affair with a fox head on it. It descended thunderously on the back door.
‘Eighteen ninety-six,’ said Bodenland aloud, to keep his spirits up. ‘Queen Victoria on the throne … I’m in a dream. Well now – food and rest with any luck, and then it’s