It was more than enough, Dad said, for a man to be competing in business with other men. Maybe an occasional golf game, squash, tennis, poker—but not seriously, only for friendship’s sake, and sport. A man’s heart is lacerated enough, being just an ordinary American businessman.
Of course, Dad admired certain friends of his, business associates and fellow members of the Mt. Ephraim Country Club who were “horsey” people (the Boswells, the Mercers, the Spohrs), but the thought of his daughter taking equestrian lessons, competing in those ludicrously formal horse shows, was distasteful to him. It was rank exhibitionism; it led to fanaticism, obsession. You don’t want animals you love to perform any more than you want people you love to perform. Also, it was too damned expensive.
The Mulvaneys were in fact “well-to-do.” At least, that was their local reputation. (Despite the way Corinne dressed, and her custom of shopping at discount stores.) High Point Farm was spoken of in admiring terms, and Michael Mulvaney Sr. cut a certain swath in the county, drove new cars and dressed in stylish sporty clothes (no discount stores for him); he was generous with charitable donations, and each July Fourth he opened his front pasture to the Chautauqua County Volunteer Firemen’s annual picnic. But in private he fretted over money, the expense of keeping up a farm like High Point, leasing as much land as he could, supporting a family as “spendthrift” as theirs. (Though Michael Sr. was the most spendthrift of all.) From time to time he threatened to sell off a horse or two—or three—now the older children’s interest in riding had declined, but of course everyone protested, even Mike Jr., who rarely poked his head into the horse barn any longer. And Mom became practically hysterical. That would be like an execution! That would be like selling one of us!
Well, yes.
In. the next stall Patrick’s gelding Prince was knocking about, whinnying and snorting for Marianne’s attention. And so Clover and Red were stirred to demonstrate, as well. Here we are, too! Hungry! And a gang of six barn cats was gathering around Marianne, mewing and suggestively kneading the ground. Love us! Feed us! All these creatures had been fed twice that day, by Patrick and Judd, but Marianne’s appearance threw their routine off kilter, or so they wished it to seem; and Marianne was far too softhearted to disappoint. As a little girl she’d made rules for herself: if she petted or fed one animal in the presence of others, she must pet and feed them all. It was what Jesus would have done had He lived intimately with animals.
What would Jesus do?—that’s what I ask myself. I try, and I try, but my good intentions break down when I’m with other people. Like with the guys, you know?—it’s like there’s the real me, that being with somebody like you brings out, Marianne, and there’s the other me that—well, that’s an asshole, a real jerk. That makes me ashamed.
His eyes lifted shyly to hers. The heavy lids, the narrow bridge of the nose, the lank hair fallen onto his forehead. His skin looked grainy, as in an old photograph. He was stretched on the step below her, his shoulders rounded, so she’d wanted to poke at him as she might have poked at Patrick to urge him to straighten his backbone, lift his shoulders. Music pounded and pulsed through the walls. It was loud enough to influence the beat of your heart, to make you sweat. He’d been drinking but wasn’t drunk—was he?—and seemed instead to be speaking frankly, sincerely, as she’d never heard him speak before. Oh hadn’t he meant it, any of it? Had it solely been to deceive, to manipulate?
She could not believe that, could she?
Not Marianne Mulvaney in whose heart Jesus Christ had dwelled for the past seventeen years, or more.
As she left the barn, the thought touched her light and fleeting as a snowflake. Am I saying good-bye?
Now the sky was cracked and cobbled and glowed in the west with a mysterious bruised flame on the very brink of extinction. In the front windows of the antique barn lights winked, and Marianne thought for an uneasy moment that Corinne was inside; but it was only reflected light.
Marianne unlatched the door of the antique barn with cold-stiffened fingers and let herself inside. Switched on the overhead light, hoping no one in the house would notice. Hoping Corinne wouldn’t grab a jacket and run out to join her.
She’d had a thought of—what was it?—not a dream exactly but a vivid memory of a framed reproduction, a wall hanging?—one of Corinne’s “bargain treasures.” Suddenly it seemed urgent to find it.
But where, amid this clutter?
Marianne hadn’t been in her mother’s shop for a while. There must have been new acquisitions, it looked as if Corinne was stripping down and refinishing a weird armchair of twisted, gnarled tree limbs, like a torture machine, and there was a Shaker-style rocking chair positioned on a worktable, but Marianne couldn’t be sure.
A smell of paint solvent, varnish, furniture polish, oil-based paint (Corinne had been painting the interior of the barn a bright robin’segg blue but hadn’t quite finished the task), mouse droppings, dust. That comforting smell of old things, of the past. So happy here, things are so calm and sane here Corinne would exclaim, brushing away cobwebs, dodging a drip from the ceiling, gamely clearing space for visitors to walk through the clutter, her eyes glistening like a child’s. All the Mulvaney children were involved in Corinne’s obsession from time to time, particularly Marianne, eager to be Mom’s helper, though lacking her mother’s unquestioning passion for old things, the mere look and feel and smell and heft of them; the fact, to Corinne endlessly fascinating, they were old. And abandoned by their former owners.
Michael Sr. took a characteristic humorous view of High Point Antiques: to him, Corinne’s stock was basically junk. Some of it “O.K. junk” and some of it “not-bad junk” but most of it “just plain junk” of the kind you can find in anybody’s attic or cellar if not the town dump. The mystique of old and abandoned was lost on him. “In my business,” he said, “you provide the customer with state-of-theart goods and labor or you’re out on your ass.”
Marianne guessed that the antique barn was Corinne’s haven from the continuous intensity, the carnival atmosphere, of family life. Especially when Marianne and her brothers had been small children. There was cram and clutter and a look of a tornado having blown through in both the house and in the antique barn but in the antique barn it was quiet, at least.
Heavy rusted wrought-iron garden furniture, a “gothic revival” settee, a “rococo revival” chair of exquisite cast-iron filigree, willow ware settees and headboards, that twisty furniture made of gnarled tree limbs with bark still intact—“naturalistic style,” of the turn of the century; native willow and imported rattan and much-varnished aged wood that looked as if it would disintegrate into its molecules if anyone’s weight was lowered upon it. There were dining-room sets, battered drop-leaf maplewood tables and matching chairs with split rush seats; there were stacks of dust-limp lampshades, lamps of yellowed carved ivory, free-standing gilt-stenciled “Doric columns,” even a broken-stringed harpsichord with keys the color of English breakfast tea. There were lacquered surfaces, grimy-fabric surfaces, splotched-mirror surfaces, porcelain and marble and stone and concrete (urns, dogs, horses, a ghastly white-painted “darky” holding out a fingerless hand for an invisible horse’s rein). There was a counter of shoe boxes stuffed with aged postcards dated 1905, 1911, 1923, handwritten, in the scrawled and faded and frequently indecipherable hands of strangers; penny postcards bearing vista-views of the Chautauqua Valley, photographs painted over to resemble watercolors in romantic pastel hues, selling for as little as one dollar a dozen. (If Corinne could sell them at all.) Marianne couldn’t resist, pulled out a card at random, a sunset scene of canal barge, yoked mules and mule driver titled Erie Barge Canal at Yewville, N.Y., 1915. On the reverse was a message in near-invisible blue ink, in a woman’s flowery hand: Hello Rose! Suppose you think I am dead. But I am not, very much alive instead. How are you all? & are you still in the same house? Let me hear from you. All O.K. here except for Ross & grandma, no change. Love to all & the baby