Tim thought he heard a wail of frustration and outrage.
The red-haired boy dodged around his gesticulating friend and continued up the sidewalk. The taller boy ran up to him and clouted his shoulder. Looking extraordinarily graceful in his pale blue and light yellow shirts, he shot out an arm and pointed at, or very near to, Tim Underhill’s window. Instinctively, Tim stepped back. Almost immediately, he moved forward again, drawn by an unexpected recognition. The taller of the two boys was strikingly handsome, even beautiful, in a dark-browed, clean-featured manner. A second later, Tim Underhill’s recognition system at last yielded the information that he was looking at his nephew, Mark. By a kind of generational enhancement, features that passed for pleasing but unremarkable in his mother emerged, virtually unchanged, as beautiful in her son. In all likelihood, Mark had no idea of how attractive he was.
The next message that came bubbling into consciousness was that just then Mark could have been speaking of him to his red-haired friend. Philip had probably mentioned that he would be in town for the funeral, and it would be like Philip to throw in a sneering reference to the Pforzheimer. That Mark was probably speaking of him meant that Tim had some role in the dispute between the two boys. What sort of role, he wondered: advice, direction, decision?
Whatever his point had been, Mark – for it really was Mark, Tim saw – had decided to save his powder for another day’s battle. That this was a truce, not surrender, was evident in his loping slouch, the ease of his stride, the wry set of his mouth. The red-haired boy spoke to him, and he shrugged in feigned indifference.
It almost hurt, that Mark should have become so beautiful – the world at large had already begun to conspire against the straightforward destiny that would otherwise have been his. Would you just look at him, down there on the sidewalk? He’s pretending to be too tough to be wounded by his mother’s death.
Both boys stopped moving to watch the man in the seersucker suit and straw hat once again come hitching down the red steps of the MAC. There was always something horrible about catching an actor at work, suddenly becoming aware that he was after all merely playing a role.
From Timothy Underhill’s journal, 20 June 2003
Eight days after my last entry, and I must go back to Millhaven again. Philip told me that Mark has been missing for a couple of days, and he only called me because he thought I might have been hiding him in my loft! Really, he was furious, barely able to contain it. And though I resent his attitude, in all honesty I can’t be angry with him or even really blame him very much for what he’s been thinking.
From what I could make of Philip’s rant, Mark vanished sometime in the evening of, I think, the 18th. Philip waited up for him until two in the morning, then retired in the reasonable certainty that before long Mark would be in his bed. In the morning, Mark’s bed was still empty. Philip called the police, who informed him of what he already knew, that two other boys recently had disappeared from that part of town, but added that he ought not jump to any conclusions. They added that most teenage runaways come back home within twenty-four hours and recommended patience. Philip drew on his capacity for patience and discovered that he possessed a limited supply. By noon he was calling the police again, with the same result. He had of course walked up the block to confront Jimbo Monaghan, Mark’s best friend, but Jimbo either knew nothing about the disappearance or pretended he knew nothing. Thinking he smelled complicity, Philip accused the boy of lying. Jimbo’s mother, Margo, ordered him out of the house – threw him out, really. For a couple of hours, Philip drove around Millhaven, looking for his son everywhere he thought his son might be, every place he had heard Mark speak of. He knew it was a hopeless effort, but he was unable to keep himself from cruising past playgrounds his son had not visited in years, staring in the windows of fast-food restaurants, driving around and around Sherman Park. He felt so desperate he wept. In the space of ten days, he had lost both wife and son.
Grimly, Philip bounced back and forth between two equally fearful notions: that Mark had been abducted by the ‘Sherman Park Killer,’ who had already claimed two boys his age; and that Mark had killed himself, possibly in imitation of his mother, even more possibly out of the mixture of horror and despair set loose within him by what he had been obliged to witness. The police, being police, were concentrating on the first of these alternatives. They walked through the parks and searched the wooded areas in Millhaven but failed to uncover a body. They also checked the records at the airport, the train and bus stations; they, too, questioned Jimbo Monaghan, his parents, and other teenagers and parents Mark had known. When none of this yielded as much as a suggestion of the boy’s whereabouts, the police released Mark’s information and requested the assistance of the city’s residents. A none-too-recent photograph was sent to the FBI and to police departments across the country. There, for all practical purposes, the matter rested.
Except of course for Philip, who at this pre-Dewey Dell stage could face none of the possibilities aroused by his son’s disappearance: that a psychopath had kidnapped and probably murdered him; that he had killed himself in some location yet to be found; or that he had simply run off without a word. When Philip found himself face to face with this unacceptable series of choices, another occurred to him, and he called his overprivileged, never quite to be trusted brother in New York.
‘All right, you can tell me now,’ he said. ‘I never thought you’d be capable of doing a thing like this to your own brother, but I’m sure you had your reasons. He must have told you a hell of a story.’
‘Philip, you’d better start at the beginning. What can I tell you now, and what do you think I did to you?’
‘What did he tell you, exactly? How bad is it? Did I beat the crap out of him every night? Was I psychologically abusive?’
‘Are you talking about Mark?’
‘Gee, do you think? Why would I be asking you about Mark, I wonder? If my son happens to be there with you, Tim, I’m asking you to let me talk to him. No, I’m not asking. I’m begging.’
‘Jesus, Philip, Mark left home? What happened?’
‘What happened? My son hasn’t been here for three days, that’s what. So if he’s staying in that fucked-up circus of yours on Grand Street, goddamn you, I’m on my knees here. Put him on. Do whatever you have to, all right?’
It took a while, but I did manage to convince Philip that his son was not hiding in my loft, and that I’d had nothing to do with his disappearance. I felt silenced, stunned, baffled.
‘Why didn’t you call me before this?’
‘Because it didn’t occur to me that he might be in New York until about an hour ago.’
Seen one way, Philip and I are alone in the world. We have no other siblings, no cousins or second cousins, no grandparents, no aunts or uncles, no living parents.
I asked him if there was anything I could do for him.
‘Isn’t one of your best friends Tom Pasmore? I want you to talk to him – get him to help me.’
Tom Pasmore, I add for posterity’s sake, is an old Millhaven friend of mine who solves crimes for a living, not that he needs the money. He’s like Sherlock Holmes or Nero Wolfe, except that he is a real person, not a fictional one. His (biological) father was the same way. He solved crimes in city after city, chiefly by going over all the records and documents in sight and making connections everyone else missed, connections you more or less have