In the autumn Maria Eleonora and Chancellor Oxenstierna set out upon the northward road, accompanied by the Electress Dowager and her youngest daughter, Katharina, together with the bride’s personal secretary and many ladies-in-waiting. They travelled in some comfort, their journey assisted – and the bride’s dowry increased – by the pawning of valuables which the Electress Dowager had raided from the Brandenburg state treasury. At Kalmar, not far from the Danish border, they stopped, for here the King himself had come to meet them, pausing en route to purify the land for his bride by torching a number of plague-stricken houses in the surrounding countryside.
At Kalmar, the party passed several days of alternate rest and celebration in the beautiful castle beside its placid harbour. It was an historic place, for here, more than two hundred years before, the triple-Queen Margareta had united Sweden with the neighbouring lands of Norway and a dominant Denmark, a union against which Gustav Adolf’s own grandfather had led his people to rebel.6 Kalmar was Sweden’s architectural jewel, a castle of fairytale beauty and among the finest in Europe, built with a sure artistic sense by the King’s Renaissance forebears. Many of its rooms were beautifully decorated, with painted mouldings and inlaid wood, and finely made furniture from the lands to the south. No doubt it was all displayed with pride to the newcomers, and perhaps, too, the young bride was teased with horror stories of the murders which the same rooms had witnessed, not so very long before.7 If so, they did not deter her. The bridegroom set out for the Tre Kronor Castle, thoughtfully going ahead to give his personal attention to the heating of Maria Eleonora’s rooms, and soon she set out after him with her own entourage on the long, hard journey to Stockholm, 300 miles northward, with the winter closing in around them.
If the sophisticated ambience of Kalmar had reassured the young bride, her composure was soon to be tested as she made her way through her new-found country, for as yet Sweden had little to impress a German countess. Its climate harsh and its people few, it was overwhelmingly rural, with small clusters of farmsteads thinly spread over the less inhospitable southern areas. Lakes and forests dwarfed and isolated all but the largest settlements. Befitting their rural homeland, almost all the Swedes, about a million souls in all, were peasants. A few tens of thousands lived in small and undeveloped towns, and even the nobles mostly chose to live in the countryside, putting their modest incomes back into the land. The very crown revenues, including taxes, were still paid in kind; grain and fish and butter, hides and furs, and iron and copper from Dutch-owned mines, all poured into the royal warehouses, and out of them, too, for the crown’s own servants and even foreign creditors were paid in kind as well. In the early days of Gustav Adolf’s reign, meetings of parliament had taken place in the open air, while at the Tre Kronor Castle, the monarch’s own residence, the doors remained open to all comers.
As the weary train arrived in Stockholm, the young bride’s deepening disappointment turned to dismay. Not yet the country’s formal capital, the grand northern city where she had thought to make her home was in fact scarcely more than a backward country town, its muddy streets lined with basic wooden houses, unwarmed as yet by the ubiquitous red paint that would one day turn their roughness to charm. Goats wandered on the brown turf rooves, nibbling at the roots and grass, sending a plaintive bleating into the chilly air. Inside, the dwellings of rich and poor alike were largely bare, with little covering on the floors and less upon the walls, and now, in the gathering winter, reliably cold. Though the King himself, like his forefathers, was genuinely interested in architecture and the fine arts, there had been little excess wealth for great public buildings or lavish artistic patronage; native literature and music remained rudimentary, theatre almost unknown, paintings and sculpture rare, and Sweden’s nobles, in their bare-walled, bare-floored houses, largely unconvinced. To the citizens of the superbly cultured towns of Italy, or to those of Holland with its advanced financial system and its plethora of cheap goods, Sweden seemed a desperate outpost at the ends of the earth. To Maria Eleonora, accustomed to the rich heritage of Brandenburg and with cultural pretensions of her own, disdain was now added to disappointment. She conceived a contempt for the land and its people, her husband only excepted, and garnered much ill will from her offended new compatriots.
In the December of 1620, the marriage took place, and three days later, before the silver altar of Stockholm’s Storkyrka, Sweden’s new Queen was crowned. Though her title was ancient, her accoutrements were new, for the former Queen, Gustav Adolf’s mother, Christine, had refused to hand over her regal insignia. In some haste, a new crown had been beaten out of gold, a new sceptre and orb provided, studded with rubies and diamonds, the red and white of the Queen’s native Brandenburg. The King was dressed in the colours of his own land, in a blue robe embroidered with gold. Liveried pages and knights in pearled helmets paid homage, as the resentful Queen Mother looked on.
Late in the summer of the following year, Maria Eleonora gave birth to a stillborn daughter. The King was away, campaigning in Livonia,8 taking advantage of a Turkish attack on southeast Poland to harangue his old enemy from the north, when the news arrived that his wife had been ‘too soon and untimely’ delivered of the child. From his camp outside Riga, he sent a grieving letter to his brother-in-law, lamenting the ‘misery’ which had befallen the Queen and stricken his royal house. ‘May God be kind to her,’ he wrote, ‘and help her quickly back to health.’9
Health of a kind did return to the Queen, but not quickly, and it was more than two years before she was brought to bed again, of a second daughter, who was named Kristina Augusta. ‘The little girl is doing well,’ she wrote, and in the summer of 1624, after almost four years in Sweden, Maria Eleonora’s mother decided that she and her youngest daughter could safely return to Brandenburg. But this hopeful time was not to last. In the autumn, the child fell suddenly ill, and before she had reached her first birthday, she died, an unhappy reminder of Maria Eleonora’s own three youngest siblings, all of whom she had seen die within their first year of life.
Maria Eleonora passed a sad winter, bereft of her mother and sister, her little daughter dead, and her husband, to whom she had begun to cling with a desperate fondness, too often preoccupied and too often away. In February came a further blow, the death of her younger brother, at the age of just 21. As the spring approached, happier times seemed promised; the days lengthened and a mild sun shone down, and another baby quickened in her womb. But in April, news arrived from Berlin of the Electress Dowager’s death. The Queen was deeply affected, and for some weeks she lay sorrowing and ill, mourning her mother, wearied by her pregnancy. Towards the end of May, she rallied. The King was again in Stockholm, and in the fine spring weather an inspection of the Swedish fleet was to take place in the surrounding harbour. The royal couple would attend together, reviewing the ships from aboard their own small yacht. The fleet lay at anchor off the little island of Skeppsholmen, and as the King and Queen sailed past, a sudden squall blew up around them, rocking their yacht from side to side until it almost capsized. Though the mooring was soon reached, the Queen was carried back, frightened and ailing, to her rooms in the castle, and there she endured the bitter conclusion of the day. For within a few hours, her labour had begun, too early; the morning light would break upon her weeping women, and her little stillborn son.
The King recorded the tragedy with pious resignation. ‘Disaster has befallen me,’ he wrote. ‘My wife has brought a dead child into the world. It is because of our sins that it has pleased God to do this.’10
For his Vasa dynasty, at least, it was indeed a disaster. In this fifth year of his marriage, and despite the Queen’s three confinements, Gustav Adolf had as yet no living heir. Three years before, his younger brother had been killed in battle in Poland, and the King of that same country, Gustav Adolf’s cousin, Sigismund III, now stood to inherit the Swedish throne. Moreover, Sweden’s enemy heir had two adult sons of his own, through whom a Catholic dynasty might be foisted upon the unwilling Swedes, raising once again the spectre of civil war.
But the lack of an heir was not the only disaster to have befallen the King.