Sally graciously accepted the compliments of the waiter. Soon she was deftly scooping up the chocolate-dusted froth and thinking of nothing in particular as it fluffed into nothingness on her tongue. The pastry was absolutely heavenly and she even closed her eyes as the first mouthful revealed to her tastebuds apple, crème patissière and the lightest of pastry. By the second sip and third mouthful, Sally was happily recalling the details of her decadent afternoon. A coffee-brown lambswool blazer; two silk shirts, one olive, one cream; a pair of exorbitantly expensive designer jeans; and a short (was it too short?) black devoré velvet skirt.
When on earth am I going to wear that?
You will.
She had indulged in garments of the finest fabrics, and at the most exorbitant prices. The whole experience had been so pleasurable, the looking, the touching, the trying on; the decision-making so effortless. Finally, it had been a joy and well worth the money to watch her acquisitions being coddled in tissue paper and then handed to her so reverently.
As she pressed a determined fork against the last flakes of Danish, she pondered for a moment; common sense versus decadence. Sally, you must understand, had spent her rainy-day money. Frequently she put a little aside ‘for a rainy day’, not really knowing when that would be. But it was definitely today and common sense had a place neither in her scheme of things nor her purse.
Today, she told herself as the brisk November breeze reddened her nose and chin a little more, today it is pouring.
Despite the pavements being dry and no umbrella in sight, Sally decided that it was the rainiest day in ages and the spending of pounds amassed from hard-saved pennies was utterly justified. These purchases, after all, were an investment. She turned to look for her waiter, and in doing so felt a whisper of velvet against her cheek. Its caress felt wonderful and, as the waiter was nowhere to be seen, she kept her head still a moment longer.
Over her second cappuccino, Sally indulged in recalling, moment by moment, thrust by thrust, the athletics of the previous night, and if one can feel light-headed between the legs, then that was how Sally was feeling.
Never have I been worshipped like that, never have I been so aware of my body, what it can do, how it can feel, how it can make another feel.
Perhaps it was because she had consciously watched, analyzed even, a man totally absorbed in her, so hungry for her, that her own physical awareness had been heightened. The sex seemed so much more fulfilling, the orgasm so exquisite. New. Sitting there, in Hampstead, with the light growing thin, a November navy replacing the afternoon silver, Sally decided to recast herself as a fly on the wall of her replay and ran the whole sequence again, this time as a series of film stills. Vivid in her mind’s eye was the interlocking of two bodies, the various formations and patterns, firm flesh, the spaces in between; Rodin’s marble; Henry Moore’s bronze.
Carlos found himself unable to resist. The English Rose, smiling carefree out loud, was compelling, magnetic. He was helpless in the face of her. As his luck would have it, she turned to him with that very smile as he presented the bill to her. With his very best English, he let go:
‘Señorita, your smile, it makes my day. Is so very beautiful. In you I see the English Rosa. If I was Shake His Speare, I write a play for you. You are foods for my ’eart and a vision for my eyes. Is so very lovely. I am breaking open for your smile of pretty innocence.’
Hand pressed with conviction against his heart, he kissed up at the sky as if imploring the gods to grant his wish. Sally was flattered to the hilt. Cocking her head, she gave him the smile to make his day, a wink too, and a tip which far exceeded her previously uniform ten per cent.
Not quite, thought Sally as she strolled away home, but thank you anyway. She threw back her head and grinned hugely at the near-dark sky. Actually, the smile that has made your day is not that of an innocent English Rose, but is rather the glow of a well-laid woman.
THREE
‘Foxy Lady!’
Jimi Hendrix’s chocolate voice, the aggressive twang and slice of his guitar, rings out and reverberates off the walls. The music is loud and frantic. It adds action and life to the room.
There is little furniture but what there is has, undoubtedly, the British Design Council seal of approval. The run of the floorboards, interrupted only occasionally by a piece of carefully chosen, intelligently placed furniture, leads the eye to the fireplace above which an Alexander Calder gouache explodes colour and shape on to the intensely white wall. The low coffee table is a sleek construction in burnished steel and tinted glass. It supports a matt black vase stuffed with emphatically upright tulips; white, waxy but not real. On a diagonal to the table’s edge is a copy of Warhol’s Diaries. Along one wall stands an ash and glass cabinet. Understated and stunning, the carpentry is exquisite. It is filled with books meticulously organized into a personal library system. Pride of place is given to the leather-bound volumes: Shakespeare, Donne, Fielding, the Complete Oxford Dictionary, the Dictionary of Quotations. On the shelf above are art books, epic tomes and sumptuous catalogues: Mantegna, Vermeer, Cézanne and Poussin. The shelves below carry novels, all hardback, all standing proud in alphabetical order: Bellow, Heller, Kafka, Marquez, Nabokov, Pasternak, Seth.
On one side of the fireplace, a fabulous Conran standard lamp stands to attention while on the other side is the CD system, a veritable piece of sculpture in itself; wafer-thin, subtle Scandinavian lines, matt black, obviously. On custom-built shelves (oak and chrome) are enough CDs to open a shop. They are categorized, of course; the concise rock section alphabetically, the comprehensive classical section chronologically: Monteverdi, Bach, Mozart, Beethoven, Brahms, Mahler, Schoenberg, Bartok, Tippett. And yet it is Mr Hendrix who somewhat anomalously fills this unnervingly chic room in Notting Hill with sound.
Can you guess where we are? It is still the day of the Big B. and, a few miles away, Sally has just arrived home, where she is presently dancing Giselle in the devoré skirt and nothing else. Physically, she may be some distance from Jimi and the Calder and the tulips; however, the memory of her is very much here, clear and current in the mind of this flat’s occupant, evoked by Mr Hendrix’s beast of chase. It is time for the Rodin to assume his true identity.
Would Richard Stonehill please stand up?
Look there! Against the long sash window, framed movie-like by imperceptibly breezing muslin drapes. That’s him, resting his brow against his outstretched arm against the window. Turn around – oh, just look! Six foot two and-a-bit, perfectly carved and gorgeously chiselled. Now this is the stuff of Levi jeans commercials. Hair the colour of the sand at Rosilli Bay where his childhood was spent, Richard’s skin boasts the health, vitality and natural tan of someone who lived long in the care and goodness of Welsh sea air. His eyes are the most extraordinary dark violet, his teeth are very good, his hands could be those of a concert pianist, he is fiendishly good-looking and he smells delicious – a fine mixture of freshly laundered clothes, scrubbed skin and Calvin Klein scent.
Eyes closed, long and lithe legs stretched out, arms relaxed, Richard Stonehill slithers into his black leather recliner, and converses with Jimi.
‘I’m too exhausted to get up and scream, Mr Hendrix,’ he apologises, but finds ample energy to sing that he too has wasted precious time; that