The oranges looked so good she decided to eat one right away—she would puzzle over Claudia’s gesture later—but then saw again the bath salts, so she carried them both into the bathroom, ran hot water. She took off her clothes without looking in the mirror, as her mother had taught her, poured part of the milk container into the tub. The salt didn’t smell like buttermilk (thank goodness) but it was that color, and the water became creamy, slightly foamy. Rebekah climbed in, surprised by the silky feeling of the water, and leaned back. The water lapped over her, rose and fell as she breathed, leaving a sheen of sweet-smelling oil on her skin. Rebekah closed her eyes and thought of Peter; he had glanced at Hazel and she saw his face again, everything around and behind him gone dark in her memory. She focused on nothing but the color of his skin and the shape of his mouth and the length of his eyelashes. But she couldn’t hold on to the image; she kept seeing Claudia’s handwriting, the span of Claudia’s hand on the glass countertop of the Used World. Span. It was a biblical word for time, Rebekah thought. The smell of the orange rose up in the heat of the room. Water continued to pour from the tap as she claimed the orange from the countertop, thrust her thumb under the skin around the navel. She pulled off large sections of peel and dropped them in the water, where they floated, riding the crests of the small waves around her body. She hummed a bit of Artie Shaw’s “My Heart Stood Still” as she peeled the orange clean, then pulled it apart harder than she meant to, not bothering to divide it into neat sections, and ate the whole thing in quick, big bites.
SNOWPLOWS HAD PARTED the streets of Jonah like a solid white sea. Claudia drove carefully after the scare with the man in the turn lane the night before. Each season in Indiana carried its own near miss, she concluded, remembering a moment last summer when she’d taken an exit ramp onto the highway. She had been holding tight to the inside curve, then decided—for no reason she could discern—to move toward the outside. At the very end of the curve, just before the ramp opened up onto four lanes, there was a beagle, trotting along happily, following a scent and wagging his tail. Claudia most certainly would have hit him, had she stayed her course.
Keeping her eyes on the street ahead, on the intrepid Midwestern holiday shoppers out in full force, Claudia reached over and lifted the front cover of the book Hazel had lent her, A Prayer for Owen Meany, making sure the photograph was still there. It was. She had checked four times since leaving the house, a gesture that now struck her as compulsive; although it was, she supposed, in the nature of a photograph to slip out of a book, in the same way it is somewhere in the nature of glass to shatter.
The prior evening, after surviving the snowstorm and the drive home, Claudia had taken the book to read in bed. The wind was slapping tree branches against her bedroom window, and in the silence of her old farmhouse she experienced the weather as another facet of her nightly dread. She was too tired to read. She closed the novel and reached up to turn off her reading light, and a photograph fluttered out of the middle of the book.
The picture seemed to have been taken sometime in the sixties—all the colors had been muted by the orange pall that marked that decade’s snapshots. Two young women were in the back of a pickup truck. One was sitting on the lowered tailgate, her bare legs crossed at the knee. She was wearing shorts and a halter top, white or pale yellow. Her hair was in a ponytail and her sunglasses were pushed up on her head. There was something familiar about her. The other was standing behind her friend, her legs about a foot apart, in a short-sleeved shirt with buttons. The shirttails had been tied around her midriff, showing off her small waist and tan. Her hair was loose and curly, chin length, streaked with light. Her arms were resting on her friend’s shoulders, her hands lightly clasped, and the sitting girl had reached up, her right arm across her chest, to lay her own hand over her friend’s.
Claudia was aware, again, of the wind, the ticking of the old radiators, absences. She felt her pulse in her throat, heard it in her ears. She turned the photograph over and read, Hazel and Finney on the way to the Fair, August 7, 1964. Hazel. Claudia studied the picture for another few minutes before turning off the light and not sleeping; she studied Hazel’s young face, her smile, her hand resting so lightly against that tanned, beautiful girl.
The store had only been open for ten minutes when Claudia arrived, but there were five cars in the lot already. She sighed, stepped out of the Jeep. The sky was blue above her, but there was a threatening haze in the east, and the temperature seemed to be dropping. The delivery door at the side of the building was unlocked, which meant that Rebekah had gotten there early.
There were four or five people milling about in the back half of the store, picking up various items, hoping that an ugly little statue of a dog would be marked OCCUPIED JAPAN (not just that the dog would be here and they would find it, but that the dog’s origin would have been missed by both its owners and Hazel). Rebekah was playing Frank Sinatra’s Christmas album on the stereo and someone had hung a strand of twinkly lights over the doorway to the breezeway. The music, the heat blown down by the industrial fans, all of it worked together to make Claudia feel as if she’d just returned from a war or an epic journey, in time for the holidays. The Used World was, after all, nothing but the past unfolding into an ideal home: enough bedrooms for everyone, a parlor, a chapel, a well-stocked kitchen. Hazel had more books here than the local library, more tools than the craftiest farmer. Claudia stopped in the breezeway, next to a muddy painting of a shipwreck, and felt something come over her, a blast of heat from her solar plexus, overwhelming her like a mortal embarrassment. She put her hand against the wall, fanned herself. Her coat slipped from her hand, landed on the floor, A Prayer for Owen Meany beside it. The collar of her shirt was too tight, and her wool sweater was suffocating her. She pulled it off in one swift gesture, took a deep breath. In less than a minute her entire body was drenched in sweat; she reached into her back pocket, pulled out a folded handkerchief, dried her face.
“Claudia?”
She turned, and coming up behind her was Rebekah. A light around Rebekah’s body shimmered. Claudia squeezed her eyes shut, opened them again. The light was gone.
“Are you okay?”
“I’m fine,” Claudia said, folding the handkerchief and putting it back in her pocket. “I think I got too hot.”
Rebekah stepped closer. She reached out to touch Claudia on the elbow, and just before she did, a crack of blue light passed between her hand and Claudia’s arm.
“Oh!” Rebekah flinched, pulling her hand back.
“You shocked me,” Claudia said, looking down at her elbow.
“I’m sorry, I—”
“That’s okay.”
“Want me to do it again?” Rebekah asked.
“Excuse me?”
“Want me to try?”
Claudia studied her, the red hair and pale skin, the pale green of her eyes. Whatever had held Claudia in its grip loosened. “Okay.”
Rebekah took ten steps backward, shuffling her feet on the grimy dark blue indoor-outdoor carpeting in the breezeway. She shuffled back toward Claudia, reached out slowly, and again, in the narrow space before Rebekah’s finger touched Claudia, there was a pop and a flash.
“Ow!”
“Ouch.” Claudia rubbed her arm. Her shirt was drying and she was suddenly cold.
Rebekah shook her fingers. “That was fun,” she said, smiling up at Claudia.
“In