Pete Townshend: Who I Am. Pete Townshend. Читать онлайн. Newlib. NEWLIB.NET

Автор: Pete Townshend
Издательство: HarperCollins
Серия:
Жанр произведения: Биографии и Мемуары
Год издания: 0
isbn: 9780007466870
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still not generally acceptable to society at large, but the common people loved it. Dad had secured the job because Vera Lynn’s husband, saxophonist Harry Lewis, although in the RAF, was afraid of flying and didn’t want to fly to Germany. And in fact when the motorcycle messenger shouted out the news of my birth from the footlights, Dad was away in Germany, playing saxophone for the troops.

      Mum falsified her age to enlist in 1941. A gifted singer, she became a vocalist in Dad’s band. A concert programme for 18 June 1944 at Colston Hall, Bristol, lists her singing ‘Star Eyes’, ‘All My Life’ (a duet with the handsome Sergeant Douglas) and ‘Do I Worry’. Dad is featured as the soloist on ‘Clarinet Rhapsody’ and ‘Hot and Anxious’. According to a sleeve note, the RAF Dance Orchestra directed the ear of the public. ‘From slush to music with a beat, the rhythm had flexibility, the soloist more room for expression.’

      When the war ended the band chose to go by its popular name: the Squadronaires.

      According to Mum, the early years of her marriage were lonely. ‘I never saw Dad. He was never there. And when he was, he was over the road in the bloody White Lion or up at the Granville.’ Cheerful, good-looking and quick to buy a round at the bar, Dad was popular in the local pubs, where his musical success made him a bit of a celebrity.

      Mum’s loneliness may help explain why she was so angry with my father for being absent at my birth. Mum, who had been living with Dad’s parents, showed her resentment by moving out. She knew a Jewish couple, Sammy and Leah Sharp, musicians from Australia, who lived with their son in one big room, and Mum and I moved in with them. Leah took me over. I don’t remember her, but Mum described her as ‘one of these people who loved to do all the bathing and pram-pushing and all that lark’. Mum, less interested in ‘all that lark’ – and still working as a singer – was grateful for the help.

      In 1946 my parents reconciled, and the three of us moved to a house in Whitehall Gardens, Acton. Our next-door neighbours included the great blind jazz pianist George Shearing and the cartoonist Alex Graham, whose studio, with its adjustable draughting board, huge sheets of paper, inks and complicated pens, fascinated me, and planted the seeds that later inspired me to go to art college.

      We shared our house with the Cass family, who lived upstairs and, like many of my parents’ closest friends, were Jewish. I remember noisy, joyous Passovers with a lot of Gefilte fish, chopped liver and the aroma of slow-roasting brisket. Each family had three rooms, a kitchen and a bathroom, but no inside toilet. Ours was in the back yard, and our toilet paper was a few squares of newspaper hung on a nail. Between the cold and the spiders, my trips there never lasted long.

      I slept in the dining room. My parents seemed to have little sense of the need to provide me with a place of my own, where I could leave my toys or drawings out without feeling I was encroaching on adult territory. I had no sense of privacy, or even any awareness that I deserved it.

      Mum gave up singing and later regretted it, but she always worked. She helped run the Squadronaires from their office in Piccadilly Circus, and often took me on the tour bus, where I basked in the easygoing attitude of the band and looked after the empty beer bottles. Our road trips always ended at a small seaside hotel, a holiday camp or an ornate theatre full of secret stairways and underground corridors.

      Charlie, who managed the road crew, was the butt of numerous practical jokes, but the Squadronaires clearly loved him. The impact of Mum and Dad’s daily influence on me waned a little in the presence of the band, which was like a travelling boys’ club. Mum was the singing doll in residence, and Dad’s musicianship gave him a special status among his peers. Dad always worked for at least an hour on scales and arpeggios, and his morning practice seemed magical in its complexity. In rock today we use simpler language: he was fast.

      ***

      The holiday camp was a peculiarly British institution – a working-class destination for a summer week of revelry that often included entertainment in the form of a band like the Squadronaires. The one-family-per-hut layout of the camps didn’t seem ideally suited to illicit sexual liaisons. But if, instead of a family in one of these huts, you imagine a small group of young men in one, and young women in another, you begin to understand the possibilities.

      There was an egalitarian feeling about holiday camps, but I always felt a little superior to the ordinary folk rotating through. After all, I was with the band, and I was there for the whole summer, sometimes as long as sixteen weeks. From behind the stage curtain I discovered the magic of capturing the campers’ attention. I grew up with a feel for what entertains people, and saw the price this sometimes demanded. As a stunt to amuse the camping plebs, each afternoon at two o’clock Dad was pushed from the highest board into the swimming pool below, fully dressed in his band uniform. Emerging from the water still playing his old clarinet, he pretended to be sad, defeated. As a child I felt this rather too deeply. My shining Dad is humiliated, I used to think, so you camping plebs can get a laugh.

      I learned to set myself apart from those ordinary folk, the customers who indirectly paid for our keep. To this day when I go to a concert in which I’m not performing I always feel a little lost. And I always think of my dad.

      In September 1949, aged four, I attended Silverdale Nursery in Birch Grove, Acton, which probably appealed to Mum because she thought I looked cute in the school uniform, a red blazer and hat. Mum herself was naturally glamorous, and when clothes rationing ended after the war Mum outfitted herself like a Hollywood film star. Her in-laws disapproved. Why was she spending Dad’s hard-earned money on clothes and sending me to private school when she should have been pushing a pram?

      I was happy, though. Whitehall Gardens was one of a series of streets overrun with little boys my own age. Our gang was led by my best friend who we all called Jimpy, after a character with a similar quiff in a popular Daily Mirror cartoon. Like all kids, we played football, cricket, hide-and-seek and cowboys and Indians – our favourite game. War games were limited to toy soldiers or model vehicles: the real thing was still too raw a memory.

      Our fantasies were inspired by films we saw on Saturday matinées: Roy Rogers, Hopalong Cassidy, Flash Gordon, The Three Stooges, Charlie Chaplin, Laurel and Hardy, Looney Tunes, Disney cartoons and the rest. Laurel and Hardy were the funniest people on the planet. Chaplin seemed out of date to me, but then practically all the films we saw had been made before the war.

      Once we got out of the house we could do pretty much what we liked. We sneaked under fences, onto railway sidings, scrumped apples from trees in people’s gardens, threw stones at ducks, opened any garage door left unlocked (cars were a great curiosity), and followed the milkman and his horse-drawn cart all the way to Gunnersbury Park, a round trip of about ten miles.

      Jimpy and I both had tricycles, and one day, still only four, we both rode mine to the park to attempt a new downhill duo speed record on the steep path in front of the manor house. I stood on the back axle and Jimpy steered. The bike became uncontrollable at high velocity so we could only go straight ahead – crashing right into a raised brick planter at the foot of the hill. We ended up with our faces in the soil, shocked and bloody. The bike was so badly bent we couldn’t ride it back home. My nosebleed lasted two days.

      ***

      In 1950, when I turned five, I didn’t go to the local free state junior school with my pals. Mum, still thinking I looked cute in uniform, sent me to the private Beacon House School, two-thirds of a mile from our home. I knew none of the children there, remember no one I met there and hated almost every minute of it.

      The school occupied a single-family house, and assembly was held in a small back room into which we marched each morning singing ‘Onward Christian Soldiers’ like a bunch of brainwashed Chinese Communists. After an inedible lunch we were expected to nap at our desks for fifteen minutes. If we moved a muscle we were scolded; further fidgeting could lead to ruler slaps, or worse. I was caned several times, and whacked with the teacher’s rubber-soled slipper.

      On one occasion I was so hurt and humiliated that I complained to my parents. They spoke to the headmistress at the school, who responded by singling me out for especially cruel treatment. Now I wasn’t even allowed to go to the toilet during the day, and