“You’re sure I won’t be horning in on your guy time?” Joanna asked.
“Hardly,” Butch said with a laugh.
“All right, then,” Joanna said. “Order a machaca chimichanga for me, and I’ll be there once I get cleaned up.”
Twenty minutes later, showered, newly made up, and dressed in a fresh uniform, Joanna arrived at the restaurant, where she was astonished to see her former mother-in-law, Eva Lou Brady, stationed at the hostess stand and handing out menus.
“What are you doing here?” Joanna wanted to know.
“Jim Bob and I came in for an early lunch,” Eva Lou explained. “Junior was here when we got here, but there was some kind of problem. He got upset about something—really agitated. Daisy had to call Moe to come take him home. This is the week that Daisy’s is serving lunch to that whole out-of-town Plein Air painting group in the back room every day. With Junior off the floor, I could see they were really under the gun, so I offered to fill in. I told Daisy that if Junior can figure out how to make change, hand out menus, and bus tables, so can I.”
Years earlier, Junior Dowdle, a developmentally disabled man in his midforties, had been abandoned by his caregivers at an arts festival in Saint David. Realizing the man was incapable of caring for himself, Joanna had brought him back to Bisbee with her. Eventually the owners of Daisy’s Café, Moe and Daisy Maxwell, had taken him in. Later, they had gone to court to become Junior’s official guardians. In the years since, Junior had become a fixture at the restaurant and in the community, greeting people with his constant smile and perpetually cheerful attitude, conducting customers to tables, and then handing out menus.
As for Plein Air? Once Bisbee stopped being a copper-mining town, it had morphed into an arts community and tourist attraction. Three years earlier, Maggie Oliphant, a relatively new arrival in town, had decided it was time to make a difference. The well-to-do widow of a retired army officer, she had spent years living on post at Fort Huachuca. After her husband’s death, she had returned to southeastern Arizona, but she had decided against living in Sierra Vista. She had wanted a new life that was different from her old one. She had settled in Bisbee, and seeing a need, she had decided to fill it.
Living the vagabond life first as an army brat and later as an army spouse, Maggie had found art to be her salvation. It had done the same for her two daughters. When she returned to Bisbee, she found that things had changed from the time when her girls were attending school. When loss of revenue caused the school board to make budget cuts, art was an easy target. So not only was art out of the curriculum, Bisbee’s school-age kids were also at loose ends on those school-free Fridays.
Maggie Oliphant’s favorite credo was “If it is to be, it is up to me,” and she lived by those words. She had established the Bisbee Art League and had raised enough money to rent a suite of rooms in the once abandoned and now repurposed Horace Mann School, where, on Fridays, qualified art teachers taught pottery making and charcoal drawing along with pastels and oil painting. When Maggie needed money to pay the rent or pay the teachers, she found it by writing grants or raised it by holding fund-raisers.
One of her fund-raising ideas consisted of bringing people to town to participate in weeklong hands-on workshops or, as Butch Dixon liked to call them, writers’ conferences with no writing. She managed to cajole name-brand painters, potters, and sculptors into teaching what she termed “master classes.” On the Saturday night of each weeklong workshop there was a celebratory dinner and one-man show for the workshop’s lead artist. On the Sunday afternoon at the end of each conference week, there was an end-of-conference reception where guests were encouraged to purchase work done by the various participants during the week, with the art league receiving a commission from every sale.
Of all the workshops offered, the Plein Air master classes held in April of each year were by far the most popular. This year’s Plein Air session was being led by M. L. Coleman, a well-respected Sedona landscape artist with an international following. Maggie considered Michael Coleman a big enough catch that she had gone to the trouble of creating a Saturday-night gala in his honor. The event, including both a one-man show and an auction, was booked for the clubhouse of Rob Roy Links, in Palominas, with art collectors from all over Arizona expected to attend.
During the conferences, workshop participants stayed at local lodging establishments that, depending on their financial situation, ranged from economical rooms in private homes to upscale B and Bs. When the light was right—in the early mornings and late afternoons—attendees spread out around town to do their individual painting wherever they chose. During the middle of the day, they gathered in one of the foundation’s repurposed junior high school classrooms where the session’s moderator conducted workshop-style classes. At lunchtime, the fifteen Plein Air painters as well as their spouses and significant others gathered at Daisy’s to eat and chat. The back room at Daisy’s was the only place in town large enough to accommodate a group of thirty on a daily basis.
Having Junior blow a gasket in the midst of Plein Air week had obviously created a problem.
“I hope whatever’s going on with Junior isn’t serious,” Joanna said.
“That’s what I hope, too,” Eva Lou agreed, “but Moe and Daisy were both clearly upset.”
“It’s good of you to help out,” Joanna said, giving Eva Lou a quick hug on her way past.
The fact that Eva Lou had taken it upon herself to step in and help out was typical. Jim Bob and Eva Lou Brady were good people who, in the aftermath of their son’s death, had continued to treat Joanna more like a daughter than a daughter-in-law. When their son’s widow had married again, they had welcomed Butch Dixon into their lives, and they were as much Dennis’s grandparents as were Joanna’s mother, Eleanor, and her husband, George Winfield.
“It’s a shame about that poor Ms. Highsmith,” Eva Lou said as she escorted Joanna toward the corner booth.
Joanna stopped in midstride. “What about her?” she asked.
Eva Lou seemed flustered. “Well, she’s dead, isn’t she?”
“Who told you that?” Joanna wanted to know.
She and Alvin Bernard had agreed that her department would be handling all media relations dealing with the Highsmith homicide. At this point, no official information about the homicide victim’s identity had been released, at least not as far as Joanna knew.
“Those kids over there,” Eva Lou said, nodding toward a booth where four high-school-age kids were huddled together, their attention focused on a cell phone that they were passing around.
“You’re sure they mentioned Ms. Highsmith by name?” Joanna asked.
“Absolutely. When I came up to the table, they were all staring at one of those little cell phone things, talking and laughing and pointing at a picture. At first I couldn’t make out what was on the screen, but finally I did. It looked like one of those crime scene stories on TV.
“About that time, one of them—the tall, lanky, string-bean guy in the corner next to the wall—was downright gleeful,” Eva Lou replied. “I heard him say something like, ‘Way to go, Ms. Highsmith! The wicked witch is dead!’ Considering the woman was their principal, I thought that was in very bad taste. One of the two girls—the one with the long, dark hair—was saying that maybe the school board would end up having to cancel school for the rest of the year.”
Eva Lou had been leading Joanna on a trajectory that would have taken her directly to the corner booth where Jeff Daniels, Butch, and the three kids, now joined by Joanna’s former father-in-law, Jim Bob Brady, had all settled in for lunch. Instead, Joanna again stopped short.
“They were looking at a picture?” she asked.
Eva Lou nodded. “On one of those little iPhone kind of things. When I walked up to the