Going Home. Harriet Evans. Читать онлайн. Newlib. NEWLIB.NET

Автор: Harriet Evans
Издательство: HarperCollins
Серия:
Жанр произведения: Современные любовные романы
Год издания: 0
isbn: 9780007373291
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potent blend of damp old flagstones, burning logs and something baking in the Aga. Then I caught the scent of the Christmas tree in the hall and the boughs of pine that were laid along the windowsills throughout the house.

      ‘I’ll make a fresh pot of tea,’ Mum said. ‘Why don’t you shove your bags upstairs so we don’t fall over them?’

      Jess and I lugged our suitcases up the carved staircase that curved over the hall, along the galleried corridor, from which you could drop things on the heads of new arrivals, past the alcove with the worn-out rocking chair and a bookcase crammed with green Penguins and cheap old cloth hardbacks, past our parents’ room, to the corner of the L where my bedroom was, a long low room with windows on both sides.

      I threw off my shoes, flung my bags of presents on to the bed, then went to open the corner casement. Out beyond me stretched the sloping valley, with the lights of Wareham in the distance, smoke curling from the occasional chimney. The clouds had cleared and the stars were out, shining in clusters above the fields. The mulberry tree on the terrace had been festooned with white lights that shone like magic in the dark. I could hear Mum talking to Kate in the kitchen. An owl hooted in the woods behind me.

      ‘I’m home,’ I said, and hugged myself.

      

      There is a tradition in my family that on Christmas Eve we drink sloe gin. This is one of the many traditions that characterize the yuletide period of joy, which starts in October when we pick the sloes in the hedgerows above the house. Armed with plastic bags and hats, because it always rains, we all set forth from the house searching for the plump, blue-black berries that nestle between the thorns.

      It’s not easy, sloe-picking. A film executive from LA took me out to lunch in a glassy Soho restaurant this year and peered quizzically at my scratched hands, which looked rather dramatic against the white linen tablecloth. ‘I do all my own stunts,’ I said, then told him how I’d spent Sunday afternoon. He evidently thought I – and my family – was completely mad.

      When Jess was little she looked like a monkey, not facially but in physique. She could climb anywhere, once Mum smacked her for climbing on to the roof at home and playing her recorder there (a bit like Brian May at Buckingham Palace, but smaller and with less hair). She used to put up the lights in the mulberry tree, scampering among the branches until she had nearly garrotted herself. When our late cat Seamus climbed up to the highest bookshelf in the study and refused to come down, Dad handed Jess a fiver and a ladder and left the room. She was brilliant at sloe-picking – small and lithe, she would have located lots of berries while the rest of us were crying, ‘Ooh, where’s the bag? I think I’ve found one!’ This year she had excelled herself, so there was a lot more gin than usual to drink.

      Later that evening we all gathered in the sitting room to taste the results of our hunter-gathering, and wish each other a happy Christmas. If I’d been at home in London, I’d have been settling down with a large glass of red wine and a plate of pasta mixed with butter and Marmite (don’t knock it till you’ve tried it) in my bobbly old socks with my hair pushed back in a bobbly old hairband. But at home in Keeper House the formalities of another age lingered: although no one dons white tie and tails or dusts off the tiara, I had still felt it necessary to run a brush through my hair, change my top and put on some more lip gloss. Mum and Kate, both creatures of habit, were modelling Marks & Spencer’s festive collection – a riot of burgundy crushed velvet and elasticated palazzo pants.

      Mum had put ivy along the sitting-room mantelpiece and around the lamps, and sprigs of holly on top of the paintings. She was pouring the sloe gin into little glasses and singing along to a Frank Sinatra CD, while Dad was handing round crisps. Gibbo, who had endeared himself to us by calling Chin ‘mate’ and giving her a fireman’s lift up the stairs, was standing by the fire. He’d smoothed down his extraordinarily curly long hair with water and now wore a plaid shirt buttoned to the neck and a confused expression.

      ‘No sign of Mike, then?’ asked Kate, as she came into the room.

      ‘He could still turn up, you know,’ said Dad. ‘He booked his flight and the car ages ago. Perhaps he’ll call.’ He looked hopefully at the phone, as if he expected it to suddenly say, ‘He’s on his way, sir, just passing Membury Services now in fact.’

      ‘When was the last time you spoke to him?’ Tom asked.

      ‘Not sure – Kate, he rang you last week, didn’t he?’

      ‘Yes,’ Kate said. ‘When did he phone you?’

      ‘Last week. But he left a message yesterday – it didn’t make much sense. I think he was a bit the worse for drink, unfortunately. Still, I got the impression he hated work and wouldn’t be able to make it.’

      ‘How?’

      ‘Well, he said he hated work, and that he wouldn’t be able to make it.’

      ‘Take a glass,’ said Mum, distributing drinks. ‘Ah, Chin, don’t you look lovely?’ she continued, as Chin appeared in the doorway, wearing a beautiful black velvet skirt and a skinny wool top printed with roses and studded with little sequins – which Jess was staring at enviously.

      ‘Thanks, Suzy,’ said Chin, helping herself to a glass. ‘So, young Lizzy, how’s work?’

      I cannot tell you how much I hate that question when I’ve just stopped thinking about work for the first time in weeks. I work as a scout for the film company Monumental, searching for books, magazine articles, TV programmes and, of course, scripts that would make good films. Then I develop these projects, and it’s a sign of how totally stupid my job can be that I’ve been doing it for three years and only one film has come about as a result of my work. Two near misses one that got to casting stage but fell through for lack of money and a bastard American producer who pulled out, and the one I’ve just started working on, but that’s it. ‘Work’s fine,’ I said firmly. ‘It’s lovely to be on a break now, though. I’m exhausted.’

      ‘I know what you mean.’ Chin nodded. ‘But I’m practically the only person I know left in the country. All my friends have buggered off to get some sun.’

      I could well believe this since most of Chin’s friends seem to be trust-fund millionaires who either run crusty cafés serving green tea in Notting Hill, design jewellery, write screen-plays or check into Promises rehab centre in Malibu. ‘Gibbo seems nice,’ I said casually. ‘Where did you meet him?’

      Chin looked around. Gibbo was talking to Dad.

      ‘Oh, here and there.’ She said. Chin is always secretive about her love-life. ‘He’s a carpenter, so I thought he’d like to see the house. Especially the staircase,’ she added unconvincingly.

      I tried not to laugh. Very brave of you to bring him along.’

      ‘Well, you know.’ Chin took a swig of gin and briskly changed the subject. ‘So, we’ve done work. How’s your love life?’

      I didn’t run away screaming ‘Help!’ at this question because Chin is very good with relationships – not because she wants to see everyone settled down and going to B&Q at weekends but because she is obsessed with the detail of people’s lives.

      ‘What happened with Jaden, the film writer?’

      ‘He was called Jaden,’ I replied.

      ‘Nuff said. It’s over, then?’

      I wanted to get this bit of the conversation wrapped up as quickly as possible. ‘It was never really under, if you know what I mean. We – well, I saw him a couple of times when he was in London. I might be seeing him when I go back. He’s nice but he’s bonkers.’

      That, at least, true. I knew what she was going to ask me next. There was a brief pause. Then—

      ‘So…have you heard from David lately?’

      I shook my head vigorously and looked away.

      ‘Your mum’s been asking me. She’s worried about you. But she doesn’t want