Like many kids of the time, my tastes leaned towards the hippy end of things: long(ish) hair, voluminous Oxford bags, loon pants and psychedelic music: Santana, Genesis (Peter Gabriel’s Genesis, to be precise), Supertramp, Average White Band and of course Pink Floyd.
Repton disapproved. In an effort to stop the dangerous viral spread of platform shoes, the school had passed an edict banning any shoe under which you could pass a penny on its end. Being a smart Alec I’d used a piece of aluminium to bridge the gap between heel and sole, thus allowing me to wear my platform boots while still abiding by the letter of the law (no prizes for spotting the connection between that and what I do now). Unsurprisingly, the powers that be at Repton took a dim view of this particular act of rule-bending, but it enhanced my reputation in the teachers’ common room for being a troublemaker.
Anyway. I digress. The advantage of the fashion, in particular the forgiving trousers, was their suitability for hiding bottles of booze. Sure enough, what we fifth-formers did was tape half-bottles of gin, vodka and whatever other spirits we could purloin to our shins, then swish into the concert with the contraband safely hidden beneath our flapping trouser legs.
Greenslade began their performance. To be honest, you probably had to be on acid to enjoy it, but we settled for surreptitiously mixing our smuggled alcohol with innocent-looking glasses of Coke and getting slowly smashed.
It’s a dangerous and combustible combination: a hot summer, the end of term, lots of boys, booze and the pernicious, corrupting effects of dual-keyboard prog rock. Pretty soon, the atmosphere had turned rowdy. And no one was more rowdy than yours truly.
As with most concerts, the mixing desk was located in the middle of the auditorium. I sat close by and, seeing that the soundman had nipped off for a leak, I darted over to the mixer and slid all of the sliders to max.
The band played on. The noise, a mix of distortion, bass, shrieking keyboards and sheer, unexpected volume, was immense. Without a care for the tinnitus we would all suffer the following day, the hall erupted and for a moment, before the headmaster arrived and the soundman returned, absolute anarchy ruled.
Years later, Jeremy Clarkson said it was the loudest thing he’d ever heard. As we’ve already established, Jeremy is prone to exaggeration, but on this occasion he’s probably right. It was very, very loud.
My punishment? I was dragged to the school sanatorium and forced to endure a stomach pump. Completely unnecessary, of course, not even ethical. Simply a way of punishing me for what had happened.
The next day it was discovered that the loud noise had loosened the leading and cracked the ceramics holding the stained-glass windows in place. It was the last straw. My parents were contacted and summoned to the school.
My mother arrived in her Porsche (registration WME 94M). Quintessentially Mum: dressed in her usual white, with white boots and carrying a potted lily. She knew the headmaster had a taste for lilies and she was never one to pass up an opportunity to charm the birds from the trees. ‘Hello, Lloyd, how lovely to see you; here’s a gift,’ she said, placing it before him and taking a seat. ‘Is this about Adrian? He’s such a good boy, isn’t he?’
On this occasion her charms were wasted. ‘Indeed, this is about Adrian,’ she was told flatly. ‘But I’m afraid he hasn’t been a good boy. In fact, he has been a very bad boy. So bad, in fact, that I’m afraid you are going to have to take him away. He is no longer welcome at Repton.’
My mother looked from the headmaster to me and then back again. She raised her chin. ‘Well if that’s your attitude, Lloyd, I’ll have my plant back,’ she said. ‘Come on Adrian, let’s go.’
I know nothing about Jeremy’s expulsion, but that’s how I got my marching orders. I left Repton under a cloud, relieved to finally wave the place goodbye (flicking it the Vs at the same time).
I’ve been back since, mind you. Just the once, when my father and I competed in a ‘boys versus old Reptilians’ cross-country run. But other than that, it was a not-particularly-fond final farewell. The irony is that I am told photographs of Jeremy and me are among other noteworthy old Reptonians in their Hall of Fame.
Post-Repton, life improved and things started to click into place: I finally raced the kart at Shenington, and though the kart and I didn’t exactly set the world alight, at least we could race towards the back of ‘the pack’, and were several seconds faster than we had been 12 months earlier.
By accident it turned out that the chopper blade I had made to go on the end of the crankshaft, to give the electronic ignition its signal to spark, happened to be of a width that meant it also gave about the right ignition timing if the engine ran backwards. And so the most notable feature of my race weekend was when I spun at the hairpin during practice and must have pressed the clutch while still going backwards. When I let the clutch back out I found I suddenly had four reverse gears instead of four forward! The look of disbelief from onlookers as I completed the rest of the lap into the paddock backwards, looking over my shoulder, still brings a smile to my face. The chief steward was less impressed with my efforts, however.
I also began work on a ‘special’, which was a road-going sports car that I planned to build from my own drawings. It was an ambitious project, and although it was one I ultimately abandoned, a couple of valuable things emerged from the experience. The first thing was that in the course of researching it, I read of a guy called Ian Reed of Delta Racing Cars in Surrey who’d built such a car, so – figuring he might be a useful source of information – I wrote to him.
One exchange of letters later and Ian invited me along to the factory, spent about half a day looking over my drawings, and gave me tips on how to develop and design the car, as well as a bit of useful careers advice.
Second, I was putting in the hours. Apparently, in order to attain expert status at any given activity, be it tennis, violin, cooking, whatever, you need to clock up at least 500 hours’ practice, ideally from the age of eight through your teens, when you’re much more receptive and can learn more quickly.
Me in my modified pedal go-kart.
Unknowingly, that’s exactly what I was doing. I was practising, just as I always had. For my combined eighth birthday-and-Christmas present (a dreaded combination familiar to anyone who has a birthday near Christmas), I’d received a pedal go-kart, and sure enough I customised it by adding on my own bodywork parts in order to make it look like a Formula One car. Later came my 10-speed Carlton bicycle that I lightened by drilling holes in it and swapping the supplied steel saddle post for my own aluminium design. I was very proud of that – until the day it snapped.
So even though my plans for ‘the special’ didn’t quite get off the ground, it was still a valuable exercise. And anyway, there’s only so much time you can spend in the workshop. The poor old special was competing with my new life of college, girlfriends and, most especially, as soon as I reached my seventeenth birthday, motorbikes.
For the first term at college I had cycled the three miles to the bus station in Stratford and then taken the bus to Leamington. Many of the guys on the course (about 15 of us in total, no girls) had Yamaha FS1E or Puch mopeds, while one of the guys, Andy, being slightly older, had a Norton Commando, making him supercool. Bikes were the main topic of interest between lessons and at lunch, and I immediately felt drawn. Luckily for me, it turned out my dad also had a passion for bikes, having ridden as a despatch rider in the army. Such was his enthusiasm, he offered to buy me a brand-new bike for Christmas/birthday (I guess that combo can come in handy sometimes), which left me very happy but somewhat dumbfounded