"And have all my plans put out of the way?"
"Are you sure that your plans are the best plans?"
"They will be a bit better than any Charlotte and Stephen Latrigg have made."
"I don't believe they have such a thing as a plan between them. But if you think so, send Charlotte to her aunt Lockerby for a few months. Love is just like fire: it goes out if it hasn't fuel."
"Nay, I want Charlotte here. After our Harry, Julius is the next heir, and I'm set on him marrying one of the girls. If he doesn't like Sophia he may like Charlotte. I have two chances then, and I'm not going to throw one away for Steve Latrigg's liking or loving. Don't you see, Alice? Eh? What?"
"No: I never was one to see beyond the horizon. But if you must have to-morrow in to-day, why then send off your letter. I would let 'well' alone. When change comes to the door, it is time enough to ask it over the threshold. We are very happy now, William, and every happy day is so much certain gain in life."
"That is a woman's way of talking. A man looks for the future."
"And how seldom does he get what he looks for. But I know you, William Sandal. You will take your own way, be it good or bad; and what is more, you will make others take it with you."
"I am inviting my own nephew, Alice. Eh? What?"
"You know nothing about it. There are kin that are not kindred. You are inviting you know not who or what. But,"—and she pushed the letter towards him, with a gesture which seemed to say, "I am not responsible for the consequences."
The squire after a moment's thought accepted them. He went into the yard, humming a strain of "The Bay of Biscay," and gave the letter to a groom, with orders to take it at once to the post-office. Then he called Charlotte from the rose-walk. "The horses are saddled," he said, "and I want you to trot over to Dalton with me."
Mrs. Sandal had gone to her eldest daughter. She was in the habit of seeking Sophia's advice; or, more strictly speaking, she liked to discuss with her the things she had already determined to do. Sophia was sitting in the coolest and prettiest of gowns, working out with elaborate care a pencil drawing of Rydal Mount. She listened to her mother with the utmost respect and attention, and her fine color brightened slightly at the mention of Julius Sandal; but she never neglected once to change an F or an H pencil for a B at the precise stroke the change was necessary.
"And so you see, Sophia, we may have a strange young man in the house for weeks, and where to put him I can't decide. And I wanted to begin the preserving and the raspberry vinegar next week, but your father is as thoughtless as ever was; and I am sure if Julius is like his father he'll be no blessing in a house, for I have heard your grandmother speak in such a way of her son Tom."
"I thought uncle Tom was grandmother's favorite."
"I mean of his high temper and fine ways, and his quarrels with his eldest brother Launcelot."
"Oh! What did they quarrel about?"
"A good many things; among the rest, about the Latriggs. There was more than one pretty girl at Up-Hill then, and the young men all knew it. Tom and his mother were always finger and thumb. He was her youngest boy, and she fretted after him all her life."
"And uncle Launcelot, did she not fret for him?"
"Not so much. Launcelot was the eldest, and very set in his own way: she couldn't order him around."
"The eldest? Then father would not have been squire of Sandal-Side if Launcelot had lived?"
"No, indeed. Launcelot's death made a deal of difference to your father and me. Father was very solemn and set about his brother's rights; and even after grandfather died, he didn't like to be called 'squire' until every hope was long gone. But I would as soon have thought of poor Launcie coming back from the dead as of Tom's son visiting here; and it is inconvenient right now, exceedingly so; harvesting coming on, and preserving time, and none of the spare rooms opened since the spring cleaning."
"It is trying for you, mother, but perhaps Julius may not be very much trouble. He'll be with father all the time, and he'll make a change."
"Change! That is just what I dread. Young people are always for change. They are certain that every change must be a gain. Old people know that changes mean loss of some kind or other. After one is forty years old, Sophia, the seasons bring change enough."
"I dare say they do, mother. I don't care much for change, even at my age. Have you told Charlotte?"
"No, I haven't told her yet. I think she is off to Dalton. Father said he was going this morning, and he never would go without her."
Indeed, the squire and his younger daughter were at that moment cantering down the valley, mid the fresh green of the fields, and the yellow of the ripening wheat, and the hazy purple of mountains holding the whole landscape in their solemn shelter except in front, where the road stretched to the sea, amid low hills overgrown with parsley-fern and stag's-horn-moss. They had not gone very far before they met Stephen Latrigg. He was well mounted and handsomely dressed; and, as he bowed to the squire and Charlotte, his happy face expressed a delight which Sandal in his present mood felt to be offensive. Evidently Steve intended to accompany them as far as their roads were identical; but the squire pointedly drew rein, and by the cool civility of his manner made the young man so sensible of his intrusion, that he had no alternative but to take the hint. He looked at Charlotte with eyes full of tender reproach, and she was too unprepared for such a speedy termination to their meeting to oppose it. So Stephen was galloping at headlong speed in advance, before she realized that he had been virtually refused their company.
"Father, why did you do that?"
"Do what, Charlotte? Eh? What?"
"Send Steve away. I am sure I do not know what to make of you doing such a thing. Poor Steve!"
"Well, then, I had my reason for it. Did you see the way he looked at you? Eh? What?"
"Dear me! A cat may look at a king. Did you send Steve away for a look? You have put me about, father."
"There's looks and other looks, my lass. Cats don't look at kings the way Steve looked at you. Now, then, I want no love-making between you and Steve Latrigg."
"What nonsense! Steve hasn't said a word of love-making, as you call it."
"I thought you had all your woman-senses, Charlotte. Bethink you of the garden walk last night."
"We were talking all the time of the sweetbrier and hollyhocks,—and things like that."
"You might have talked of the days of the week or the multiplication-table: one kind of words was just as good as another. Any thing Steve said last night could have been spelled with four letters."
"Four letters?"
"To be sure. L-o-v-e."
"You used to like Stephen."
"I like all bright, honest, good lads; but when they want to make love to Miss Charlotte Sandal, they think one thing, and I think another. There has been ill-luck with love-making between the Sandals and the Latriggs. My brothers Launcie and Tom quarrelled about one of Barf Latrigg's daughters, and mother lost them both through her. There is no love-line between the two houses, or if there is nothing can make it run straight. Don't you try to, Charlotte; neither the dead nor the living will like it or have it."
He intended then to tell her about Julius Sandal, but a look at her face checked him. He had a wise perception about women; and he reflected that he had very seldom repented of speaking too little to them, but very often repented of speaking too much. So he dropped Stephen, and dropped Julius; and began to talk about the fish in the becks and tarns, and the new breed of sheep he was trying in the lower "walks." Ere long they came into the rich valley of Furness; and he made her notice the difference between it and the vale of Esk and Duddon, with its dreary waste of sullen moss and unfruitful solitudes.
"Those old Cistercian monks that built Furness Abbey knew how to choose a bit of good