“Damned odd,” commented Jervaise. “That cursed dog made enough noise to wake the dead.”
I was inspired to go out and search the window where burned the indigent, just perceptibly, rakish candle.
She was there. She had returned to her eyrie after quelling the racket in the hall, and now she leaned a little forward so that I could see her face.
“Who’s there?” she asked quietly.
Her voice was low and clear as the reed of a flute, but all sounds had the quality of music at that instant of release.
I was nonplussed for the moment. I ought to have taken up the key of high romance. She deserved it. Instead of that I dropped to the awful commonplaces of a man in evening dress and a light overcoat standing in the rain talking to a stranger.
“I came up with Mr. Jervaise, Mr. Frank Jervaise,” I explained. “He—he wants to see you. Shall I tell him you’re there?”
“All serene, I’m here,” whispered the voice of Jervaise at my elbow, and then he cleared his throat and spoke up at the window.
“Rather an upset down at the Hall, Miss Banks; about Brenda,” he said. “Might we come in a minute?”
“It’s rather late, isn’t it?” the vision returned—it wasn’t only the ease of the silence, she had a delicious voice—and added rather mischievously, “It’s raining, isn’t it?”
“Like anything,” Jervaise said, and ducked his head and hunched his shoulders, as if he had suddenly remembered the possible susceptibility of his exposed face.
“Is it so very important?” the soft, clear voice asked, still, I thought, with a faint undercurrent of raillery.
“Really, Miss Banks, it is,” Jervaise implored, risking his delicate face again.
She hesitated a moment and then said, “Very well,” and disappeared, taking this time the dissipated candle with her. I heard her address a minatory remark within the room to “Racket”—most excellently described, I thought; though I discovered later that I had, in imagination, misspelt him, since he owed his name to the fact that his mother had sought her delivery on the bed of a stored tennis-net.
Jervaise and I hurried back to the front door as if we were afraid that Miss Banks might get there first; but she kept us waiting for something like ten minutes before she came downstairs. The silence of that interval was only broken by such nervous staccato comments as “Long time!” “Dressing, presumably,” and occasional throaty sounds of impatience from Jervaise that are beyond the representative scope of typography. I have heard much the same noises proceed from the throat of an unhopeful pig engaged in some minor investigation.
The rain was falling less heavily, and towards the west a pale blur of light was slowly melting its way through the darkness. I noted that spot as marking the probable position of the setting moon. I decided that as soon as this infernal inquisition was over, I would get rid of Jervaise and find some God-given place in which I might wait for the dawn. I knew that there must be any number of such places between the Farm and the Hall. I was peering westward towards the rolling obscurity of hills and woods that were just beginning to bulk out of the gloom, when I heard the click of the door latch.
I should not like to be put in the witness-box and cross-examined by Jervaise as to my reason for entering the house with him that night. All that part of me with which I have any sort of real friendship, wanted quite definitely to stay outside. That would have been the tactful thing to do. There was no reason why I should intrude further on the mystery of Brenda’s disappearance; and as a matter of fact I was no longer very keenly interested in that brilliant and fascinating young woman’s affairs. The plan that I had in mind when the door opened was to say politely to Jervaise, “I’ll wait for you here”—I had a premonition that he would raise no objection to that suggestion—and then when he and Miss Banks were safely inside, I meant to go and find rapture in solitude. The moon was certainly coming out; the dawn was due in three hours or so, and before me were unknown hills and woods. I had no sort of doubt that I should find my rapture. I may add that my plan did not include any further sight of Jervaise, his family, or their visitors, before breakfast next morning.
I had it all clear and settled. I was already thrilling with the first ecstasies of anticipation. But when the door was opened I turned my back on all that magical beauty of the night, and accompanied Jervaise into the house like a scurvy little mongrel with no will of its own.
I can’t account for that queer change of purpose. It was purely spontaneous, due to something quite outside the realm of reason. I was certainly not in love with Anne, then. My only sight of her had left an impression as of an amateur copy of a Rembrandt done in Indian ink with a wet brush. It is true that I had heard her voice like the low thrilling of a nightingale—following a full Handel chorus of corncrakes.
She had evidently spent an active ten minutes while we waited for her. She had done her hair, and she was, so far as I could judge from superficialities, completely dressed. Also she had lighted the lamp in what I took to be the chief sitting-room of the farm.
As a room it deserved attention, but it was not until I had been there for ten minutes or more, that I realised all that the furniture of that room was not. My first observations were solely directed to Miss Banks.
Jervaise had grossly maligned her by saying that she was “frightfully pretty.” No one but a fool would have called her “pretty.” Either she was beautiful or plain. I saw, even then, that if the light of her soul had been quenched, she might appear plain. Her features were good, her complexion, her colouring—she was something between dark and fair—but she did not rely on those things for her beauty. It was the glow of her individuality that was her surpassing charm. She had that supremely feminine vitality which sends a man crazy with worship. You had to adore or dislike her. There was no middle course.
And Jervaise quite obviously adored her. All that tactful confession of his in the park had been a piece of artifice. It had not, however, been framed to deceive me. I do not believe that he considered me worth bothering about. No, those admissions and denials of his had been addressed, without doubt, to a far more important person than myself. They had been in the nature of a remonstrance and assurance spoken to Frank Jervaise by the heir to the estate; which heir was determined with all the force of his ferocious nose and dominant chin to help him, that he would not make a fool of himself for the sake of the daughter of a tenant farmer. I had been nothing more than the register upon which he had tentatively engraved that resolve. But he should have chosen a more stable testament than this avowal made to a whimsically-minded playwright with an absurd weakness for the beauties of a midnight wood.
And if I had been a witness to his oath, I was, now, a witness to his foreswearing.
He began well enough on the note proper to the heir of Jervaise. He had the aplomb to carry that off. He stood on the hearthrug, austere and self-controlled, consciously aristocrat, heir and barrister.
“I’m so sorry, Miss Banks. Almost inexcusable to disturb you at this time of night.” He stopped after that beginning and searched his witness with a stare that ought to have set her trembling.
Anne had sat down and was resting her forearms on the table. She looked up at him with the most charming insouciance when he paused so portentously at the very opening of his address. Her encouraging “yes” was rather in the manner of a child waiting for the promised story.
Jervaise frowned and attempted the dramatic. “My sister, Brenda, has run away,” he said.
“When?”
“This evening at the end of the Cinderella. You knew we were giving a dance?”
“But where to?”
“Oh! Precisely!” Jervaise said.
“But how extraordinary!” replied Miss Banks.
“Is she here?” asked Jervaise. He ought to have snapped that out viciously, and I believe that was his intention. But Anne’s exquisitely innocent, absorbed gaze undid him; and his