These were the arguments in his favour. Against him were the chances that his companion might show fight; that he might check his prisoner's exit until his comrade on the box could come to the rescue; or that some officious bystander might act on the side of the law; or that a shot might drop him as he fled; or, finally, and most probably of all, that he might be drowned in the turbulent stream.
Gascoigne was not long in coming to a decision. "Nothing venture, nothing have," was his watchword. At this moment the cab was near the end of the Quai aux Fleurs, near the Pont d'Arcole. There was no time to be lost; at any moment it might turn down from the river, taking one of the cross streets. Setting his teeth firmly, and nerving himself for a supreme effort, Gascoigne sprang suddenly upon the police-agent, twisted his hands inside the stiff stock, and, having thus nearly throttled him, felled him with two tremendous blows.
With a groan, the man fell to the bottom of the cab; the next instant Gascoigne had opened the door and dropped into the roadway.
The escape was observed by one or two passers-by; but they were evidently people who owed the police no good-will, for, although they stood still to watch the fugitive, they did not give the alarm. This came first from the policeman who had been assaulted, who, recovering quickly from the attack, roared lustily to his fellow for help. The cab stopped, the officials alighted hurriedly, and looking to right and left caught sight of Gascoigne as he stood upon the parapet and made his plunge into the river. Both rushed to the spot, pistol in hand.
Down below was the figure of their escaped prisoner battling with the rapid stream. Both fired, almost simultaneously, and one at least must have hit the mark.
Gascoigne's body turned over and then sank, leaving a small crimson stain upon the water.
Was he killed? Drowned? That is what no one could tell; but it was certain that no corpse answering the Englishman's description was ever recovered from the river; nor, on the other hand, did the police, in spite of an active pursuit, lay hands on their prisoner again alive.
CHAPTER IV.
A SPIDER'S WEB
Some half a dozen years after the occurrences just recorded there was a great gathering one night at Essendine House, a palatial mansion occupying the whole angle of a great London square. The reception-rooms upon the first floor, five of them, and all en suite, and gorgeously decorated in white and gold, were brilliantly lighted and thrown open to the best of London society. Lady Essendine was at home to her friends, and seemingly she had plenty of them, for the place was thronged.
The party was by way of being musical—that is to say, a famous pianist had been engaged to let off a lot of rockets from his finger-tips, and a buffo singer from the opera roared out his "Figaro la, Figaro quà," with all the strength of his brazen lungs; while one or two gifted amateurs sang glees in washed-out, apologetical accents, which were nearly lost in the din of the room.
But there was yet another singer, whose performance was attended with rather more display. It was preluded by a good deal of whispering and nodding of heads. Lady Essendine posed as a charitable person, always anxious to do good, and this singer was a protégée of hers—an interesting but unfortunate foreigner in very reduced circumstances, whom she had discovered by accident, and to whom she was most anxious to give a helping hand.
"A sweet creature," she had said quite audibly that evening, although the object of her remarks was at her elbow. "A most engaging person; poor thing, when I found her she was almost destitute. Wasn't it sad?"
"Quite pretty, too," her friends had remarked, also ignoring the near neighbourhood of the singer.
It did not seem to matter much. The stranger sat there calmly, proudly unconscious of all that was said about her. Pretty!—the epithet was well within the mark. Beautiful, rather—magnificently, splendidly beautiful, with a noble presence and almost queenly air. Her small, exquisitely-proportioned head, crowned with a coronet of deep chestnut hair, was well poised upon a long, slender neck; she had a refined, aristocratic face, with clear-cut features, a well-shaped, aquiline nose, with slender nostrils; a perfect mouth, great lustrous dark eyes, with brows and lashes rather darker than her hair. Her teeth were perfect—perhaps she knew it, for her lower lip hung down a little, constantly displaying their pearly whiteness, and adding somewhat to the decided outline of the firm well-rounded chin.
Seated, her beauty claimed attention; but her appearance was still more attractive when she stood up and moved across the room, to take her seat at the piano. Her figure was tall and commanding, full, yet faultless in outline, as that of one in the prime of ripe, rich womanhood, and its perfect proportions were fully set off by her close-fitting but perfectly plain black dress.
A little hum of approval greeted her from this well-bred audience as she sat down and swept her fingers with a flourish over the keys. Then, without further prelude, she sang a little French song in a pleasing, musical voice, without much compass, but well trained; before the applause ended she broke into a Spanish ballad, tender and passionate, which gained her still greater success; and thus accepted and approved amidst continual cries of "Brava!" and "Encore!" she was not allowed to leave her seat until she had sung at least a dozen times.
When she arose from the piano Lady Essendine went up to her, patronising and gracious.
"Oh! thank you so much. I don't know when I have heard anything so charming."
Other ladies followed suit, and, amidst the general cries of approval, the beautiful singer was engaged a dozen deep to sing at other great houses in the town.
Presently they pressed her to perform again. Was she not paid for it? No one, Lady Essendine least of all, thought for one moment of her protégée's fatigue, and the poor singer might have worked on till she fainted from exhaustion had not the son of the house interposed.
"You must be tired, mademoiselle," said Lord Lydstone, coming up to the piano. "Surely you would like a little refreshment? Let me take you to the tea-room," and, offering his arm, he led her away, despite his mother's black looks and frowns of displeasure.
"Lydstone is so impulsive," she whispered to the first confidant she could find. It was Colonel Wilders, one of the family—a poor relation, in fact, commonly called by them "Cousin Bill"—a hale, hearty, middle-aged man, with grey hair he was not ashamed of, but erect and vigorous, with a soldierly air. "I wish he would not advertise himself with such a person in this way."
"A monstrously handsome person!" cried the blunt soldier, evidently cordially endorsing Lord Lydstone's taste.
"That's not the question, Colonel Wilders; it was not my son's place to take her to the tea-room, and I am much annoyed. Will you, to oblige me, go and tell Lydstone I want to speak to him?"
Cousin Bill, docile and obsequious, hurried off to execute her ladyship's commission. He found the pair chatting pleasantly together in a corner of the deserted tea-room, and delivered his message.
"Oh, bother!" cried Lord Lydstone undutifully. "What can mother want with me?"
"You had better go to her," said the colonel, who was a little afraid of his cousin, the female head of the house. "I will take your place here—that is to say, if mademoiselle will permit me."
"Madame," corrected Lord Lydstone, who had been already put right himself. "Let me introduce you. Madame Cyprienne—my cousin, Colonel Wilders, of the Royal Rangers. I hope we shall hear you sing again to-night, unless you are too tired."
"I shall do whatever miladi wishes," said Madame Cyprienne, in a deep but musical voice, with a slight foreign accent. "It is for her to command, me to obey. She has been very kind, you know," she went on to Colonel Wilders, who had taken Lydstone's seat by her side. "But for her I should have starved."
"Dear me! how sad," said the colonel. "Was it so bad as that?