The Wife of his Youth and Other Stories of the Color Line, and Selected Essays. Charles Waddell Chesnutt. Читать онлайн. Newlib. NEWLIB.NET

Автор: Charles Waddell Chesnutt
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movement in his native State as long as opposition availed to stem the tide of public opinion. Yielding at last to the force of circumstances, he had entered the Confederate service rather late in the war, and served with distinction through several campaigns, rising in time to the rank of colonel. After the war he had taken the oath of allegiance, and had been chosen by the people as the most available candidate for the office of sheriff, to which he had been elected without opposition. He had filled the office for several terms, and was universally popular with his constituents.

      Colonel or Sheriff Campbell, as he was indifferently called, as the military or civil title happened to be most important in the opinion of the person addressing him, had a high sense of the responsibility attaching to his office. He had sworn to do his duty faithfully, and he knew what his duty was, as sheriff, perhaps more clearly than he had apprehended it in other passages of his life. It was, therefore, with no uncertainty in regard to his course that he prepared his weapons and went over to the jail. He had no fears for Polly's safety.

      The sheriff had just locked the heavy front door of the jail behind him when a half dozen horsemen, followed by a crowd of men on foot, came round a bend in the road and drew near the jail. They halted in front of the picket fence that surrounded the building, while several of the committee of arrangements rode on a few rods farther to the sheriff's house. One of them dismounted and rapped on the door with his riding-whip.

      "Is the sheriff at home?" he inquired.

      "No, he has just gone out," replied Polly, who had come to the door.

      "We want the jail keys," he continued.

      "They are not here," said Polly. "The sheriff has them himself." Then she added, with assumed indifference, "He is at the jail now."

      The man turned away, and Polly went into the front room, from which she peered anxiously between the slats of the green blinds of a window that looked toward the jail. Meanwhile the messenger returned to his companions and announced his discovery. It looked as though the sheriff had learned of their design and was preparing to resist it.

      One of them stepped forward and rapped on the jail door.

      "Well, what is it?" said the sheriff, from within.

      "We want to talk to you, Sheriff," replied the spokesman.

      There was a little wicket in the door; this the sheriff opened, and answered through it.

      "All right, boys, talk away. You are all strangers to me, and I don't know what business you can have." The sheriff did not think it necessary to recognize anybody in particular on such an occasion; the question of identity sometimes comes up in the investigation of these extra-judicial executions.

      "We 're a committee of citizens and we want to get into the jail."

      "What for? It ain't much trouble to get into jail. Most people want to keep out."

      The mob was in no humor to appreciate a joke, and the sheriff's witticism fell dead upon an unresponsive audience.

      "We want to have a talk with the nigger that killed Cap'n Walker."

      "You can talk to that nigger in the court-house, when he 's brought out for trial. Court will be in session here next week. I know what you fellows want, but you can't get my prisoner to-day. Do you want to take the bread out of a poor man's mouth? I get seventy-five cents a day for keeping this prisoner, and he 's the only one in jail. I can't have my family suffer just to please you fellows."

      One or two young men in the crowd laughed at the idea of Sheriff Campbell's suffering for want of seventy-five cents a day; but they were frowned into silence by those who stood near them.

      "Ef yer don't let us in," cried a voice, "we 'll bu's' the do' open."

      "Bust away," answered the sheriff, raising his voice so that all could hear. "But I give you fair warning. The first man that tries it will be filled with buckshot. I 'm sheriff of this county; I know my duty, and I mean to do it."

      "What 's the use of kicking, Sheriff," argued one of the leaders of the mob. "The nigger is sure to hang anyhow; he richly deserves it; and we 've got to do something to teach the niggers their places, or white people won't be able to live in the county."

      "There 's no use talking, boys," responded the sheriff. "I 'm a white man outside, but in this jail I 'm sheriff; and if this nigger 's to be hung in this county, I propose to do the hanging. So you fellows might as well right-about-face, and march back to Troy. You 've had a pleasant trip, and the exercise will be good for you. You know me. I 've got powder and ball, and I 've faced fire before now, with nothing between me and the enemy, and I don't mean to surrender this jail while I 'm able to shoot." Having thus announced his determination, the sheriff closed and fastened the wicket, and looked around for the best position from which to defend the building.

      The crowd drew off a little, and the leaders conversed together in low tones.

      The Branson County jail was a small, two-story brick building, strongly constructed, with no attempt at architectural ornamentation. Each story was divided into two large cells by a passage running from front to rear. A grated iron door gave entrance from the passage to each of the four cells. The jail seldom had many prisoners in it, and the lower windows had been boarded up. When the sheriff had closed the wicket, he ascended the steep wooden stairs to the upper floor. There was no window at the front of the upper passage, and the most available position from which to watch the movements of the crowd below was the front window of the cell occupied by the solitary prisoner.

      The sheriff unlocked the door and entered the cell. The prisoner was crouched in a corner, his yellow face, blanched with terror, looking ghastly in the semi-darkness of the room. A cold perspiration had gathered on his forehead, and his teeth were chattering with affright.

      "For God's sake, Sheriff," he murmured hoarsely, "don't let 'em lynch me; I did n't kill the old man."

      The sheriff glanced at the cowering wretch with a look of mingled contempt and loathing.

      "Get up," he said sharply. "You will probably be hung sooner or later, but it shall not be to-day, if I can help it. I 'll unlock your fetters, and if I can't hold the jail, you 'll have to make the best fight you can. If I 'm shot, I 'll consider my responsibility at an end."

      There were iron fetters on the prisoner's ankles, and handcuffs on his wrists. These the sheriff unlocked, and they fell clanking to the floor.

      "Keep back from the window," said the sheriff. "They might shoot if they saw you."

      The sheriff drew toward the window a pine bench which formed a part of the scanty furniture of the cell, and laid his revolver upon it. Then he took his gun in hand, and took his stand at the side of the window where he could with least exposure of himself watch the movements of the crowd below.

      The lynchers had not anticipated any determined resistance. Of course they had looked for a formal protest, and perhaps a sufficient show of opposition to excuse the sheriff in the eye of any stickler for legal formalities. They had not however come prepared to fight a battle, and no one of them seemed willing to lead an attack upon the jail. The leaders of the party conferred together with a good deal of animated gesticulation, which was visible to the sheriff from his outlook, though the distance was too great for him to hear what was said. At length one of them broke away from the group, and rode back to the main body of the lynchers, who were restlessly awaiting orders.

      "Well, boys," said the messenger, "we 'll have to let it go for the present. The sheriff says he 'll shoot, and he 's got the drop on us this time. There ain't any of us that want to follow Cap'n Walker jest yet. Besides, the sheriff is a good fellow, and we don't want to hurt 'im. But," he added, as if to reassure the crowd, which began to show signs of disappointment, "the nigger might as well say his prayers, for he ain't got long to live."

      There was a murmur of dissent from the mob, and several voices insisted that an attack be made on the jail. But pacific counsels finally prevailed, and the mob sullenly withdrew.

      The sheriff stood at the window until they had disappeared around the bend in the road. He did not relax his watchfulness when the last one was out of sight. Their withdrawal might be a mere feint, to be followed by a further attempt. So closely, indeed, was