General Lambert raised new works, and vigorously pushed the siege; but the besieged held out. On January 30, 1649, the King was beheaded; and the news no sooner reached Pontefract, than the royalist garrison proclaimed his son Charles II. and made a vigorous and destructive sally against their enemies. The Parliamentarians, however, prevailed, and on March 25, 1649, the garrison being reduced from 500 or 600 to 100 men, surrendered by capitulation. Six of the principal Royalists were excepted from mercy: two escaped, but were retaken and executed at York; the third was killed in a sortie; and the three others concealing themselves among the ruins of the castle, escaped after the surrender; and two of the last lived to see the Restoration.
This third siege was the most destructive to the castle: the tremendous artillery had shattered its massive walls; and its demolition was completed by order of Parliament. Within two months after its reduction, the buildings were unroofed, and all the materials sold. Thus was this princely fortress reduced to a heap of ruins.
The Castle of Pontefract was built on an elevated rock, commanding extensive and picturesque views. The north-west prospect takes in the beautiful vale along which flows the Aire, skirted by woods and plantations. It is bounded only by the hills of Craven. The north and east prospect is more extensive, but the scenery is not equally striking and impressive. The towers of York Minster are distinctly seen, and the prospect is only bounded by the limits of vision. To the east—while the eye follows the course of the Aire towards the Humber, the fertility of the country, the spires of churches, and two considerable hills, Brayton Barf, and Hambleton Haugh, which rise in the midst of a plain, and one of which is covered with wood, increase the beauty of the scene. The south-east view includes part of the counties of Lincoln and Nottingham. To the south and south-west, the towering hills of Derbyshire, stretching towards Lancashire, form the horizon, while the foreground is a picturesque country variegated with handsome residences.
The Castle, by its situation, as well as by its structure, was rendered almost impregnable. It was not commanded by any contiguous hills, and it could only be taken by blockade.
By referring to the Engraving, the reader will better understand this defence. The outworks are there distinctly shown with the respective posts and guards: indeed, these lines exhibit a fine specimen of fortification. The quadrangular enclosure on the crest of the hill, in the lower part of the Engraving, represents Lamberts' Fort Royal. To the right is the approach to the castle by the south gate to the barbican, crossed by a wall, with the middle gate, with the east gate at the extremity of the line. We next approach, the ballium, or castle yard through the Porter's Lodge of two towers with a portcullis. The wall of the castle-yard, it will be seen, has a parapet, and is flanked with towers, and the chapel to the right of the Lodge. East and West of the yard is seen the semi-circular moat or ditch; and on an eminence near the western extremity of the ballium, stands the keep or round tower, the walls of which are said to have been twenty-one feet thick. The state rooms are on the second story. The dungeons of the towers are terrific even in description: one was about 15 feet deep, and scarcely six feet square, without any admission of light. The whole area occupied by the Pontrefact fortress seems to have been about 7 acres, now converted into garden ground.
The church seen within the work is that of All Saints, or Allhallows, a Gothic structure, probably of the time of Henry III., and almost destroyed in the sieges of the castle.
Pontefract must be numbered in our recollections of childhood; since here were grown whole fields of liquorice root, from the extract of which are made. Pontefract Cakes, impressed with the arms—three lions passant gardant, surmounted with a helmet, full-forward, open faced, and garde-visure. We have likewise seen them impressed with the celebrated fortress, and the motto "Post mortem patris pro filio,"—after the death of the father—for the son—denoting the loyalty of the Pontefract Royalists in proclaiming Charles II. at the death of his father.
"LACONICS," GUESSES AT TRUTH, &c
It is the interest of an indolent man to be honest: for it requires considerable trouble and finesse, to deceive others successfully.
Money was a wise contrivance to place fools somewhat on a level with men of sense.
It will be observed, that people have generally the identical faults and vices they accuse others of; we may instance cowardice.
Wherever a proposition is self-evident, it is but weakening its strength to bring forward arguments in its support.
It is a melancholy reflection that a glass of wine will do more towards raising the spirits, than the finest composition ever penned.
It is a great mistake in physiognomists to take outward signs as evidences of feeling: the seat of real sensation is within.
Wherever art has travelled out of her proper sphere to ape nature, she has proved herself but a miserable mimic, even in her most approved efforts.
We must not allow ourselves to dwell too seriously on life; for otherwise we shall be tempted to forego all our plans, to indulge in no future wishes, and, in short, to live on in torpid apathy.
Books are at last the best companions: they instruct us in silence without any display of superiority, and they attend the pace of each man's capacity, without reproaching him for his want of comprehension.
A disgust of life frequently proceeds from sheer vanity, or a wish to be supposed incapable of deriving gratification from the ordinary routine of happiness.
It sometimes happens that with men as well as animals, that evidences of spirit are only the effect of excited fear.
(To be continued.)
THE LAW INSTITUTION. 5
(At the time of our last publication we were not aware that any architectural details of the building in Chancery-lane had appeared. We now find that the Legal Observer contained such description in March last, "collected," says the editor, "with some pains and trouble." A correspondent dropped the Observer leaf into our letter-box in the course of last week; but, unfortunately, the communication did not reach us in time for insertion with our Engraving. Good news, we know, usually comes upon crutches, but we hope our thanks will reach this correspondent at a better pace.)
The style of architecture of the principal front in Chancery-lane is purely Grecian. The details and proportions appear to have been founded upon the best examples of the Ionic order in Athens and Asia Minor,6 but they are not servilely copied from any of them.
Mr. Vulliamy, the architect for the Institution, has thrown into this front the true spirit of the originals; and the effect which the harmonious proportions of the building produce on the spectator, when viewing it from Chancery-lane, must have been the result of much observation and experience in ancient and classic models.
This front, extending nearly sixty feet in width, is of Portland stone. It consists of four columns and two antae, of the Grecian Ionic order, supporting an entablature and pediment, and forming together one grand portico. To give the requisite elevation, the columns and antae are raised upon pedestals; these, as well as the basement story and podium of the inner wall of the portico, are of Aberdeen granite; the columns and the rest of the front are formed of large blocks of Portland stone. In the front wall, within the portico, there are two ranges of windows above the basement.
The front in Bell-yard extends nearly eighty feet, and will be finished with Roman cement, in imitation of stone. It will have a portico of two columns, and two antae of Portland stone, of the height of the ground story, which is very lofty, and the width of the entire compartment of the front. From the interior requiring to be divided into several rooms, this front must have many windows. The elevation is formed more upon the models of modern domestic architecture than of ancient public buildings, and resembles, in its general appearance, one of the palazzi in the Strada Balbi at Genoa, in the Corso