Ernest Maltravers — Volume 05. Эдвард Бульвер-Литтон. Читать онлайн. Newlib. NEWLIB.NET

Автор: Эдвард Бульвер-Литтон
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was, as Cleveland said, just at that time of year when people are at leisure to make new acquaintances. A few only of the most difficult houses in town were open; and their doors were cheerfully expanded to the accomplished ward of the popular Cleveland. Authors and statesmen, and orators, and philosophers—to all he was presented;—all seemed pleased with him, and Ernest became the fashion before he was conscious of the distinction. But he had rightly foreboded. He had commenced life too soon; he was disappointed; he found some persons he could admire, some whom he could like, but none with whom he could grow intimate, or for whom he could feel an interest. Neither his heart nor his imagination was touched; all appeared to him like artificial machines; he was discontented with things like life, but in which something or other was wanting. He more than ever recalled the brilliant graces of Valerie de Ventadour, which had thrown a charm over the most frivolous circles; he even missed the perverse and fantastic vanity of Castruccio. The mediocre poet seemed to him at least less mediocre than the worldlings about him. Nay, even the selfish good spirits and dry shrewdness of Lumley Ferrers would have been an acceptable change to the dull polish and unrevealed egotism of jealous wits and party politicians. "If these are the flowers of the parterre, what must be the weeds?" said Maltravers to himself, returning from a party at which he had met half a score of the most orthodox lions.

      He began to feel the aching pain of satiety.

      But the winter glided away—the season commenced, and Maltravers was whirled on with the rest into the bubbling vortex.

      CHAPTER III

      "And crowds commencing mere vexation,

      Retirement sent its invitation."

—SHENSTONE.

      THE tench, no doubt, considers the pond in which he lives as the Great World. There is no place, however stagnant, which is not the great world to the creatures that move about, in it. People who have lived all their lives in a village still talk of the world as if they had ever seen it! An old woman in a hovel does not put her nose out of her door on a Sunday without thinking she is going amongst the pomps and vanities of the great world. /Ergo/, the great world is to all of us the little circle in which we live. But as fine people set the fashion, so the circle of fine people is called the Great World /par excellence/. Now this great world is not a bad thing when we thoroughly understand it; and the London great world is at least as good as any other. But then we scarcely do understand that or anything else in our /beaux jours/,—which, if they are sometimes the most exquisite, are also often the most melancholy and the most wasted portion of our life. Maltravers had not yet found out either /the set/ that pleased him or the species of amusement that really amused. Therefore he drifted on and about the vast whirlpool, making plenty of friends—going to balls and dinners—and bored with both as men are who have no object in society. Now the way society is enjoyed is to have a pursuit, a /metier/ of some kind, and then to go into the world, either to make the individual object a social pleasure, or to obtain a reprieve from some toilsome avocation. Thus, if you are a politician—politics at once make an object in your closet, and a social tie between others and yourself when you are in the world. The same may be said of literature, though in a less degree; and though, as fewer persons care about literature than politics, your companions must be more select. If you are very young, you are fond of dancing; if you are very profligate, perhaps you are fond of flirtations with your friend's wife. These last are objects in their way: but they don't last long, and, even with the most frivolous, are not occupations that satisfy the whole mind and heart, in which there is generally an aspiration after something useful. It is not vanity alone that makes a man of the /mode/ invent a new bit or give his name to a new kind of carriage; it is the influence of that mystic yearning after utility, which is one of the master-ties between the individual and the species.

      Maltravers was not happy—that is a lot common enough; but he was not amused—and that is a sentence more insupportable. He lost a great part of his sympathy with Cleveland, for, when a man is not amused, he feels an involuntary contempt for those who are. He fancies they are pleased with trifles which his superior wisdom is compelled to disdain. Cleveland was of that age when we generally grow social—for by being rubbed long and often against the great loadstone of society, we obtain, in a thousand little minute points, an attraction in common with our fellows. Their petty sorrows and small joys—their objects of interest or employment, at some time or other have been ours. We gather up a vast collection of moral and mental farthings of exchange: and we scarcely find any intellect too poor, but what we can deal with it in some way. But in youth, we are egotists and sentimentalists, and Maltravers belonged to the fraternity who employ

      "The heart in passion and the head in rhymes."

      At length—just when London begins to grow most pleasant—when flirtations become tender, and water-parties numerous—when birds sing in the groves of Richmond, and whitebait refresh the statesman by the shores of Greenwich,—Maltravers abruptly fled from the gay metropolis, and arrived, one lovely evening in July, at his own ivy-grown porch of Burleigh.

      What a soft, fresh, delicious evening it was! He had quitted his carriage at the lodge, and followed it across the small but picturesque park alone and on foot. He had not seen the place since childhood—he had quite forgotten its aspect. He now wondered how he could have lived anywhere else. The trees did not stand in stately avenues, nor did the antlers of the deer wave above the sombre fern; it was not the domain of a grand seigneur, but of an old, long-descended English squire. Antiquity spoke in the moss-grown palings in the shadowy groves, in the sharp gable-ends and heavy mullions of the house, as it now came in view, at the base of a hill covered with wood—and partially veiled by the shrubs of the neglected pleasure-ground, separated from the park by the invisible ha-ha. There, gleamed in the twilight the watery face of the oblong fish-pool, with its old-fashioned willows at each corner—there, grey and quaint, was the monastic dial—and there was the long terrace walk, with discoloured and broken vases, now filled with the orange or the aloe, which, in honour of his master's arrival, the gardener had extracted from the dilapidated green-house. The very evidence of neglect around, the very weeds and grass on the half-obliterated road, touched Maltravers with a sort of pitying and remorseful affection for his calm and sequestered residence. And it was not with his usual proud step and erect crest that he passed from the porch to the solitary library, through a line of his servants:—the two or three old retainers belonging to the place were utterly unfamiliar to him, and they had no smile for their stranger lord.

      CHAPTER IV

      "/Lucian./ He that is born to be a man neither should nor can be anything nobler, greater, and better than a man.

      "/Peregrine./ But, good Lucian, for the very reason that he may not become less than a man, he should be always striving to be more."

—WIELAND'S /Peregrinus Proteus/.

      IT was two years from the date of the last chapter before Maltravers again appeared in general society. These two years had sufficed to produce a revolution in his fate. Ernest Maltravers had lost the happy rights of the private individual; he had given himself to the Public; he had surrendered his name to men's tongues, and was a thing that all had a right to praise, to blame, to scrutinise, to spy. Ernest Maltravers had become an author.

      Let no man tempt Gods and Columns, without weighing well the consequences of his experiment. He who publishes a book, attended with a moderate success, passes a mighty barrier. He will often look back with a sigh of regret at the land he has left for ever. The beautiful and decent obscurity of hearth and home is gone. He can no longer feel the just indignation of manly pride when he finds himself ridiculed or reviled. He has parted with the shadow of his life. His motives may be misrepresented, his character belied; his manners, his person, his dress, the "very trick of his walk" are all fair food for the cavil and the caricature. He can never go back, he cannot even pause; he has chosen his path, and all the natural feelings that make the nerve and muscle of the active being urge him to proceed. To stop