A Strange Story — Volume 03. Эдвард Бульвер-Литтон. Читать онлайн. Newlib. NEWLIB.NET

Автор: Эдвард Бульвер-Литтон
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      A Strange Story — Volume 03

      CHAPTER XXV

      My intercourse with Margrave grew habitual and familiar. He came to my house every morning before sunrise; in the evenings we were again brought together: sometimes in the houses to which we were both invited, sometimes at his hotel, sometimes in my own home.

      Nothing more perplexed me than his aspect of extreme youthfulness, contrasted with the extent of the travels, which, if he were to be believed, had left little of the known world unexplored. One day I asked him bluntly how old he was.

      "How old do I look? How old should you suppose me to be?"

      "I should have guessed you to be about twenty, till you spoke of having come of age some years ago."

      "Is it a sign of longevity when a man looks much younger than he is?"

      "Conjoined with other signs, certainly!"

      "Have I the other signs?"

      "Yes, a magnificent, perhaps a matchless, constitutional organization. But you have evaded my question as to your age; was it an impertinence to put it?"

      "No. I came of age—let me see—three years ago."

      "So long since? Is it possible? I wish I had your secret!"

      "Secret! What secret?"

      "The secret of preserving so much of boyish freshness in the wear and tear of man-like passions and man-like thoughts."

      "You are still young yourself,—under forty?"

      "Oh, yes! some years under forty."

      "And Nature gave you a grander frame and a finer symmetry of feature than she bestowed on me."

      "Pooh! pooh! You have the beauty that must charm the eyes of woman, and that beauty in its sunny forenoon of youth. Happy man! if you love and wish to be sure that you are loved again."

      "What you call love—the unhealthy sentiment, the feverish folly—left behind me, I think forever, when—"

      "Ay, indeed,—when?"

      "I came of age!"

      "Hoary cynic! and you despise love! So did I once. Your time may come."

      "I think not. Does any animal, except man, love its fellow she-animal as man loves woman?"

      "As man loves woman? No, I suppose not."

      "And why should the subject animals be wiser than their king? But to return: you would like to have my youth and my careless enjoyment of youth?"

      "Can you ask,—who would not?" Margrave looked at me for a moment with unusual seriousness, and then, in the abrupt changes common to his capricious temperament, began to sing softly one of his barbaric chants,—a chant different from any I had heard him sing before, made, either by the modulation of his voice or the nature of the tune, so sweet that, little as music generally affected me, this thrilled to my very heart's core. I drew closer and closer to him, and murmured when he paused,—

      "Is not that a love-song?"

      "No;" said he, "it is the song by which the serpent-charmer charms the serpent."

      CHAPTER XXVI

      Increased intimacy with my new acquaintance did not diminish the charm of his society, though it brought to light some startling defects, both in his mental and moral organization. I have before said that his knowledge, though it had swept over a wide circuit and dipped into curious, unfrequented recesses, was desultory and erratic. It certainly was not that knowledge, sustained and aspiring, which the poet assures us is "the wing on which we mount to heaven." So, in his faculties themselves there were singular inequalities, or contradictions. His power of memory in some things seemed prodigious, but when examined it was seldom accurate; it could apprehend, but did not hold together with a binding grasp what metaphysicians call "complex ideas." He thus seemed unable to put it to any steadfast purpose in the sciences of which it retained, vaguely and loosely, many recondite principles. For the sublime and beautiful in literature lie had no taste whatever. A passionate lover of nature, his imagination had no response to the arts by which nature is expressed or idealized; wholly unaffected by poetry or painting. Of the fine arts, music alone attracted and pleased him. His conversation was often eminently suggestive, touching on much, whether in books or mankind, that set one thinking; but I never remember him to have uttered any of those lofty or tender sentiments which form the connecting links between youth and genius; for if poets sing to the young, and the young hail their own interpreters in poets, it is because the tendency of both is to idealize the realities of life,—finding everywhere in the real a something that is noble or fair, and making the fair yet fairer, and the noble nobler still.

      In Margrave's character there seemed no special vices, no special virtues; but a wonderful vivacity, joyousness, animal good-humour. He was singularly temperate, having a dislike to wine, perhaps from that purity of taste which belongs to health absolutely perfect. No healthful child likes alcohol; no animal, except man, prefers wine to water.

      But his main moral defect seemed to me in a want of sympathy, even where he professed attachment. He who could feel so acutely for himself, be unmanned by the bite of a squirrel, and sob at the thought that he should one day die, was as callous to the sufferings of another as a deer who deserts and butts from him a wounded comrade.

      I give an instance of this hardness of heart where I should have least expected to find it in him.

      He had met and joined me as I was walking to visit a patient on the outskirts of the town, when we fell in with a group of children, just let loose for an hour or two from their day-school. Some of these children joyously recognized him as having played with them at their homes; they ran up to him, and he seemed as glad as themselves at the meeting.

      He suffered them to drag him along with them, and became as merry and sportive as the youngest of the troop.

      "Well," said I, laughing, "if you are going to play at leap-frog, pray don't let it be on the high road, or you will be run over by carts and draymen; see that meadow just in front to the left,—off with you there!"

      "With all my heart," cried Margrave, "while you pay your visit. Come along, boys."

      A little urchin, not above six years old, but who was lame, began to cry; he could not run,—he should be left behind.

      Margrave stooped. "Climb on my shoulder, little one, and I'll be your horse."

      The child dried its tears, and delightedly obeyed. "Certainly," said I to myself, "Margrave, after all, must have a nature as gentle as it is simple. What other young man, so courted by all the allurements that steal innocence from pleasure, would stop in the thoroughfares to play with children?"

      The thought had scarcely passed through my mind when I heard a scream of agony. Margrave had leaped the railing that divided the meadow from the road, and, in so doing, the poor child, perched on his shoulder, had, perhaps from surprise or fright, loosened its hold and fallen heavily; its cries were piteous. Margrave clapped his hands to his ears, uttered an exclamation of anger, and not even stopping to lift up the boy, or examine what the hurt was, called to the other children to come on, and was soon rolling with them on the grass, and pelting them with daisies. When I came up, only one child remained by the sufferer,-his little brother, a year older than himself. The child had fallen on his arm, which was not broken, but violently contused. The pain must have been intense. I carried the child to his home, and had to remain there some time. I did not see Margrave till the next morning. When he then called, I felt so indignant that I could scarcely speak to him. When at last I rebuked him for his inhumanity, he seemed surprised; with difficulty remembered the circumstance, and then merely said, as if it were the most natural confession in the world,

      "Oh, nothing so discordant as a child's wail. I hate discords. I am pleased with the company of children; but they must be children who laugh and play. Well, why do you look at me so sternly?