The Tribes and Castes of the Central Provinces of India, Volume 4. Robert Vane Russell

is one who can be possessed by a spirit in the temple of Khermāta. When possessed he shakes his head up and down violently and foams at the mouth, and sometimes strikes his head on the ground. Another favourite godling is Hardaul, who was the brother of Jujhār Singh, Rāja of Orchha, and was suspected by Jujhār Singh of loving the latter’s wife, and poisoned in consequence by his orders. Hardaul has a platform and sometimes a hut with an image of a man on horseback carrying a spear in his hand. His shrine is outside the village, and two days before a marriage the women of the family visit his shrine and cook and eat their food there and invite him to the wedding. Clay horses are offered to him, and he is supposed to be able to keep off rain and storms during the ceremony. Hardaul is perhaps the deified Rājpūt horseman. Hanumān or Mahābīr is represented by an image of a monkey coloured with vermilion, with a club in his hand and a slain man beneath his feet. He is principally worshipped on Saturdays so that he may counteract the evil influences exercised by the planet Saturn on that day. His image is painted with oil mixed with vermilion and has a wreath of flowers of the cotton tree; and gugal or incense made of resin, sandalwood and other ingredients is burnt before him. He is the deified ape, and is the god of strength and swiftness, owing to the exploits performed by him during Rāma’s invasion of Ceylon. Dūlha Deo is another godling whose shrine is in every village. He was a young bridegroom who was carried off by a tiger on his way to his wedding, or, according to another account, was turned into a stone pillar by a flash of lightning. Before the starting of a wedding procession the members go to Dūlha Deo and offer a pair of shoes and a miniature post and marriage-crown. On their return they offer a cocoanut. Dūlha Deo has a stone and platform to the east of the village, or occasionally an image of a man on horseback like Hardaul. Mirohia is the god of the field boundary. There is no sign of him, but every tenant, when he begins sowing and cutting the crops, offers a little curds and rice and a cocoanut and lays them on the boundary of the field, saying the name of Mirohia Deo. It is believed among agriculturists that if this godling is neglected he will flatten the corn by a wind, or cause the cart to break on its way to the threshing-floor.

      31. Sowing the Jawaras or Gardens of Adonis

      The sowing of the Jawaras, corresponding to the gardens of Adonis, takes place during the first nine days of the months of Kunwār and Chait (September and March). The former is a nine days’ fast preceding the Dasahra festival, and it is supposed that the goddess Devi was during this time employed In fighting the buffalo-demon (Bhainsāsur), whom she slew on the tenth day. The latter is a nine days’ fast at the new year, preceding the triumphant entry of Rāma into Ajodhia on the tenth day on his return from Ceylon. The first period comes before the sowing of the spring crop of wheat and other grains, and the second is at the commencement of the harvest of the same crop. In some localities the Jawaras are also grown a third time in the rains, probably as a preparation for the juāri sowings,70 as juāri is planted in the baskets or ‘gardens’ at this time. On the first day a small room is cleared and whitewashed, and is known as the diwāla or temple. Some earth is brought from the fields and mixed with manure in a basket, and a male member of the family sows wheat in it, bathing before he does so. The basket is kept in the diwāla and the same man attends on it throughout the nine days, fasting all day and eating only milk and fruit at night. A similar nine days’ fast was observed by the Eleusinians before the sacramental eating of corn and the worship of the Corn Goddess, which constituted the Eleusinian mysteries.71 During the period of nine days, called the Naorātra, the plants are watered, and long stalks spring up. On the eighth day the hom or fire offering is performed, and the Gunias or devotees are possessed by Devi. On the evening of the ninth day the women, putting on their best clothes, walk out of the houses with the pots of grain on their heads, singing songs in praise of Devi. The men accompany them beating drums and cymbals. The devotees pierce their cheeks with long iron needles and walk in the procession. High-caste women, who cannot go themselves, hire the barber’s or waterman’s wife to go for them. The pots are taken to a tank and thrown in, the stalks of grain being kept and distributed as a mark of amity. The wheat which is sown in Kunwār gives a forecast of the spring crops. A plant is pulled out, and the return of the crop will be the same number of times the seed as it has roots. The woman who gets to the tank first counts the number of plants in her pot, and this gives the price of wheat in rupees per māni.72 Sometimes marks of red rust appear on the plants, and this shows that the crop will suffer from rust. The ceremony performed in Chait is said to be a sort of harvest thanksgiving. On the ninth day of the autumn ceremony another celebration called ‘Jhinjhia’ or ‘Norta’ takes place in large villages. A number of young unmarried girls take earthen pots and, making holes in them and placing lamps inside, carry them on their heads through the village, singing and dancing. They receive presents from the villagers, with which they hold a feast. At this a small platform is erected and two earthen dolls, male and female, are placed on it; rice and flowers are offered to them and their marriage is celebrated.

      Sowing

      The following observances in connection with the crops are practised by the agricultural castes in Chhattīsgarh:

      32. Rites connected with the crops. Customs of cultivation

      The agricultural year begins on Akti or the 3rd day of Baisākh (April-May). On that day a cup made of palās73 leaves and filled with rice is offered to Thākur Deo. In some villages the boys sow rice seeds before Thākur Deo’s shrine with little toy ploughs. The cultivator then goes to his field, and covering his hand with wheat-flour and turmeric, stamps it five times on the plough. The mālguzār takes five handfuls of the seed consecrated to Thākur Deo and sows it, and each of the cultivators also sows a little. After this regular cultivation may begin on any day, though Monday and Friday are considered auspicious days for the commencement of sowing. On the Hareli, or festival of the fresh verdure, which falls on the 15th day of Shrāwan (July-August), balls of flour mixed with salt are given to the cattle. The plough and all the implements of agriculture are taken to a tank and washed, and are then set up in the courtyard of the house and plastered with cowdung. The plough is set facing towards the sun, and butter and sugar are offered to it. An earthen pot is whitewashed and human figures are drawn on it with charcoal, one upside down. It is then hung over the entrance to the house and is believed to avert the evil eye. All the holes in the cattle-sheds and courtyards are filled and levelled with gravel. While the rice is growing, holidays are observed on five Sundays and no work is done. Before harvest Thākur Deo must be propitiated with an offering of a white goat or a black fowl. Any one who begins to cut his crop before this offering has been made to Thākur Deo is fined the price of a goat by the village community. Before threshing his corn each cultivator offers a separate sacrifice to Thākur Deo of a goat, a fowl or a broken cocoanut. Each evening, on the conclusion of a day’s threshing, a wisp of straw is rubbed on the forehead of each bullock, and a hair is then pulled from its tail, and the hairs and straw made into a bundle are tied to the pole of the threshing-floor. The cultivator prays, ‘O God of plenty! enter here full and go out empty.’ Before leaving the threshing-floor for the night some straw is burnt and three circles are drawn with the ashes, one round the heap of grain and the others round the pole. Outside the circles are drawn pictures of the sun, the moon, a lion and a monkey, or of a cart and a pair of bullocks. Next morning before sunrise the ashes are swept away by waving a winnowing-fan over them. This ceremony is called anjan chadhāna or placing lamp-black on the face of the threshing-floor to avert the evil eye, as women put it on their eyes. Before the grain is measured it must be stacked in the form of a trapezium with the shorter end to the south, and not in that of a square or oblong heap. The measurer stands facing the east, and having the shorter end of the heap on his left hand. On the larger side of the heap are laid the kalara or hook, a winnowing-fan, the dauri, a rope by which the bullocks are tied to the threshing-pole, one or three branches of the ber or wild plum tree, and the twisted bundle of straw and hair of the bullocks which had been tied to the pole. On the top of the heap are placed five balls of cowdung, and the hom or fire sacrifice is offered to it. The first kātha Скачать книгу