Concutitur!"
So long as you take science only as a distraction, science will not lead you to discovery. And from some cause or other, Guy Darrell was more unquiet and perturbed in his present than in his past seclusion. Science this time failed even to distract. In the midst of august meditations— of close experiment—some haunting angry thought from the far world passed with rude shadow between Intellect and Truth—the heart eclipsed the mind. The fact is, that Darrell's genius was essentially formed for Action. His was the true orator's temperament, with the qualities that belong to it—the grasp of affairs—the comprehension of men and states —the constructive, administrative faculties. In such career, and in such career alone, could he have developed all his powers, and achieved an imperishable name. Gradually as science lost its interest, he retreated from all his former occupations, and would wander for long hours over the wild unpopulated landscapes round him. As if it were his object to fatigue the body, and in that fatigue tire out the restless brain, he would make his gun the excuse for rambles from sunrise to twilight over the manors he had purchased years ago, lying many miles off from Fawley. There are times when a man who has passed his life in cultivating his mind finds that the more he can make the physical existence predominate, the more he can lower himself to the rude vigour of the gamekeeper, or his day-labourer—why, the more he can harden his nerves to support the weight of his reflections.
In these rambles he was not always alone. Fairthorn contrived to insinuate himself much more than formerly into his master's habitual companionship. The faithful fellow had missed Darrell so sorely in that long unbroken absence of five years, that on recovering him, Fairthorn seemed resolved to make up for lost time. Departing from his own habits, he would, therefore, lie in wait for Guy Darrell—creeping out of a bramble or bush, like a familiar sprite; and was no longer to be awed away by a curt syllable or a contracted brow. And Darrell, at first submitting reluctantly, and out of compassionate kindness to the flute- player's obtrusive society, became by degrees to welcome and relax in it. Fairthorn knew the great secrets of his life. To Fairthorn alone on all earth could he speak with out reserve of one name and of one sorrow. Speaking to Fairthorn was like talking to himself, or to his pointers, or to his favourite doe, upon which last he bestowed a new collar, with an inscription that implied more of the true cause that had driven him a second time to the shades of Fawley than he would have let out to Alban Morley or even to Lionel Haughton. Alban was too old for that confidence —Lionel much too young. But the Musician, like Art itself, was of no age; and if ever the gloomy master unbent his outward moodiness and secret spleen in any approach to gaiety, it was in a sort of saturnine playfulness to this grotesque, grown-up infant. They cheered each other, and they teased each other. Stalking side by side over the ridged fallows, Darrell would sometimes pour forth his whole soul, as a poet does to his muse; and at Fairthorn's abrupt interruption or rejoinder, turn round on him with fierce objurgation or withering sarcasm, or what the flute-player abhorred more than all else, a truculent quotation from Horace, which drove Fairthorn away into some vanishing covert or hollow, out of which Darrell had to entice him, sure that, in return, Fairthorn would take a sly occasion to send into his side a vindictive prickle. But as the two came home in the starlight, the dogs dead beat and poor Fairthorn too,—ten to one but what the musician was leaning all his weight on his master's nervous arm, and Darrell was looking with tender kindness in the face of the SOMEONE left to lean upon him still.
One evening, as they were sitting together in the library, the two hermits, each in his corner, and after a long silence, the flute-player said abruptly
"I have been thinking—"
"Thinking!" quoth Darrell, with his mechanical irony; "I am sorry for you. Try not to do so again."
FAIRTHORN.—"Your poor dear father—"
DARRELL (wincing, startled, and expectant of a prickle).—"Eh? my father—"
FAIRTHORN.—"Was a great antiquary. How it would have pleased him could he have left a fine collection of antiquities as an heirloom to the nation!—his name thus preserved for ages, and connected with the studies of his life. There are the Elgin Marbles. The parson was talking to me yesterday of a new Vernon Gallery; why not in the British Museum an everlasting Darrell room? Plenty to stock it mouldering yonder in the chambers which you will never finish."
"My dear Dick," Said Darrell, starting up, "give me your hand. What a brilliant thought! I could do nothing else to preserve my dear father's name. Eureka! You are right. Set the carpenters at work to-morrow. Remove the boards; open the chambers; we will inspect their stores, and select what would worthily furnish 'A Darrell Room.' Perish Guy Darrell the lawyer! Philip Darrell the antiquary at least shall live!"
It is marvellous with what charm Fairthorn's lucky idea seized upon Darrell's mind. The whole of the next day he spent in the forlorn skeleton of the unfinished mansion slowly decaying beside his small and homely dwelling. The pictures, many of which were the rarest originals in early Flemish and Italian art, were dusted with tender care, and hung from hasty nails upon the bare ghastly walls. Delicate ivory carvings, wrought by the matchless hand of Cellini-early Florentine bronzes, priceless specimens of Raffaele ware and Venetian glass—the precious trifles, in short, which the collector of mediaeval curiosities amasses for his heirs to disperse amongst the palaces of kings and the cabinets of nations—were dragged again to unfamiliar light. The invaded sepulchral building seemed a very Pompeii of the /Cinque Cento/. To examine, arrange, methodise, select for national purposes, such miscellaneous treasures would be the work of weeks. For easier access, Darrell caused a slight hasty passage to be thrown over the gap between the two edifices. It ran from the room nicked into the gables of the old house, which, originally fitted up for scientific studies, now became his habitual apartment, into the largest of the uncompleted chambers which had been designed for the grand reception-gallery of the new building. Into the pompous gallery thus made contiguous to his monk-like cell, he gradually gathered the choicest specimens of his collection. The damps were expelled by fires on grateless hearthstones; sunshine admitted from windows now for the first time exchanging boards for glass; rough iron sconces, made at the nearest forge, were thrust into the walls, and sometimes lighted at night-Darrell and Fairthorn walking arm-in-arm along the unpolished floors, in company with Holbein's Nobles, Perugino's Virgins. Some of that highbred company displaced and banished the next day, as repeated inspection made the taste more rigidly exclusive. Darrell had found object, amusement, occupation—frivolous if Compared with those lenses, and glasses, and algebraical scrawls which had once whiled lonely hours in the attic-room hard by; but not frivolous even to the judgment of the austerest sage, if that sage had not reasoned away his heart. For here it was not Darrell's taste that was delighted; it was Darrell's heart that, ever hungry, had found food. His heart was connecting those long-neglected memorials of an ambition baffled and relinquished—here with a nation, there with his father's grave! How his eyes sparkled! how his lip smiled! Nobody would have guessed it—none of us know each other; least of all do we know the interior being of those whom we estimate by public repute;—but what a world of simple, fond affection lay coiled and wasted in that proud man's solitary breast!
CHAPTER II
THE LEARNED COMPUTE THAT SEVEN HUNDRED AND SEVEN MILLIONS OF MILLIONS OF VIBRATIONS HAVE PENETRATED THE EYE BEFORE THE EYE CAN DISTINGUISH THE TINTS OF A VIOLET. WHAT PHILOSOPHY CAN CALCULATE THE VIBRATIONS OF THE HEART BEFORE IT CAN DISTINGUISH THE COLOURS OF LOVE?
While Guy Darrell thus passed his hours within the unfinished fragments of a dwelling builded for posterity, and amongst the still relics of remote generations, Love and Youth were weaving their warm eternal idyll on the sunny lawns by the gliding river.
There they are, Love and Youth, Lionel and Sophy, in the arbour round which her slight hands have twined the honeysuckle, fond imitation of that bower endeared by the memory of her earliest holiday—she seated coyly, he on the ground at her feet, as when Titania had watched his sleep. He has been reading to her, the book has fallen from his hand. What book? That volume of poems so unintelligibly obscure to all but the dreaming young,