The room where the patient lay was very large and open. It had once been the billiard-room of the house, and had been prepared for him when it was found no longer expedient that he should go up and down even the easy, luxuriously carpeted stairs of Highcourt. There was one large window filling almost one side of the room, without curtains or even blind, and which was now thrown open to admit the air fully. The door, too, was open, and the draught of fresh, cold, wintry air blowing through made it more like a hillside than a room in a sheltered house. Notwithstanding this, Mrs. Trevanion stood by the bed, waving a large fan, to get more air into the panting and struggling lungs. On the other side of the bed the doctor stood, with the bony wrist of the patient in his warm, living grasp. It seemed to be Death in person with whom these anxious ministrants were struggling, rather than a dying man. Other figures flitted about in the background, Jane bringing, with noiseless understanding, according to the signs the doctor made to her, the things he wanted—now a spoonful of stimulant, now water to moisten his lips. Dead silence reigned in the room; the wind blew through, fluttering a bit of paper on the table; the slight beat of the fan kept a vibration in the air. Into this terrible scene Rosalind stole trembling, and after her her uncle; they shivered with the chill blast which swept over the others unnoticed, and still more with the sight of the gasping and struggle. Rosalind, unused to suffering, hid her face in her hands. She could do nothing. Jane, who knew what was wanted, was of more use than she. She stood timidly at the foot of the bed, now looking up for a moment at what she could see of her dying father, now at the figure of his wife against the light, never intermitting for a moment her dreadful, monotonous exercise. Mr. Trevanion was seated almost upright in the midst of his pillows, laboring in that last terrible struggle for breath, for death, not for life.
He had cried out at first in broken gasps for “The woman—the woman! She’s got something—to tell me. Something more—to tell me. I’ll hear it— I’ll he-ar it— I’ll know—everything!” he now shrieked, waving his skeleton arms to keep them away, and struggling to rise. But these efforts soon gave way to the helplessness of nature. His cries soon sank into a hoarse moaning, his struggles to an occasional wave with his arms towards the door, an appeal with his eyes to the doctor, who stood over him inexorable. Every agitating movement had dropped before Rosalind came in into the one grand effort for breath. That was all that was left him in this world to struggle for. A man of so many passions, who had got everything he had set his heart on in life: a little breath now, which the November breeze, the winnowing of the air by the great fan, every aid that could be used, could not bring to his panting lungs. Who can describe the moment when nurses and watchers, and children and lovers stand thus awed and silent, seeing the struggle turn into a fight for death—not against it: feeling their own hearts turn, and their prayers, to that which hitherto they have been resisting with all that love and skill and patience can do? Nature is strong at such a time. Few remember that the central figure has been an unkind husband, a careless father; they remember only that he is going away from them into darkness unfathomable, which they can never penetrate till they follow; that he is theirs, but soon will be theirs no more.
Then there occurred a little pause; for the first moment Dr. Beaton, with a lifted finger and eyes suddenly turned upon the others, was about to say, “All is over,” when a faintly renewed throb of the dying pulse under his finger contradicted him. There was a dead calm for a few moments, and then a faint rally. The feverish, eager eyes, starting out of their sockets, seemed to calm, and glance with something like a dim perception at John Trevanion and Rosalind, who approached. Rosalind, entirely overcome by emotion and the terrible excitement of witnessing such an event, dropped down on her knees by the bedside, where with a slight flickering of the eyelids her father’s look seemed to follow her. But in the act that look was arrested by the form of his wife, standing always in the same position, waving the fan, sending wafts of air to him, the last and only thing he now wanted. His eyes steadied then with a certain meaning in them—a last gleam which gradually strengthened. He looked at her fixedly, with what in a person less exhausted would have been a wave of the hand towards her. Then there was a faint movement of the lips. “John!” was it perhaps? or “Look!” Then the words became more audible. “She’s—good nurse—faithful— Air!—stands—hours—but—” Then the look softened a little, the voice grew stronger; “I’m—almost—sorry—” it said.
For what—for what? In the intense stillness every feeble syllable was heard. Only a minute or two more was left to make amends for the cruelty of a life. The spectators held their breath. As for the wife, whose life perhaps hung upon these syllables as much as his did, she never moved or spoke, but went on fanning, fanning, supplying to him these last billows of air for which he labored. Suddenly a change came over the dying face, the eyes with all their old eagerness turned to the doctor, asking pitifully—was it for help in the last miserable strain of nature, this terrible effort to die?
Mrs. Trevanion seemed turned into stone. She stood and fanned after all need was over, solemnly winnowing the cold, penetrating air, which was touched with the additional chill of night, in waves towards the still lips which had done with that medium of life. To see her standing there, as if she had fainted or become unconscious, yet stood at her post still exercising that strange mechanical office, was the most terrible of all. The doctor came round and took her by the arm, and took the fan out of her hand.
“There’s no more need for that,” he cried in a broken voice; “no more need. Let us hope he is gone to fuller air than ours.”
She was so strained and stupefied that she scarcely seemed to understand this. “Hush!” she said, pulling it from his hands, “I tell you it does him good.” She had recovered the fan again and begun to put it in motion, when her eyes suddenly opened wide and fixed upon the dead face. She looked round upon them all with a great solemnity, yet surprise. “My husband is dead!” she said.
“Grace,” said John Trevanion, “come away. You have done everything up to the last moment. Come, now, and rest for the sake of the living. He needs you no more.”
He was himself very much moved. That which had been so long looked for, so often delayed, came now with all the force of a surprise. Rosalind, in an agony of tears, with her face hidden in the coverlid; Madam standing there, tearless, solemn, with alas, he feared, still worse before her than anything she divined; the young fatherless children outside, the boy at school, the troubles to be gone through, all rushed upon John Trevanion as he stood there. In a moment he who had been the object of all thought had abdicated or been dethroned, and even his brother thought of him no more. “For the sake of the living,” he repeated, taking his sister-in-law by the arm. The touch of her was like death; she was cold, frozen where she stood—penetrated by the wintry chill and by the passing of that chiller presence which had gone by her—but she did not resist. She suffered him to lead her away. She sank into a chair in the hall, as if she had no longer any power of her own. There she sat for a little while unmoving, and then cried out suddenly, “For the living!—for which of the living? It would be better for the living if you would bury me with him, he and I in one grave.”
Her voice was almost harsh in this sudden cry. What was it—a lie, or the truth? That a woman who had been so outraged and tormented should wish to be buried with her husband seemed to John Trevanion a thing impossible; and yet there was no falsehood in her face. He did not know what to think or say. After a moment he went away and left her alone with her—what?—her grief, her widowhood, her mourning—or was it only a physical frame that could bear no more, the failure of nature, altogether exhausted and worn out?
CHAPTER XVI
“The mother might have managed better, Rosie—why wasn’t I sent for? I’m the eldest and the heir, and I ought to have been here. Poor old papa—he would miss me, I know. He was fond of me because I was the biggest. He used to tell me things, I ought to have been sent for. Why didn’t she send for me, Rosalind?”
“I have told you before, Rex. We did not know. When I went out in the afternoon he was better and all going well; and when I came back— I had only been in the park—he was dying. Oh, you should be rather glad you were