The Mysteries of Udolpho. Анна Радклиф

be retired to rest. Emily remained in her chamber, till she heard the convent bell strike twelve, when the nun came, as she had appointed, with the key of a private door, that opened into the church, and they descended together the narrow winding stair-case, that led thither. The nun offered to accompany Emily to the grave, adding, 'It is melancholy to go alone at this hour;' but the former, thanking her for the consideration, could not consent to have any witness of her sorrow; and the sister, having unlocked the door, gave her the lamp. 'You will remember, sister,' said she, 'that in the east aisle, which you must pass, is a newly opened grave; hold the light to the ground, that you may not stumble over the loose earth.' Emily, thanking her again, took the lamp, and, stepping into the church, sister Mariette departed. But Emily paused a moment at the door; a sudden fear came over her, and she returned to the foot of the stair-case, where, as she heard the steps of the nun ascending, and, while she held up the lamp, saw her black veil waving over the spiral balusters, she was tempted to call her back. While she hesitated, the veil disappeared, and, in the next moment, ashamed of her fears, she returned to the church. The cold air of the aisles chilled her, and their deep silence and extent, feebly shone upon by the moon-light, that streamed through a distant gothic window, would at any other time have awed her into superstition; now, grief occupied all her attention. She scarcely heard the whispering echoes of her own steps, or thought of the open grave, till she found herself almost on its brink. A friar of the convent had been buried there on the preceding evening, and, as she had sat alone in her chamber at twilight, she heard, at distance, the monks chanting the requiem for his soul. This brought freshly to her memory the circumstances of her father's death; and, as the voices, mingling with a low querulous peal of the organ, swelled faintly, gloomy and affecting visions had arisen upon her mind. Now she remembered them, and, turning aside to avoid the broken ground, these recollections made her pass on with quicker steps to the grave of St. Aubert, when in the moon-light, that fell athwart a remote part of the aisle, she thought she saw a shadow gliding between the pillars. She stopped to listen, and, not hearing any footstep, believed that her fancy had deceived her, and, no longer apprehensive of being observed, proceeded. St. Aubert was buried beneath a plain marble, bearing little more than his name and the date of his birth and death, near the foot of the stately monument of the Villerois. Emily remained at his grave, till a chime, that called the monks to early prayers, warned her to retire; then, she wept over it a last farewel, and forced herself from the spot. After this hour of melancholy indulgence, she was refreshed by a deeper sleep, than she had experienced for a long time, and, on awakening, her mind was more tranquil and resigned, than it had been since St. Aubert's death.

      But, when the moment of her departure from the convent arrived, all her grief returned; the memory of the dead, and the kindness of the living attached her to the place; and for the sacred spot, where her father's remains were interred, she seemed to feel all those tender affections which we conceive for home. The abbess repeated many kind assurances of regard at their parting, and pressed her to return, if ever she should find her condition elsewhere unpleasant; many of the nuns also expressed unaffected regret at her departure, and Emily left the convent with many tears, and followed by sincere wishes for her happiness.

      She had travelled several leagues, before the scenes of the country, through which she passed, had power to rouse her for a moment from the deep melancholy, into which she was sunk, and, when they did, it was only to remind her, that, on her last view of them, St. Aubert was at her side, and to call up to her remembrance the remarks he had delivered on similar scenery. Thus, without any particular occurrence, passed the day in languor and dejection. She slept that night in a town on the skirts of Languedoc, and, on the following morning, entered Gascony.

      Towards the close of this day, Emily came within view of the plains in the neighbourhood of La Vallee, and the well-known objects of former times began to press upon her notice, and with them recollections, that awakened all her tenderness and grief. Often, while she looked through her tears upon the wild grandeur of the Pyrenees, now varied with the rich lights and shadows of evening, she remembered, that, when last she saw them, her father partook with her of the pleasure they inspired. Suddenly some scene, which he had particularly pointed out to her, would present itself, and the sick languor of despair would steal upon her heart. 'There!' she would exclaim, 'there are the very cliffs, there the wood of pines, which he looked at with such delight, as we passed this road together for the last time. There, too, under the crag of that mountain, is the cottage, peeping from among the cedars, which he bade me remember, and copy with my pencil. O my father, shall I never see you more!'

      As she drew near the chateau, these melancholy memorials of past times multiplied. At length, the chateau itself appeared, amid the glowing beauty of St. Aubert's favourite landscape. This was an object, which called for fortitude, not for tears; Emily dried hers, and prepared to meet with calmness the trying moment of her return to that home, where there was no longer a parent to welcome her. 'Yes,' said she, 'let me not forget the lessons he has taught me! How often he has pointed out the necessity of resisting even virtuous sorrow; how often we have admired together the greatness of a mind, that can at once suffer and reason! O my father! if you are permitted to look down upon your child, it will please you to see, that she remembers, and endeavours to practise, the precepts you have given her.'

      A turn on the road now allowed a nearer view of the chateau, the chimneys, tipped with light, rising from behind St. Aubert's favourite oaks, whose foliage partly concealed the lower part of the building. Emily could not suppress a heavy sigh. 'This, too, was his favourite hour,' said she, as she gazed upon the long evening shadows, stretched athwart the landscape. 'How deep the repose, how lovely the scene! lovely and tranquil as in former days!'

      Again she resisted the pressure of sorrow, till her ear caught the gay melody of the dance, which she had so often listened to, as she walked with St. Aubert, on the margin of the Garonne, when all her fortitude forsook her, and she continued to weep, till the carriage stopped at the little gate, that opened upon what was now her own territory. She raised her eyes on the sudden stopping of the carriage, and saw her father's old housekeeper coming to open the gate. Manchon also came running, and barking before her; and when his young mistress alighted, fawned, and played round her, gasping with joy.

      'Dear ma'amselle!' said Theresa, and paused, and looked as if she would have offered something of condolement to Emily, whose tears now prevented reply. The dog still fawned and ran round her, and then flew towards the carriage, with a short quick bark. 'Ah, ma'amselle!—my poor master!' said Theresa, whose feelings were more awakened than her delicacy, 'Manchon's gone to look for him.' Emily sobbed aloud; and, on looking towards the carriage, which still stood with the door open, saw the animal spring into it, and instantly leap out, and then with his nose on the ground run round the horses.

      'Don't cry so, ma'amselle,' said Theresa, 'it breaks my heart to see you.' The dog now came running to Emily, then returned to the carriage, and then back again to her, whining and discontented. 'Poor rogue!' said Theresa, 'thou hast lost thy master, thou mayst well cry! But come, my dear young lady, be comforted. What shall I get to refresh you?' Emily gave her hand to the old servant, and tried to restrain her grief, while she made some kind enquiries concerning her health. But she still lingered in the walk which led to the chateau, for within was no person to meet her with the kiss of affection; her own heart no longer palpitated with impatient joy to meet again the well-known smile, and she dreaded to see objects, which would recall the full remembrance of her former happiness. She moved slowly towards the door, paused, went on, and paused again. How silent, how forsaken, how forlorn did the chateau appear! Trembling to enter it, yet blaming herself for delaying what she could not avoid, she, at length, passed into the hall; crossed it with a hurried step, as if afraid to look round, and opened the door of that room, which she was wont to call her own. The gloom of evening gave solemnity to its silent and deserted air. The chairs, the tables, every article of furniture, so familiar to her in happier times, spoke eloquently to her heart. She seated herself, without immediately observing it, in a window, which opened upon the garden, and where St. Aubert had often sat with her, watching the sun retire from the rich and extensive prospect, that appeared beyond the groves.

      Having indulged her tears for some time, she became more composed; and, when Theresa, after seeing the baggage deposited in her lady's room, again appeared, she had so far recovered her spirits, as to be able to converse with her.

      'I have made up the green